أوامر Seedance 2.5

A high-end, intensely cinematic 30-second 3D motion-graphics sequence in a refined steampunk and vintage-miniature style, with continuous, fluid orbiting and tunneling camera moves.
[0-10s]: A macro close-up of an antique brass clock face that miraculously unfolds layer by layer into interlocking rotating gear rings and volumetric fog. The camera dives down through the gears, where an Ornithopter is spiraling up out of a miniature canyon built from stacked, weathered antique books.
[10-20s]: The camera follows the ornithopter's trajectory as it glides forward, seamlessly passing into an ornate, fast-spinning brass Zoetrope whose interior projects the dynamic light and shadow of galloping mechanical horses. The light leaps out of the box and the scene instantly becomes a brass-textured floating cable car, threading along faintly glowing copper rails through a forest of mechanical gears, bathed in cinematic golden-hour light.
[20-30s]: The camera pans gracefully downward and a delicate clockwork wooden sailing ship appears beneath the cable car, cutting through rolling waves of deep-blue glass material. The end of the waves seamlessly evolves into a glowing giant moon, where a group of silhouetted explorers holding swaying lanterns trudge along a crystal-vein ridge under a starry sky. The camera spirals smoothly outward, passing through ethereal clouds, back to the grand, ticking brass clock face.
Technical specs: hyper-real mechanical textures, rich brass and gold tones, cinematic shallow depth of field. Smooth, continuous, seamless tunneling camera moves, with a powerful epic and fantastical adventure atmosphere.

A fast-paced, cinematic match-cut short synced to a driving electronic beat. A flawless crystal ball stays fixed dead-center the entire time, with a glowing 'seedance' logo etched inside it. The crystal ball stays in razor-sharp focus while, on every powerful drum hit, the background switches seamlessly at high speed:
Scene 1: Macro close-up, cinematic water splashing around the crystal ball, refracting intricate light and shadow.
Scene 2: A vintage morning cafe, the crystal ball resting on a raw-wood tabletop, with rising coffee steam and a blurred stream of commuters out the window behind it.
Scene 3: Golden hour at dusk, a skateboarding youth tossing and catching the crystal ball one-handed, against a fast-receding streetscape and gorgeous backlit sunset.
Scene 4: A frenzied music festival, hands raised high holding the crystal ball, refracting the dazzling stage lasers behind it.
Scene 5: A lively family party table, the crystal ball resting at the center, with blurred figures toasting and reaching for food in the background.
Scene 6: A dim movie theater, hands cupping the crystal ball as the faint glow of the huge screen flows across its surface.
Scene 7: The crystal ball on a violently vibrating speaker membrane, seamlessly cutting at the music's climax to the spinning center of a DJ turntable.
Scene 8: A night of outdoor camping, the background becoming a warm bonfire and the swaying bokeh of string lights.
Toss finale: On the final accent of the music, the crystal ball is thrown high out of the top of frame; an instant cut to a pure black background, where a minimalist white-on-black 'seedance' appears dead-center.
Cut tightly to the rhythm of the energetic BGM (beat-synced transitions), top-tier cinematic color grading. Photoreal glass refraction and transmission material, complex ray tracing, global illumination. The subject is razor-sharp while the background carries strong motion blur for maximum visual impact.

A 15-second seamless looping creative text-animation video, 4K, 30fps. Each language lasts about 1.2s; transitions are achieved through text dissolving, morphing, or particle scattering, with no hard cuts. The background music has a clear rhythm with strong beat-sync.
0-1.2s Chinese "创造" - Op-art optical-illusion pure-black background, black-and-white concentric circles radiating outward from the center into a visual tunnel. White 3D Chinese characters "创造" slowly protrude from deep within the center toward the lens, bold sans-serif with subtle edge shadows. The concentric circles ripple and distort as the text advances, like ripples on water. After fully protruding, the text pauses, then dissolves into scattering blue crayon particles.
1.2-2.4s English "CREATE" - Hand-drawn crayon on warm-yellow kraft-paper texture; rough blue crayon strokes write out the uppercase "CREATE" stroke by stroke. The strokes carry obvious crayon grain and overlap marks, the final crossbar of the E tilting slightly upward. Once finished, the letters have a faint waxy sheen and faint pencil guidelines appear in the background. The text is then sucked into CRT scanlines and vanishes.
2.4-3.6s Spanish "CREAR" - A retro arcade cabinet in a dark frame, the central CRT screen carrying fine scanlines and phosphor grain. Blue-purple gradient 3D pixel letters "CREAR" rise from the bottom, the letter surfaces animated with wave-like white ripples and edges glowing neon blue. "CREDIT 00" sits top-left and "INSERT COIN" blinks bottom-right. The text then pixelates and crumbles into indigo batik patterns.
3.6-4.8s Indonesian "CIPTAKAN" - Batik fabric, deep-indigo traditional Indonesian batik background with fine parabolic patterns. White serif "CIPTAKAN" slowly rises from beneath the fabric like gold foil embossing, the fabric rippling realistically as the text emerges. After it appears, wind lifts the fabric and golden flecks scatter, turning into Islamic geometric patterns.
4.8-6.0s Malay "CIPTA" - Islamic geometry. Deep-green velvet background, golden arabesque geometric patterns spreading from the four corners toward the center. White classical serif "CIPTA" rotates into view from the center, the letters ringed by star patterns with gold-dust particles drifting down. The text is then engraved letter by letter into a black metal plaque by a golden carving blade.
6.0-7.2s Thai "สร้างสรรค์" - Gold-leaf engraving on a black background, the Thai "สร้างสรรค์" rendered in gold as if carved from an ancient temple plaque. The text surface has a subtle gold-leaf flaking animation revealing dark-red primer beneath, with golden flecks scattering. Once carved, the text melts into dripping silver mercury.
7.2-8.4s Arabic "إبداع" - Mechanical flip-board. A black metal split-flap display fills the whole frame, mechanical flaps clacking and flipping in sequence. White pixel-grid Arabic "إبداع" appears letter by letter from right to left, each letter's flip accompanied by precise mechanical motion and slight vibration. Once the flipping is done, the text is swept up by a storm of colorful samba feathers.
8.4-9.6s Portuguese "CRIAR" - Carnival feathers. Black background, colorful samba feathers converging from the frame edges toward the center to form a giant feather fan. White bold "CRIAR" bursts out from the center of the fan, the feathers flying outward with the text's impact, the text surface carrying Carnival glitter reflections and green-yellow-blue Brazilian-flag light spots flickering. The text is then washed away by black ink.
9.6-10.8s Vietnamese "SÁNG TẠO" - Ink on silk. Off-white silk background, black ink slowly flowing from the top of the frame, gradually forming the Vietnamese "SÁNG TẠO". The ink produces natural bleeding edges on the silk, some droplets dripping down into hanging ink beads. Once finished, wind lifts the silk to reveal a lotus pattern beneath, and the text crystallizes into a transparent glass ball.
10.8-12.0s Japanese "創造" - Optical glass. A perfect transparent optical glass ball floats at the center of a pure-black background, refracting rainbow dispersion light spots. Behind the glass ball, the Japanese kanji "創造" appears as rainbow dispersion projection, rotating slowly with the ball, the text undergoing twisting, stretching, and separating optical distortion. The glass ball's surface has fine dust particles, then the ball melts into silver liquid metal.
12.0-13.2s Korean "창조" - Liquid metal. A deep starry-sky background, silver liquid mercury dripping from the top of frame, naturally coalescing in mid-air into the Korean "창조". The liquid text surface has strong mirror reflection, mirroring the surrounding stars. After the text forms, some mercury keeps dripping down into hanging metal beads, until all the liquid metal converges into one giant silver sphere.

A deep-sea coral-reef scene, a blue-toned tropical underwater world with large expanses of healthy, thriving colorful living coral, including branching coral, brain coral, plate coral, and soft sea-fan coral, with large schools of tropical fish weaving naturally among them. The foreground is crisp and vivid; the distance gradually turns bluer and grayer with reduced contrast. Natural light from above is filtered through the seawater into soft volumetric light, with fine suspended particles and a gentle sense of flow in the water, the soft corals swaying lightly and the fish schools moving smoothly and in coordination. Add a group of semi-transparent pale-lavender glowing jellyfish slowly appearing, 8-12 of them, in varying sizes. Their bell bodies carry a soft bioluminescent effect, tentacles drifting gently with the current, the tentacle tips bearing faint purple light points. The jellyfish are proportioned harmoniously with the corals and fish, the glow soft and not harsh, forming dreamy light spots against the dark seawater background. The jellyfish swarm's movement path is natural, rising in a slow ascending spiral, with some jellyfish swimming past in front of the lens to produce a slight lens-flare effect. Maintain the underwater blue-toned lighting, the jellyfish glow coexisting harmoniously with the faint reflections of the surrounding coral. As the jellyfish swarm swims, they produce bubbles that rise and form the word "Seedance" in the sea.

Cinematic quality, high-end feel, a golden desert at dawn, a minimalist white art-museum building floating above the dunes, the building's surface carrying fine stone texture and soft reflections. Sunlight passes through the airborne sand to form volumetric light, with distinct layers of distant dunes. The camera starts on an ultra-wide desert panorama, slowly pushing forward, passing through the flying sand grains, into the interior of the floating building. Inside there are suspended sculptures, semi-transparent silk installations, and a character in a white robe, the fabric swaying naturally in the wind. The camera makes a smooth orbiting move around the character, and finally the building walls slowly open to reveal the vast sky and desert. High-end art-advertising style, realistic lighting, refined materials, cinematic composition, elegant motion, surreal yet believable.

A Peking Opera intangible-heritage short, cinematic, oriental aesthetics, warm and restrained. In a traditional troupe's backstage and handcraft workshop, an old master quietly makes Peking Opera headdresses, arranges costumes, and outlines a painted face, the hand details delicate, the silk threads, beadwork, pigments, and embroidery all richly textured. A young apprentice watches attentively beside him, then carefully takes up the tools and completes the small steps under the master's guidance. The master straightens the apprentice's headpiece and adjusts his lapels, as if gently handing over a craft and an emotion into his hands. Finally the young man, fully dressed, stands at the edge of the stage about to go on, faint light illuminating the costume and his profile, the old master quietly watching from behind. The overall mood is quiet, heartfelt, and full of a sense of inheritance, with few subtitles and a few fitting lines of dialogue interspersed.

"Oceanic Civilization"
(Epic sci-fi / Dune x Interstellar / no real people / sculptural lifeforms)
[0-5s | Cosmic-scale opening - the ocean as planetary memory]
A deep-blue ocean fills the full frame, the extremely deep water layered like a liquid universe inside a planet. The camera descends slowly and vertically from high altitude, passing through cloud layers and sea mist, into the surface. The sea surface ripples like a metallic film, refracting irregular cracks of sunlight, with intensely epic volumetric light.
[5-10s | Entering the deep-sea civilization fault]
The camera pierces the surface and enters the deep sea. A vast "undersea civilization structure" gradually appears: fractured ring-shaped megastructures, a sunken stone dome, floating geometric ruin platforms. The structural style fuses ancient temples with alien-civilization technology (like the Dune ruin language). Faintly glowing particles drift suspended in the water, like stardust slowly drifting through the sea.
[10-15s | A sculptural lifeform appears (non-human)]
At the center of the theater stands a giant sculptural lifeform: a "humanoid idol" made of white stone and semi-transparent minerals, but with no living detail (no skin, no real human features). Its posture is like an ancient ritual structure, the body in segmented geometric forms, like a civilization's memory vessel. The sculpture's surface is long-eroded by water currents, covered in algae and crystallized coral structures. The camera slowly orbits the sculpture, creating a "deity descending" feeling.
[15-20s | The civilization awakens - light flow activates]
The entire undersea ruin begins to "wake". Faint energy-flow light patterns appear inside the sculpture, lighting up like a neural network. Fractured stone pillars slowly rise and reassemble into a ring-shaped theater structure. The water begins to flow with "order", as if space is being recomputed. The camera moves from static orbit to a slight accelerating spin.
[20-24s | The sea surface reverses - rising breakthrough]
The camera suddenly accelerates upward and bursts out of the sea. The seawater separates to both sides as if torn open, forming a giant water curtain. A giant ancient-civilization ship/temple hull rises from the seabed: its form a hybrid of stone temple and sci-fi vessel, the surface covered in coral and mineralized structures. The hull rises with seawater cascading off it like waterfalls.
[24-27s | Epic rotating shot (visual climax)]
The camera spirals upward at high speed around the giant ship (spiral orbit shot). The sun pierces through a crack in the clouds, forming a sacred light column. The water currents are stretched into spiral forms by the rotation, like a galactic structure. The hull slowly rotates, revealing its enormous structure: more like a "mobile civilization ruin" than a vehicle.
[27-30s | Ultimate wide shot - the scale of civilization revealed]
The camera pulls back at extreme speed to a space-level view. The ocean, the ruins, the rising giant ship, and the sculptural temple are arranged vertically in the same frame: forming a three-tier cosmic structure of "undersea civilization - sea surface - sky light layer". The whole world is like an awakened ancient-planet memory system. The final image slowly closes into a black screen, leaving only faint light points.
Epic sci-fi aesthetic / Dune-style sand-sea civilization structure / Interstellar-scale spatial dimension / no-character narrative / sculptural civilization ruins / alien temple structures / volumetric light penetrating seawater / megastructure collapse and reassembly / sacred ritual camera language / spiral camera moves / stardust-particle ocean / high-dynamic-range cinematic realism.

The theme is "mechanical flower bloom". The image needs to highlight the generative video model's strengths in lighting and shadow, art detail, realism, camera movement, and cinematic character feel. The overall style is a high-end tech-brand ad with strong visual impact. The video uses a single-take macro push-in shot, starting from a metal flower bud in darkness, gradually entering the precision mechanical structure inside the petals, and finally climaxing on the image of the mechanical flower fully blooming with light radiating outward. It requires realistic physical lighting, refined metal and glass materials, delicate mechanical motion, stable composition, cinematic color grading, no subtitles.

Overall style: mineral-pigment flat animation, Oriental and Silk Road decorative aesthetics, mineral-pigment texture, cinnabar red, ochre, malachite green, ultramarine, with gold accents, paper and mural texture, flat layering, no real photography, no 3D realism. The pacing moves from still to motion, then back to stillness, highlighting the "from the land to the cup" sense of journey and abundance, with cheerful, Western-Regions-style music.
Shot 1: A branch appears, an abundant opening (0-4s). Ochre and vermilion color blocks bleed across a Silk Road painted-paper surface; a pomegranate branch stretches out from the right side of the frame, the leaves heavy with distinct mineral-pigment layers. A plump pomegranate slowly appears on the branch, its shell red tinged with gold, the contour round and serene. Sunlight falls on the skin as golden discs and gold-leaf flecks, the pomegranate surface glowing warmly, like a fruit ripened by time - an opening that is abundant yet restrained.
Shot 2: Gently picked, the journey begins (4-7s). The pomegranate is gently picked by a Western-Regions handmaiden, the movement steady and graceful. The background gradually reveals scrolling-grass patterns, ancient motifs, and a decorative long-scroll composition, hinting that it comes from a distant land. The frame transitions naturally from the static branch into an unfolding journey, mountains, roads, and towns beginning to spread flatly in the background, like a Silk Road scroll being slowly opened.
Shot 3: Crossing the ancient road, over mountains and rivers (7-13s). A camel-caravan silhouette advances slowly, the bells shown as tiny gold dots marking rhythm, the pomegranate appearing in a camel's pack. The ancient road crosses dunes, oases, and city gates, wind and sand sweeping past as flowing patterns, gold-lined roads extending endlessly into the distance. The colors are rich and refined, like Silk Road murals fused with mineral-pigment illustration. The pomegranate stays vivid and plump throughout the long journey, as if preserving the sunlight, heat, and abundance of a distant land to this day.
Shot 4: An ancient-to-modern transition, arriving in the present (13-16s). The ancient patterns and architectural outlines in the background gradually simplify, time quietly transitioning to a modern space. The pomegranate is placed on a modern counter, the table and vessels rendered in clean flat geometry, the ancient and modern visuals connected in the same frame, the pacing shifting from "long journey" to "arrival".
Shot 5: Cutting open the pomegranate, the visual climax (16-20s). A hand gently cuts open the pomegranate, the movement slow and restrained, the instant the shell splits open full of ceremony.
Shot 6: Pressed into juice, abundant flow (20-24s). The seeds enter a vessel and are pressed into rich pomegranate juice, the liquid flowing with a deep-red translucent quality and fine mineral-pigment grain. The juice is slowly poured into a modern glass, the glass outline clean and simple, the red liquid rising in the cup, its surface rippling with faint highlights. A few ice cubes drop in, the cool white forming a sharp contrast with the deep red, fine droplets forming on the glass wall, the refreshing feel maxed out.
Shot 7: Modern drinking, the journey lands (24-27s). The background cuts to a modern life scene, window light, tabletop, fabric, and plants keeping a flat decorative quality and warm palette. The juice glass sits at the center, the ancient road, caravan, and city-gate patterns faintly layered around it, hinting that this glass of juice comes from a long journey. The mood is abundant, warm, and serene.
Shot 8: Time converges, a poster-style close (27-30s). The ancient-road patterns and modern space in the background gradually merge, like time converging into this glass of juice. The frame briefly flashes back to the pomegranate on the branch, the caravan shadows on the ancient road, and the red seeds, completing the "from the land to the cup" loop. Finally it closes into an ad-poster composition: the deep, vivid pomegranate juice at the center, a split pomegranate beside the cup, ancient-road patterns, golden light points, and modern-life elements layered around, the image quiet yet full of life, like a journey across time and land finally arriving in the present, with the tagline "seedance, a gift from the Western Regions".

One take, the camera smoothly follows a man in a black coat (see [reference image 1]) walking left to right through six connected rooms with different tones and atmospheres. Each room has the same structure: white walls, light-colored herringbone wood floor, French double floor-to-ceiling windows, white sheer curtains, see [reference image 2], but the view outside the window and the indoor atmosphere are completely different. The protagonist walks at a constant speed throughout, passing through each open door in the walls.
0-5s, the first room, themed as an American-comic fight scene; the protagonist enters and fights a character ([reference image 3]), who is defeated.
5-10s, the second room, themed warm, felt style, the window view a sunflower field ([reference image 4]), the indoor light a warm orange soft glow, with a painter painting sunflowers ([reference image 5]). After entering, the protagonist also turns into felt style.
10-15s, the third room, themed sad, the whole image a black-and-white comic stop-motion style, rainy outside the window, the indoor light cold gray and low, a person sitting alone in the center of an empty room on the floor, head down hugging their knees, beside them a phone glowing with an unanswered call screen. After entering the room, the protagonist turns off the room light, then immediately turns it on, the room becoming colorful, instantly growing full of flowers.
15-20s, the fourth room, themed joyful, the whole scene a room submerged in the sea, see [reference image 6], the protagonist swims into the room, beautiful coral reefs and fish schools beside him.
20-25s, the fifth room, themed surprise, the window view a night sky full of fireworks, see [reference image 7], the indoor light flickering with colored reflections, the protagonist swept up in the cheering atmosphere.
25-30s, finally the protagonist arrives in a blank room, stands in the center and snaps his fingers, with a finger-snap sound effect, the whole image goes black, and "seedance" appears in the middle, see [reference image 8].
Overall cinematic quality, high-end fashion-ad style, the light entirely determined by the scene outside the window to form strong emotional contrast, no text in the image.

Make a 30-second educational short about the 3000-year evolution of football, using the same ball as the visual through-line for the whole film, the ball rolling, traveling, and transforming all the way from ancient times, linking different civilizations and eras. The overall pacing is tight, the imagery high-end, blending historical educational short and artistic transitions, highlighting the feeling of one ball spanning three thousand years, with concise, powerful voiceover.
At the opening, an ancient ball slowly emerges from a black background, its surface bearing the texture of age, then rolls into a Warring States cuju scene in China, the image turning into ink-wash style, in the style of [reference image 1], ancients in period costume playing cuju in a courtyard, movements elegant, the ball bouncing at their feet. Voiceover: The football story begins with cuju.
Next, the ball keeps rolling forward, the image transitioning naturally to an ancient Greek ball game, the image in classical oil-painting style, style referencing [reference image 2], the plaza and stone columns clearly visible, people in ancient Greek robes playing ball, the image weighty and historical. Voiceover: The Greeks also loved ball games.
Then the ball rolls into medieval Europe, the image still in oil-painting style, a village, muddy ground, common folk chasing a leather ball, the atmosphere fervent and rough, like folk football carrying the flame onward. Voiceover: The folk of Europe kept ball games alive.
Then the ball is kicked away, the image switching to black-and-white documentary style, see [reference image 3], arriving in 1863 Britain, gentlemen, clubs, and grass pitches gradually appearing, symbolizing the formal birth of modern football, this ball taking on the standard look of a modern football for the first time. Voiceover: In 1863, modern football took shape.
Then the image quickly enters the modern era, the ball spinning in the air, bringing out key milestones in turn, lights, stadiums, crowds, trophies, and global scenes interweaving, showing football going from a local sport to a global one.
At the end, this ball sits at the center of a modern stadium, crowds and cheers from around the world blending in the background, creating a "one ball connects the world" feeling, the image grand and epic. Voiceover: Today, football connects the whole world.

A 30-second capsule coffee machine installation and setup tutorial video.
0-2s, the opening title text reads: seedance capsule coffee machine installation and use tutorial
2-5s, Step 1: install the water tank, see [reference image 1]
Shot: medium shot, slight high angle. Position: back of the machine body. Action: align the water tank with the slot on the back of the body, push it straight down until it clicks into place. Requirement: clearly show the alignment between the tank's bottom clip and the body's slot, the transparent part of the tank showing the water level line.
Voiceover: "First, install the water tank."
5-9s, Step 2: install the drip tray, see [reference image 2]
Shot: close-up, front view. Position: front of the bottom of the body. Action: push the drip tray parallel into the rails at the bottom of the body until it fully seats at the bottom. Requirement: show the rail-alignment process, highlighting the smoothness of the sliding-in action.
Voiceover: "Next, align the tray with the bottom rails."
9-13s, Step 3: install the used-capsule collection box, see [reference image 3]
Shot: close-up, slight low angle. Position: the cavity beneath the drip tray. Action: align the collection box with the recess and push it in, flush with the drip tray. Requirement: show how the collection box fits with the body, confirming it is seated correctly.
Voiceover: "Then insert the capsule collection box."
13-18s, Step 4: first fill with water, see [reference image 4]
Shot: close-up, side view. Position: top / back water tank of the body. Action: open the tank lid, pour in clean water up to the MAX water level line, close the tank lid. Requirement: highlight the water level marking, the water pouring in clearly visible.
Voiceover: "Open the tank lid and pour in clean water. Be careful not to exceed the maximum water level line."
The image highlights the maximum water level line.
18-25s, Step 5: power on, see [reference image 5]
Shot: medium shot, front view. Position: front of the body. Action: plug in the power cord, press the power button, the indicator light changes from blinking to steady (preheating complete). Requirement: close-up of the power button and indicator-light state change, showing the process from waiting to ready.
Voiceover: "Connect the power and press the power button."
25-30s, Step 6: first rinse (no capsule), see [reference image 6]
Shot: medium to close-up, front-side view. Position: front of the body, cup under the spout. Action: without inserting a capsule, press the brew button directly, hot water flows out to rinse the lines, the water flows into the cup. Requirement: emphasize the "no capsule needed" prompt label, showing the whole rinse-water flow.
Voiceover: "Last step, the first rinse. No capsule needed, just press the brew button. Your coffee machine is now ready to use."

Bright, colorful commercial-ad style, with fruit biscuits as the hero, featuring four flavors - strawberry, apple, grape, and orange - the strawberry flavor referencing [reference image 1]. The biscuits and their matching fruits are arranged in a strongly ordered geometric array, the overall image clean, high-end, and strongly rhythmic. The opening quickly establishes visual focus with fruit, referencing the composition of [reference video 1], the music's downbeat cutting in. Then the different-flavor biscuits line up neatly, cut to close-up, referencing the motion and camera moves of [reference video 2]. In the climax segment, a biscuit is snapped in half, instantly entering slow motion, the fruit filling bursting open, crumbs flying, the juicy feel and grain impact magnified and showcased, referencing the impact of [reference video 3]. A horizontal array forms a rhythmic parabolic toss, referencing the motion of [reference video 4], highlighting the orderly beauty and product richness. Then it quickly returns to fast-paced editing. At the end, the English text "One bite of crispness, a heart full of delight" cuts in rapidly word by word, paired with strongly rhythmic text motion and a product freeze, referencing [reference video 5], finally closing with a brand feel, the biscuits and fruit radiating outward, referencing [reference video 6], the image full of a young, energetic, delicious, share-worthy ad atmosphere.

3D animation ad style, bright and translucent colors, the pulp and juice should have a strong refreshing, impactful feel. The overall vibe is like a high-quality commercial animation short, with a touch of exaggerated humor. The desert horned lizard character is cute, lively, and very expressive, see [reference image 1]. The image texture references the soft natural light, delicate fuzz / skin texture, dreamy macro depth of field, and that real-yet-playful feel in the reference image.
0-3s: The image is a desert scorched by the blazing sun. The air is so hot it distorts, the sand is scalding, the distance seems to smoke. A desert horned lizard lies on the burning sand, tongue lolling slightly, eyes glazed, almost dried out. It sways with every couple of steps, the whole lizard about to "evaporate".
Sound: the whoosh of heat waves, slight exaggerated cracking sounds.
3-6s: The lizard suddenly stops, its nose twitching. It looks down and there, buried in the sand, is a cool, plump, dew-covered grapefruit. The grapefruit glitters in the sunlight, the skin delicate, like a miracle suddenly appearing in the desert.
Performance: the lizard's eyes go wide in an instant, like spotting a lifeline.
Sound: a "ding" discovery sound effect.
6-8s: The lizard makes a flying lunge, both hands clutching the grapefruit tightly, its whole face pressed against the rind. It shows a "finally alive again" blissful expression. The image freezes for 1 second, forming an exaggerated, funny ad memory point.
Sound: a thud, then half a second of silence.
8-11s: The lizard grabs the grapefruit. The grapefruit rind splits open, the plump pulp inside glistening with translucent sheen. The next instant, the juice doesn't trickle out - it gushes out like a tsunami.
Sound: a "crack" bite-open sound, followed by an exaggerated juice-bursting sound.
11-16s: Orange-pink, clear, glistening grapefruit juice gushes wildly, pouring down the dunes, quickly flooding the entire desert. The dry yellow sand instantly becomes a cool, shimmering, fruit-scented summer sea. The cacti, rocks, and small dunes in the desert are swallowed one by one by the juice waves, the image exaggerated and dreamy.
Performance: the lizard is excited at first, then the next second realizes something's wrong, its expression turning from delight to terror.
16-20s: The lizard is nearly drowned by the "grapefruit sea", frantically clutching half a grapefruit like a life buoy, floating on the surface. It pokes its soaking head out, looking utterly dazed. The sea surface sparkles, the color like juice lit by the sun.
Sound: exaggerated splashing, sea sounds, with a touch of comedy.
20-23s: The image suddenly cuts to a white screen. In the center appear the brand name and slogan: "Seedance Grapefruit, bite into the pulp, and summer pours out."
Voiceover reads the whole line: "Seedance Grapefruit, bite into the pulp, and summer pours out."
Sound: a clean, refreshing brand chime.
23-29s: The white screen cuts back. The lizard is now leisurely sitting on a floating grapefruit, wearing little sunglasses, holding a straw cup, drifting lazily on the "juice sea" on vacation. Around it float orange pulp, little ice cubes, and cool splashes, the sky turning azure, the mood shifting from "survival" to "vacation" in an instant. Finally the lizard leans contentedly against the grapefruit, the camera pulls back, freezing on a refreshing, bright, fun summer scene.
Sound: relaxed summer music, gentle lapping waves.
Subtitles can keep only the brand name, no need to add too much text.

A 30-second cinematic youth-racing story short, 2D animation style. The protagonist is a teenage rider, racing a motorcycle in a high-level competition. The overall style is hot-blooded, youthful, emotionally intense, and strongly cinematic, with a complete dramatic structure and a clear emotional arc. The whole film uses only two camera moves: high-speed tracking and slow-motion orbit. Dialogue is minimal, appearing naturally like fragments of memory, the tone sincere, gentle, and restrained, no slogans, no over-sentimentality. No sense of disaster, no negative expression, no exaggerated sci-fi. The focus is on the love, support, fight-back, and growth within youthful racing.
0s to 5s: A dusk racetrack, a high-speed intense racing opening. The camera hugs the ground in high-speed tracking of the teen's motorcycle, tires grazing the track's edge line, the bike roaring, the wind sharp, the atmosphere tense and fervent. The teen is fully focused, the setting sun drawing sharp highlights across the bike's metal shell.
5s to 9s: After entering a key corner, the teen is suddenly overtaken by a rival. The high-speed tracking keeps pushing forward, the image conveying the pressure of a dropping rank and a disrupted rhythm. A close-up inside the helmet shows a brief daze, tightening breath, slight wavering. The teen says quietly: "Can I still catch up..."
9s to 14s: The teen falls behind, breathing heavier, his emotions sinking into a low point. The race doesn't stop, the bike still racing forward at high speed. The image begins to flash back to warm memory fragments amid the high-speed riding: as a child learning to ride, someone steadying him from behind; his father adjusting his helmet, the motion careful and quiet; before the finish line, a gentle smile watching him; on a dusk slope, the silhouettes of figures walking side by side. These memories are all presented with golden backlight, soft slow motion, and a fragmented feel.
14s to 18s: The music gradually turns from oppressive to uplifting. Restrained, gentle voices come from the memories: "Don't be afraid - I'm always here." "Stay steady. And look forward." The teen's gaze refocuses, his breathing slowly steadying, his emotions shifting from wavering to resolute.
18s to 23s: The teen regains his belief, accelerating with all his strength, fighting back with precise cornering lines. The high-speed tracking conveys the power and control of the bike leaning into the corner, exiting the corner, and closing in on the lead car. The teen says quietly but firmly: "I won't stop here."
23s to 27s: Ahead appears a rising stretch of track, the teen sprinting at full speed into the setting sun. The image keeps only the sound of breathing, the engine, and the continuously rising music, with no more extra dialogue. The bike launches into the air on its momentum, entering a stunning slow motion. From deep in his memory comes one last gentle voice with a smile: "Go on."
27s to 30s: The camera makes a slow-motion orbiting close-up around the airborne bike, pushing the hot-blooded, gentle, free, soaring-upward emotion to its climax. Flowers bloom behind in a special effect, then "seedance" appears, see [reference image 1].

A one-take FPV drone first-person-view video, a 33-second continuous long take, no cuts, no jump cuts, no transitions. The shot starts inside high-altitude clouds, descending along a continuous flight line through cloud layers, mist, light and shadow, a valley, a waterfall, a lake surface, a flower field, city buildings, and a near-ground plaza. Throughout, 11 distinct independent language display zones appear in sequence, each zone showing only the corresponding single language's text, no mixing, no overlay, no adding other languages.
0-3s, [reference image 1] cloud masses naturally form the Chinese "你好";
3-6s, [reference image 2] thin mist and volumetric light form the English "Hello";
6-9s, [reference image 3] high-altitude water vapor and sunlight projection form the Spanish (Mexico) "Hola";
9-12s, [reference image 4] airborne ribbons form the Indonesian "Halo";
12-15s, [reference image 5] a kite formation forms the Malay "Hai";
15-18s, [reference image 6] valley morning mist forms the Thai "สวัสดี";
18-21s, [reference image 7] waterfall spray forms the Arabic "مرحبا";
21-24s, [reference image 8] the lake's reflection and ripple light patterns form the Portuguese "Olá";
24-27s, [reference image 9] a flower field and grassland naturally arrange into the Vietnamese "Xin chào";
27-30s, [reference image 10] the reflected light and shadow on city glass buildings form the Japanese "こんにちは";
30-33s, [reference image 11] the fountain spray, ground paving, and light strips of the near-ground plaza form the Korean "안녕하세요".
The overall atmosphere is an early-morning sunrise, golden backlight, soft volumetric light, realistic clouds and mist, natural motion blur, cinematic realism. The camera speed starts slowly at 3-5 m/s, gradually accelerating to 14-16 m/s crossing the natural landscape, then decelerating to 2-3 m/s to hover stably at the near-ground plaza. Camera parameters: wide-angle lens, 24fps, smooth FPV drone movement, pitch transitioning gradually from -5° to -18°, finally returning to 0°; slight yaw ±10°, roll kept within 0-10°, ensuring a continuous, stable, realistic one-take flight feel.

Keep the character, jungle environment, camera movement, composition, action rhythm, and duration in [reference video 1] unchanged.
A blue-white energy bow and a glowing arrow [reference image 1] slowly appear in the character's hand, the bow gradually coalescing into form from faint electric arcs and particles, carrying a delicate flowing electric-current texture, slight volumetric light, and a stable energy contour. During the draw, the arrow condenses into a bright energy arrow at the center of the bowstring; the instant the character releases, the arrow shoots out at high speed, leaving a bright, slender, continuous, razor-sharp energy trail.

Delete the drone and the foreground track / vehicle-body edge in the lower-left of the [reference video 1] frame, and naturally fill in the deleted areas.
Keep the giraffe herd, tree branches, distant savanna, golden backlit sunset, aerial perspective, and shot composition completely unchanged. The filled-in background should be consistent with the surrounding environment, generating natural sky, gaps between branches, and grass detail, with no smearing, flickering, deformation, ghosting, or jitter. Ensure the frame-to-frame temporal consistency and continuous motion of the video before and after, with natural edge transitions, the whole looking like the original live-action footage.

Replace the plain two-person martial-arts sparring video [reference video 1] with a bare-handed feeling-out style before a cold-weapon duel.
Replace the scene with a medieval stone-castle platform, an ancient courtyard ground, a mountain-fortress outer platform, or a simple stone-brick dueling ground, the background being castle walls, wind, fog, a distant mountain line, the ground flat stone [reference image 1].
Replace the wardrobe of the man in dark clothing in the video with [reference image 2], and replace the man in light clothing in the video with [reference image 3]. The actions still stay unchanged, not altering the original rhythm.
The AI effects only enhance the environment and texture: wind blowing the garment hems, light fog, a small amount of dust at contact points, a cold-toned metallic reflective quality, slight grain, and epic color grading. The overall style is restrained, realistic, classical hard-edged duel atmosphere. The background music is beat-synced.

5秒ドラマで日本人の可愛い女性と男性が喋っている動画をください。

女性セリフ「こんにちは！今日はどんな要件で？」
男性セリフ「要件なんてない！君が好きだ！」

方向性 甲冑と馬のディテールを高速で見せながら、後半で騎馬武者として完成させる。 前半は緊張感、後半は疾走感。 全体は映画予告編のような迫力のあるテンポで展開する。

0.0〜2.0秒｜強い導入
映像 黒画面から、金色の兜の前立てだけが強い光を受けて浮かび上がる。
カメラ 超クローズアップ。 兜の中央から始まり、0.8秒ほどで急速にプッシュイン。
演出 金属音に合わせて一瞬だけ白くフラッシュ。 すぐに暗転せず、そのまま次のカットへハードカット。

2.0〜4.0秒｜面頬と眼差し
映像 黒い面頬、目元、兜の下の影を見せる。
カメラ 左斜め下から右上へ高速スライド。 途中でごく短いスピードランプ。
ポイント 顔全体を長く見せず、目元と面頬の質感で強さを出す。

4.0〜6.0秒｜刀の準備
映像 右手が刀の柄を強く握る。 鞘と金具がわずかに揺れる。
カメラ 腰元のマクロショット。 刀の柄に沿って横方向へ高速トラッキング。
演出 金属が擦れる短い効果音。 完全な抜刀はまだ見せない。

6.0〜8.0秒｜馬の登場
映像 馬の前脚が地面を踏み鳴らす。 砂や土が飛ぶ。
カメラ 地面すれすれのローアングル。 蹄を追いながら前方へ移動。
演出 蹄の着地に合わせて画面を小さく揺らす。

8.0〜10.0秒｜馬の顔と手綱
映像 馬が鼻息を吐き、首を振る。 手綱が張る。
カメラ 馬の顔の斜め前から、首筋へ高速パン。 最後に鞍で止める。
ポイント 馬全体ではなく、顔・首・鞍を連続的につないで見せる。

10.0〜12.5秒｜侍と馬が同じ画面に入る
映像 侍が馬の横に立ち、左手で手綱を取る。
カメラ 足元から開始し、兜まで一気にティルトアップ。 最後に少し引いて、侍と馬の全体像を見せる。
演出 風で甲冑の紐、馬のたてがみ、布が揺れる。

12.5〜15.0秒｜騎乗への移行
映像 侍が馬へ乗ろうと踏み込む。
カメラ 侍の背後から高速で接近。 身体が画面を大きく遮った瞬間に、騎乗後の画へ切り替える。
重要 実際の騎乗動作を全部見せない。 身体、旗、砂埃などを画面いっぱいに入れて、自然に状態を切り替える。

15.0〜18.0秒｜騎馬武者の完成
映像 侍が馬上で手綱を握る。 馬がゆっくり歩き始める。
カメラ 馬の左側面から並走するミディアムワイド。 少しローアングルで、騎馬武者を大きく見せる。
演出 ここだけ一瞬テンポを落とし、完成した姿を見せる。

18.0〜20.5秒｜正面突進
映像 馬が歩行から速歩へ移行し、正面へ向かってくる。
カメラ 正面ローアングル。 カメラは後退しながら馬を追う。
ポイント 馬と侍を画面中央に固定し、背景だけが高速で流れるように見せる。

20.5〜23.0秒｜横方向の疾走
映像 騎馬武者が画面左から右へ駆け抜ける。
カメラ 高速サイドトラッキング。 一瞬だけ馬の脚、甲冑、刀をクローズアップで差し込む。
編集感 0.5〜0.8秒の短いカットを3つ入れる。 馬の脚、侍の手、甲冑の揺れ。

23.0〜25.5秒｜抜刀
映像 侍が右手で刀を抜く。 刀身が光を反射する。
カメラ 右斜め前から半円状に回り込む。 抜刀と同時に速度を上げる。
演出 刀身が画面を横切った瞬間にワイプのように次のカットへ移行。

25.5〜28.0秒｜ヒーローショット
映像 丘の上で馬が立ち止まり、侍が刀を構える。 背後に朝日、霧、旗。
カメラ 背後の低い位置からゆっくり上昇。 騎馬武者をシルエット気味に見せる。
ポイント ここは高速ではなく、2.5秒かけて余韻を作る。

28.0〜30.0秒｜締め
映像 侍が刀を下ろし、馬が一歩前へ出る。 砂埃が画面を覆う。
カメラ 正面のミディアムロング。 最後の一歩に合わせて急速にプッシュイン。

immersive surreal cinematic film, hyper-detailed, true-to-life lighting and shadows mixed with impossible physics, rich motion detail, volumetric god rays, anamorphic lenses, subtle film grain, masterpiece quality. Immersive multi-shot story with precise timestamp control and native spatial audio:

[0-6s] Extreme first-person POV standing on the edge of a floating cliff made of soft glowing moss. Below is an endless ocean of gigantic, super-fluffy cotton-candy clouds — each cloud the size of a mountain, impossibly soft and billowing like living marshmallows. Soft male voice, calm but trembling: “I’ve dreamed of this place my entire life.”

[6-12s] He jumps. Seamless first-person freefall into the giant fluffy clouds. Instead of falling through, he sinks slowly like diving into warm foam. The clouds part and reshape around him into soft tunnels of pink, gold and lavender. Impossible physics: gravity flips gently mid-fall. Soft voice (awed): “They’re soft… they’re alive…”

[12-18s] He emerges inside a vast floating world made entirely of living clouds and translucent crystal islands. Giant fluffy cloud whales swim slowly through the sky. Soft glowing staircases of solid mist rise and fall. He lands on a cloud bridge that bounces like a trampoline under his feet. Camera orbits him as the entire sky breathes and shifts colors.

[18-25s] He starts running and the cloud bridge launches him into the air. First-person flight through the impossible sky: weaving between mountain-sized fluffy clouds that open like flowers, diving through glowing mist waterfalls that turn into liquid starlight, racing alongside cloud whales that leave trails of sparkling dust. Reality bends — the horizon folds into a spiral.

[25-30s] Final wide crane shot as he soars higher and higher until the entire cloud world forms a giant glowing heart shape around him. Soft voice (peaceful, almost whispering): “I was never falling… I was coming home.”

Hyper-detailed, breathtaking surreal world-building, perfect motion continuity, emotional story of discovery and belonging, immersive first-person hybrid style, native dual-channel audio (soft wind, distant whale-like hums, ethereal music swell, intimate dialogue), pure dream logic, viral awe factor.

One continuous fall. Orbit → atmosphere → storm → mountains → forest → one raindrop on a leaf.

Core Style: Fast, vivid, unstable. Fully hand-drawn with rich organic textures. Every transition is fluid and natural—never rigid or mechanically cut. The entire frame, including the background, remains in constant motion, driven simultaneously by emotion, gravity, and heat. Every frame should feel alive, unpredictable, and physically reactive.

[0–7.5s: Origin and Chain Reaction]

[0–1.5s]

A central abstract figure erupts into violent motion. Its emotional color core radiates outward as irregular pulsating waves while its silhouette tears apart in multiple directions. The background bends around the figure like compressed soft paper. Fine hand-drawn textures crawl rapidly across the entire frame, moving significantly faster than the figure itself, creating intense tension between body, skin, and surface.

[1.5–3s]

The separated contours accelerate into nervous linear forms. The figure's colorful core stretches into sharp ribbons and liquid stains. Some ribbons snap backward while others whip violently forward, leaving trembling trails behind. Empty spaces between movements ignite into new forms that emerge to fill emotional voids.

[3–4.5s]

Every shape surges diagonally across the composition. One massive form folds like fabric, revealing layered textures of grain, chalk, wet ink, scratched paint, and rough pigment beneath its surface. The background folds together with it, twisting into entirely new color fields. Smaller forms are dragged into constantly evolving speed lines.

[4.5–6s]

The image fractures into four emotional forces: calm, violence, vulnerability, and ecstasy. Each absorbs color from the others. Shadows appear before their objects, behaving like prophecies. The original forms chase these shadows, but the shadows mutate faster—becoming brighter, thicker, and more dominant until they surpass the objects themselves.

[6–7.5s]

A rapid chain reaction begins. Colliding forms generate visual motifs derived from the reference imagery: fragments, symbols, silhouettes, stains, and expressive linework. These newly born motifs accelerate in different directions. Frozen traces solidify into new entities before melting again and splitting into tiny emotional echoes.

---

[7.5–15s: Compression and Extreme Transformation]

[7.5–9s]

The entire frame collapses toward an invisible point beneath the center. Every visual layer compresses inward at a different speed. Maximum compression lasts for only one frame before exploding upward and outward with vertical smears, shaking outlines, and exaggerated overshoot motion. Every element vibrates before settling into a completely new position.

[9–10.5s]

Textures migrate between forms. Dry rough textures sharpen previously fluid shapes into angular structures. Liquid textures soften rigid forms until they sag and drip. Luminous colorful textures dissolve into the background, causing the environment itself to pulse rhythmically. Every object changes behavior according to the texture it inherits.

[10.5–12s]

A massive rotational force sweeps across the frame. Every form flips, inverts, or turns inside out, exposing hidden reverse sides possessing qualities of hands, hooks, flames, or waves. Every collision triggers escalating chain reactions, transforming the entire visual world into an entirely new emotional reality.

[12–13.5s]

All boundaries dissolve. Forms merge, repel, and merge again, generating hybrid entities that inherit the colors and movement of their predecessors while becoming completely different beings. The background pushes forward into the foreground, becoming part of the forms themselves while releasing new shapes from within.

[13.5–15s]

Every previous process returns simultaneously at maximum intensity: contour separation, color bleeding, texture migration, and shadow-leading motion. Every frame is densely packed with intentional visual impact, fully absorbing and reinterpreting every reference element introduced earlier.

---

[15–22.5s: Fragmentation and Neurotic Storm]

[15–16.5s]

The storm collides with an invisible barrier. The center explodes into countless shards of water-covered broken glass. Within each fragment, glowing spiral irises rotate violently, generating centrifugal force that stretches and tears at the shard edges. Neon magenta and electric blue leak through every crack.

[16.5–18s]

The fragments fuse into overlapping collaged human faces. The faces are composed of purple stains, scratched paint, and rough pigment. Their expressions oscillate continuously between terror and ecstasy. Jagged lightning-like lines pierce through them like exposed nerve fibers, violently stitching the faces together.

[18–19.5s]

Color saturation reaches its peak. Electric blue lines solidify into physical cables stretching throughout space, twitching uncontrollably while releasing neon magenta sparks. The compressed paper background burns away, transforming into a charred, granular carbon-black surface.

[19.5–21s]

Gravity reverses. Liquid elements such as water droplets and wet ink surge upward while broken glass continues falling downward, producing intense visual tearing. Vertical smears appear along the edges of the frame as though an unseen force is physically wiping the entire animation off the canvas.

[21–22.5s]

Every form is pulled into countless miniature spiral-iris black holes. The irises rapidly expand until they dominate the entire screen, spinning at an increasingly suffocating speed. The rough tactile quality of chalk and dry brush textures contrasts violently against the brilliant electrical center, creating overwhelming sensory overload.

---

[22.5–30s: Aftershock and Eternal Echo]

[22.5–24s]

The giant iris evolves into pulsating biological tissue. The image breathes with a neurotic rhythm. Hidden symbols and textures appear and disappear beneath muscular contractions. Paint seepage creates convincing depth, as though layered across multiple transparent sheets of film.

[24–25.5s]

The animation enters an intense high-frequency vibration. Every object freezes in place while its edges oscillate violently like strings stretched to their breaking point. Violet shadows crawl across every surface, attempting to consume the remaining light.

[25.5–27s]

Rainbow-colored glass fragments and water droplets sweep across the frame like rain, refracting and distorting everything behind them through lens-like optical effects. Colors become heavy fluid masses that sink downward, leaving behind anxious, restless linear marks.

[27–28.5s]

The entire composition collapses into a single glowing horizontal jagged line. The background becomes a dark neon field filled with coarse grain. The line contains all accumulated energy, twisting violently while alternating flashes of electric blue and neon magenta pulse across it.

[28.5–30s]

The glowing line disintegrates into hand-drawn dust particles that drift rhythmically across the screen before gradually reassembling into one enormous blurred luminous silhouette. The final frame ends with tiny blocks of color continuing to vibrate subtly, leaving behind an everlasting emotional aftershock.

Create a ten second cinematic live action illusion in a sixteen by nine frame at thirty frames per second. Begin inside a faithfully recreated late nineteen nineties desktop paint program. Use a cool gray window frame, navy title bar, simple menus, chunky pixel tool icons on the left, scroll bars, and small color swatches along the bottom. The canvas shows a saturated blue sky with soft white clouds and a vivid green grassy hill, nostalgic but photographed with realistic depth, subtle cloud movement, and light atmospheric haze. 0 to 1.2 seconds. Hold a locked frontal camera on the full paint window. The empty landscape fills the canvas. A slim young adult man rises smoothly from the bottom center with his back to camera. He wears a red athletic shirt with white collar and sleeve stripes, a backward royal blue cap, a thin silver chain, and black ink forearm tattoos. Give his movement real body weight, natural shoulder motion, and slight cloth drag. 1.2 to 2.5 seconds. He lifts his tattooed right arm toward the upper left of the canvas as though touching an invisible drawing tool. Keep the interface perfectly stable and sharp. He turns clockwise toward camera, lowers his hand, and settles into a relaxed waist up pose at center. Use soft frontal daylight, a gentle key from camera left, believable skin texture, clear eyes, fine facial hair, and a faint contact shadow. 2.5 to 6.2 seconds. He looks into camera with a playful calm expression, raises one index finger, and draws in midair. A warm ivory line appears exactly at the fingertip and follows every gesture without delay. It looks like a real textured paint stroke with slight thickness variation, dry brush edges, and a soft glow. He draws one continuous five point star around his body. Make the tall upper point above his cap, the right point beside his shoulder, the lower left point across his torso, the lower right point, then close the shape near his raised hand. Preserve correct hand anatomy, stable identity, perfect line continuity, and natural reactions from his free hand. 6.2 to 7.4 seconds. When the star closes, perform a smooth optical push into the canvas until the interface edges slide beyond the frame. The move should feel like a real camera passing through a monitor, with subtle lens breathing and no cut. He smiles softly and lifts both palms in a small satisfied reveal while the completed ivory star floats around him. 7.4 to 10 seconds. He glances right and walks naturally out of frame. Keep the camera locked on the empty hill and sky. The star remains suspended, slowly loses brightness, and becomes slightly transparent without vanishing. End with one cloud drifting through its center. Maintain one continuous shot, realistic motion blur, natural blinking, stable clothing and tattoos, accurate perspective, clean edges, no warped limbs, no duplicate fingers, no facial changes, no flicker, no random objects, no extra people, and no artificial plastic skin. Make it feel like a practical live action performance composited into an authentic retro computer interface. Audio. Add an original playful retro electronic instrumental at about one hundred and five beats per minute with a warm drum machine groove, soft bass, bright synth plucks, and subtle digital ambience. Sync a light mouse click to the first hand gesture, delicate paint stroke swishes to the fingertip, a sparkling chime when the star closes, and a soft whoosh during the push into the canvas. No vocals and no dialogue.

Prompt: Image1 komutan ve lider olan bir uzaylıdır. Image2 ise asker uzaylıdır. komutan askere bir savaş alanında emir veriyor. Karşılıklı diyalog sahnesi. Konuşmalar tamamen uydurma bir uzaylı dilinde olmalı Bir blockbuster filminden bir savaş sahnesi olmalı. Sinematik kamera hareketleri ve açıları kullanmalısın.

Prompt 👇

Jan: tall slim, round red glasses, earpiece right ear, gloves, harness.
Tone: IMAX anamorphic 2x, golden hour. Hard low sun on wet concrete, deep blue shadows, backlight, horizontal blue flares, saturated epic grade. Never grey or flat.
CAMERA: low angle nearly every beat. Crash zooms, straight tracking, tilts. NEVER orbit or arc. Smooth motion, natural blur, 24fps, no stop motion. Jan never looks into the lens.
AUDIO: Renteria only by radio, thin, tinny, filtered, click each side. Jan answers out loud. SFX only: wind, rotor, rope, fabric. NO MUSIC, no subtitles.
0-6s Ground-level low angle, sun flare on puddles. Crash zoom to Jan's hands snapping the case shut, tilt up to earpiece and face, front to camera. Renteria, urgent: "Treinta segundos, Jan. Cincuenta referencias. Una sola toma. Tienes que mandarlo ya."
6-9s Low angle into the sun, camera tracks back ahead of Jan. He lifts the case: "Enterado. Voy por el." and runs.
9-12s Water-level low angle. Jan sprints over the camera, jumps a duct, gold spray on the lens. Renteria: "Cuando te subas, abres tu Capcot y lo generas ya."
12-15s Low angle on Duarte, rim lit. Crash zoom: "Pense que llegabas mas tarde."
15-18s Low angle, helicopter drops into a low hover, rotor wash blasting gold spray. Jan steps up through the door.
18-21s Cabin, over the shoulder behind Jan. He opens the case revealing the laptop, screen square to camera. Push in as he presses Generate.
21-25s Jan clips a rappel line to his harness, grips it with both gloved hands, kicks off the skid and swings out over the facade. Camera whips down with him into a fast controlled descent, boots striking the glass, sunlight tearing past.
25-30s Epic finale. Mid descent Jan yanks a second rope hard. The giant banner bursts open beside him and unrolls floor by floor, snapping taut. He lands on his feet in the plaza. Crash zoom out to a vast skyline wide, the full banner reading ESTO ES SEEDANCE 2.5 above him, helicopter rising into the sunburst.

30-second cinematic aerial action spectacle, breathtaking high-budget feature film, ultra-dynamic editing, fluid aerial choreography, premium cinematic visuals, seamless kinetic camera movement, aggressive speed ramps, rapid match cuts, whip pans, rotating camera moves, dramatic perspective shifts, cinematic lens distortion, volumetric storm clouds, ocean spray, glowing tracer lights, smoke trails, sparks, flying debris, colossal scale, emotionally epic, no dialogue.

0–5s
Dark storm clouds gather above a vast open ocean.
A colossal armored battleship cuts through enormous waves.
Far above, a lone high-performance fighter aircraft emerges from the clouds.
Extreme close-ups.
Pilot visor.
Hands on the controls.
Jet intake vibrating.
Radar display glowing.
The camera alternates between immense aerial vistas and intimate cockpit shots.
Complete silence.

5–10s
The fighter rolls onto its wing and dives toward the ocean.
The camera races only meters from the aircraft before instantly switching to first-person cockpit views, impossible wing-mounted perspectives, sweeping aerial fly-bys and dramatic low-angle shots skimming above the waves.
The ship rapidly grows larger.
The engines reach full power.

10–15s
A breathtaking aerial montage.
The fighter slices between towering smoke columns and dense clouds.
Bright streams of tracer light streak across the sky.
The aircraft performs impossible barrel rolls, high-G turns and vertical climbs while the camera continuously rotates around the fuselage.
Speed ramps amplify every maneuver.

15–20s
The fighter skims just above the ocean surface.
Towering walls of spray rise behind it.
It climbs sharply over the battleship's deck in one uninterrupted shot.
The camera dives beneath the aircraft, then whips upward through drifting smoke, sparks and sunlight breaking through the storm.
Everything feels impossibly fast.

20–25s
The sequence reaches maximum intensity.
The aircraft circles the massive vessel at incredible speed.
Towering water plumes erupt around the ship.
Clouds swirl overhead.
The camera jumps between ultra-wide aerial compositions, intimate cockpit close-ups, spinning chase shots, dramatic slow-motion fly-bys and impossible orbiting movements around both aircraft and ship.
Every cut increases the spectacle.

25–30s
Everything suddenly slows.
The fighter climbs vertically through the storm clouds into brilliant sunlight.
Far below, the gigantic battleship disappears beneath drifting mist and shimmering ocean reflections.
The camera pulls rapidly upward into an immense aerial shot revealing endless sky and sea stretching to the horizon.

Hard cut to black.

Sound design: soaring cinematic orchestra, thunderous percussion, deep brass, roaring jet engines, rushing wind, ocean waves crashing against steel, atmospheric echoes, powerful fly-by whooshes, subtle sonic booms, cinematic bass swells, brief silence before the final climb, overwhelming orchestral finale.

Use Image 1 for the large muscular cartoon bulldog boxer, Image 2 for the live-action Caucasian American boxer, and Image 3 for the vintage arena, ring, crowd, and lighting.

Create an intense 24-second boxing sequence in 10 shots.

The bulldog remains a hand-drawn 2D character inspired by 1969 American TV cartoons, keeping the same face, proportions, red gloves, and striped shorts. Never make him realistic. The human boxer remains fully photorealistic.

Style: heated live sports documentary broadcast. Handheld ringside cameras, reactive pans, imperfect reframing, small zoom corrections, natural shake, motion blur, focus breathing, faded 35mm colors, soft lens bloom, subtle gate weave, and naturally changing film grain. No frozen grain or fixed texture.

Strong white spotlights illuminate the ring. The crowd is darker but visible and constantly reacting. Crowd cheering continues from the first frame to the last: shouting, applause, whistles, and stomping. Reactions grow louder after major punches. An excited male English commentator speaks continuously. No music.

Each numbered shot is one continuous camera take. The camera may pan, track, dolly, or reframe, but must not jump to a new position inside the same shot.

Comic effects must resemble authentic 1969 American comics: imperfect hand-drawn lines, thick black outlines, red, yellow, white, and black colors, halftone dots, faded ink, and slight print misregistration.

Use effects sparingly:
SPEED LINES on fast punches.
One-frame SMEAR FRAME on the strongest punches.
Small IMPACT BURSTS on selected hits.
IMPACT FLASH and SHOCKWAVE RING only on the decisive counter and final uppercut.
WOBBLE LINES and yellow rotating stars only when the human is badly dazed.

Use only these comic sound effects on major clean hits:
THWACK! POW! SMACK! WHAM! CRACK!

SHOT 1 — 0.0–2.0
High-angle view of the packed arena. The ring is under strong spotlights. Both fighters wait in opposite corners. The bell rings, the crowd erupts, and both walk toward the center as the camera pushes closer.

SHOT 2 — 2.0–4.0
Slightly elevated wide shot from outside the ring with ropes in the foreground. The referee steps back. Both fighters raise their guards, circle, and test distance. The handheld camera tracks right.

SHOT 3 — 4.0–6.2
Low canvas-level angle. The bulldog throws a jab with brief SPEED LINES. The human narrowly avoids it and counters with a jab that the bulldog blocks. Quick natural pan. No comic text.

SHOT 4 — 6.2–8.8
Slightly high-angle shot through the ropes. The human attacks with a combination. A left jab lands with a small IMPACT BURST and THWACK! A right straight follows with POW!, a brief IMPACT FLASH, and a small burst. A left hook lands with only a subtle impact mark. The camera tracks as the bulldog retreats.

SHOT 5 — 8.8–11.2
Close handheld shot from the opposite side. The human keeps pressing with short punches. The bulldog blocks several and absorbs one body shot. The camera urgently reframes. The bulldog answers with a short face hook using a small red IMPACT BURST and SMACK!

SHOT 6 — 11.2–14.0
Over-the-shoulder from behind the human. The human throws a powerful right straight. The bulldog slips underneath. The camera pans with the missed glove. Without cutting, the bulldog plants his feet, rotates, and launches a right counterpunch with SPEED LINES and a one-frame SMEAR FRAME.

SHOT 7 — 14.0–16.8
Tight ringside impact shot. The bulldog’s right straight lands on the human’s cheek in very brief slow motion. His cheek compresses and sweat flies. At contact, show a large IMPACT BURST, white IMPACT FLASH, radial lines, short SHOCKWAVE RING, and WHAM! The effects vanish immediately. Return to normal speed as the human staggers backward. The crowd explodes.

SHOT 8 — 16.8–19.2
Slightly elevated ringside shot. The human is badly dazed but standing. WOBBLE LINES and three yellow stars briefly appear. The bulldog lands one body punch without text, then a short face hook with SPEED LINES, a small burst, and SMACK!

SHOT 9 — 19.2–21.5
Low diagonal ringside angle. The bulldog throws a compact uppercut with a one-frame SMEAR FRAME. It lands under the chin with IMPACT FLASH, red-yellow IMPACT BURST, short SHOCKWAVE RING, and CRACK! The human falls into the ropes, drops to one knee, and collapses safely. The referee stops the fight. The bulldog steps back. Yellow stars fade.

SHOT 10 — 21.5–24.0
Final slightly high-angle wide shot. The referee brings the bulldog to the center and raises one arm. Red-and-white paper streamers fly into the ring. Vintage photographers fire flashbulbs and strong white strobes. The crowd remains standing, shouting, clapping, whistling, and waving hats. The handheld camera slowly pushes closer until the final frame.

3/ Seedance 2.5 Prompt

【任务】
生成完整 30 秒中国古风人物小传短片。
严格按照时间轴、多模态素材映射、人物隔离和参考音频执行，不自由修改镜头与剧情。

【参考绑定】
- Depth 视频：只控制约 0–5s、10–18s、25–30s 三段核心舞蹈
- 多视角头像 + 全身图：只锁定主舞女
- 九宫格：按编号调用妆造、乐器与剪影镜头，禁止串格
- 场景图：全片保持同一个古风雅室
- 参考 BGM：作为唯一音乐，从 0s 播放至 30s

【人物隔离】
主舞女、古筝女和琵琶女必须是三位不同角色。
Grid 1–3：只出现主舞女
Grid 4–5：只出现古筝女
Grid 6–7：只出现琵琶女
Grid 8–9：以主舞女剪影为主
配角造型更素、光线更收，不抢主角。

【参考时间轴】
0–5s：主舞女舞蹈起势
5–6.5s：描眉
6.5–8s：抿唇
8–10s：插发簪
10–18s：主舞女舞蹈中段
18–19.5s：古筝女全景
19.5–20.5s：古筝手部特写
20.5–21.5s：琵琶女全景
21.5–22s：琵琶手部特写
22–23.5s：纱帘剪影全景
23.5–25s：纱帘剪影特写
25–30s：主舞女舞蹈收势

【画面要求】
真实古风雅室，以烛火和宫灯作为主要光源。
皮肤保留自然纹理，不要磨皮、塑料感和均匀棚拍光。
飘带、发簪、纱帘与琴弦保持真实材质和运动惯性。
所有动作重拍与镜头切换尽量跟随参考 BGM。

【总要求】
总时长 30 秒。
人物、动作、场景、镜头和音乐沿着同一条时间轴推进。
结尾回到主舞女，不使用配角或空镜收尾。
禁止串脸、镜头错序、音乐错位、自由改剧情、字幕、Logo 和水印。

An elderly night janitor cleans an abandoned Art Deco planetarium during a thunderstorm. The projected moon becomes physically real and drags the entire auditorium into its gravity. [0–1.5s] Shot 1: Macro shot of mop water trembling in its bucket although the floor is still. [1.5–3s] Shot 2: Wide tracking shot follows the janitor beneath the dark planetarium dome. [3–4.5s] Shot 3: Close-up as the dormant star projector switches on by itself. [4.5–6s] Shot 4: Overhead shot: a perfect moon appears on the dome, shedding fine silver dust. [6–7.5s] Shot 5: The janitor’s flashlight beam bends upward toward the moon. [7.5–9s] Shot 6: Close-up of auditorium seats vibrating as loose screws rise from their mountings. [9–10.5s] Shot 7: Low-angle shot as the projected moon swells into a solid cratered sphere descending from the ceiling. [10.5–12s] Shot 8: The janitor falls upward, catching a brass handrail before leaving the floor. [12–13.5s] Shot 9: Popcorn, tickets and cleaning cloths spiral around the moon in orbital rings. [13.5–15s] Shot 10: Camera rolls ninety degrees as gravity rotates through the auditorium. [15–16.5s] Shot 11: Mop water climbs from the bucket as a transparent floating ribbon. [16.5–18s] Shot 12: Wide shot as seats tear loose and orbit without colliding with the janitor. [18–19.5s] Shot 13: The dome surface fractures into a convincing infinite star field. [19.5–21s] Shot 14: A miniature eclipse shadow begins crossing the moon and freezing everything it touches. [21–22.5s] Shot 15: The janitor swings between floating seats toward the emergency dome lever. [22.5–24s] Shot 16: Close-up: his fingertips catch the lever as the handrail tears loose. [24–25.5s] Shot 17: He pulls it; mechanical shutters race across the dome and extinguish the artificial sun. [25.5–27s] Shot 18: The moon implodes silently into streams of silver dust and collapsing orbital debris. [27–28.5s] Shot 19: Gravity returns; seats slam into place while the janitor lands safely in his rolling bucket. [28.5–30s] Shot 20: Quiet final close-up: he discovers a marble-sized moon in his pocket while the water in his bucket produces a tiny tide. Global style: Photoreal celestial surrealism, physically accurate dust and fluid behavior, deep blacks, silver-blue moonlight, Art Deco brass, realistic collision physics, coherent janitor identity. Effects must originate from the projector, affect real objects, then collapse into the miniature moon. No text, extra people or unexplained teleportation.

Style: cinematic retro sci-fi, inspired by grand 1970s/80s space films, practical effects, symmetrical compositions, slow deliberate camera movement, cream-and-chrome spaceship interiors, big buttons, glowing panels, analog readouts, subtle film grain, soft haze, dramatic but thoughtful mood. Captain HaHaa has charm, swagger, and warmth. He walks through his ship while delivering a reflective monologue in a confident Australian accent. The tone is philosophical but grounded, ending hopeful and personal.

SHOT 1 - 0:00-0:05

Visual: Wide symmetrical shot of a long cream-and-chrome spaceship corridor with glowing wall panels, blinking buttons, and retro consoles built into the walls. Captain HaHaa walks slowly toward camera from the far end, hands loosely behind his back at first, calm and reflective.

Camera: Slow centered dolly backward, very smooth, stately and elegant.

Dialogue: “Well, here we are, mates, a brand-new age.”

SHOT 2 - 0:05-0:10

Visual: Side-profile tracking shot as Captain walks past a row of large retro computer stations, reel-to-reel style panels, switches, and glowing instrument clusters. He lightly brushes a hand across the edge of a chrome console as he passes. Soft practical reflections shimmer across his black uniform and silver trim.

Camera: Lateral tracking shot, smooth and measured.

Dialogue: “Longer models, bigger worlds, and enough artificial intelligence to make the universe feel rather small.”

SHOT 3 - 0:10-0:15

Visual: Captain stops at a large observation window or glowing circular display. He looks out thoughtfully, half in silhouette, ship lights glowing behind him. This should feel like a classic contemplative sci-fi image. He turns slightly back toward camera with a knowing expression.

Camera: Medium-wide, slow push in from behind and to the side.

Dialogue: “But don’t get too dazzled. Without a proper story, all that power is just pretty lights doing tricks in the dark.”

SHOT 4 - 0:15-0:20

Visual: Medium close-up as Captain resumes walking, now moving through a control room doorway with large blinking panels and oversized buttons in the foreground. He points lightly toward camera as he talks, casual and assured, like he’s sharing hard-earned wisdom.

Camera: Front-facing tracking medium close-up, slight handheld softness but still controlled.

Dialogue: “A machine can build the world… but it can’t tell us why we should care about it.”

SHOT 5 - 0:20-0:25

Visual: Captain enters the main bridge in a low-angle hero shot. The bridge is spacious, practical, and beautifully retro: cream consoles, chrome rails, oversized lit buttons, glowing instrument panels, and soft haze in the air. As he steps through the doorway, Fishman Mike and Ron are already there waiting for him near their stations. They both look toward him and give him a friendly thumbs up. Captain gives a small acknowledging grin as he keeps moving forward. After the thumbs up, Fishman Mike and Ron turn and begin working at the bridge controls in the background, adding life and movement behind him.

Camera: Low-angle slow push in, slightly epic, widening just enough to include Fishman Mike and Ron in the bridge space.

Dialogue: “That’s our job.” “And right now, when almost anything can be made, the rarest thing you can bring to it is yourself.”

SHOT 6 - 0:25-0:30

Visual: Tight medium close-up of Captain HaHaa near or beside the captain’s chair as he finishes his speech. Behind him, slightly out of focus, Fishman Mike and Ron continue working at their stations, pressing buttons, checking readouts, and moving with purpose. The bridge feels alive but never distracts from Captain. He leans toward camera slightly with a cheeky half-smile, warm eyes, full Captain HaHaa charisma.

Camera: Subtle push in, intimate and strong, with shallow depth of field so Captain stays dominant while Mike and Ron remain visible in the background.

Dialogue: “So be weird. Be honest. Make the thing only you would make.” “What a bloody good time to be alive.”

生成一段完整30秒、16:9横屏、24fps、写实电影级质感的现代近身格斗视频。使用我上传的两组人物参考图：第一名人物固定为“主角”，第二名人物固定为“敌人”。严格继承参考图中两人的面部、年龄、发型、体型、身高比例、服装、鞋子、配饰和整体气质。全程不得交换身份，不得变脸、改变服装颜色、改变体型或生成第三名参战者。

【核心风格】

参考《一个人的武林》所呈现的现代硬派武术电影气质：动作迅猛、贴身、凶狠，攻防转换极快，拳脚具有真实接触感和明确受力反馈，但不照搬电影中的人物、场景和具体镜头。以高质量ACT动作游戏的第三人称战斗镜头诠释两人对决，摄影机主要跟随主角，位于主角肩后、腰后或侧后方，使观众产生操控主角迎战强敌的沉浸感；关键格挡和重击时，可以短暂切入侧面中景或近景。

视频不要求真正一镜到底，可以在30秒内进行多次自然切镜，但整场战斗必须像一个连续长镜头般流畅。利用人物身体遮挡、立柱擦镜、快速摇镜、撞击震动和动作匹配完成隐形切镜。切镜后必须延续上一镜的动作惯性、人物位置、身体朝向、伤势和攻击方向，禁止瞬移、换位错误、人物突然恢复站姿或摄影机无理由越轴。

【场景】

深夜暴雨，一座已经停运的高架地铁检修站。站厅呈狭长矩形，地面是被雨水浸湿的深灰色防滑地砖，分布少量浅水洼，能够反射冷白顶灯和红色维修警示灯。左侧是一排金属检票闸机和关闭的卷帘门，右侧是半透明钢化玻璃护栏，护栏外能够看到高架轨道、雨幕、车灯和模糊城市建筑。站厅中段有三根粗大的混凝土立柱，柱脚带黄黑警示条，尽头是一段通往废弃站台的短楼梯。

冷白灯管是主要光源，其中两盏接触不良、偶尔闪烁；红色警示灯在墙面提供少量轮廓光。斜吹进来的雨水、潮湿薄雾、地面积水、立柱、护栏和闸机都要参与战斗。场景空间在所有镜头中保持一致，不得随切镜改变门、立柱、闸机和玻璃护栏的位置。

开场时主角位于站厅中段偏左，背后靠近检票闸机，面朝右前方；敌人位于右前方约三米处，背后是玻璃护栏。前半段战斗向站厅深处移动，中段绕过第二根立柱，后半段反向压回闸机区域。除非通过环绕镜头明确展示换位，否则敌人始终位于主角前方，保持清楚的行动轴线。

【动作原则】

动作由现代实战拳法、肘击、膝撞、低位踢击、近身控制、擒拿拆解和短距离摔法组成。主角冷静、精准、动作幅度小，善于格挡后立即反击；敌人力量更大、进攻性更强，擅长连续压迫和贴身撞击。敌人不是等待挨打的木桩，主角也不能全程无伤碾压。主角必须经历一次明显失势和一次危险化解，最后依靠判断和重心控制夺回主动。

每次进攻都必须呈现起点、运行路径、接触点和结果；格挡必须真正改变攻击方向；受击者的头部、肩膀、躯干、脚步和重心按照力量方向产生反馈。禁止隔空挥拳、拳脚穿透身体、没有接触却自行后退、无故旋转、连续空翻、悬浮和夸张飞行。动作速度快，但关键接触点必须清楚，不得用混乱残影掩盖动作。

【0—4秒：敌人抢攻】

第一帧已经处于战斗中，不进行对视、摆造型或绕圈试探。摄影机位于主角右后方约一米，接近肩部高度，采用轻微广角的第三人称ACT跟随视角。主角位于画面左侧偏中央，敌人从右前方快速逼近。前景是主角潮湿的肩膀和抬起防守的手臂，中景清楚呈现双方身体，背景是玻璃护栏、雨幕和城市灯光。

敌人右脚踩入水洼，水花向后飞散，同时右直拳攻击主角面部。主角小幅向左偏头，使拳锋擦过脸侧，左手从内侧拍开敌人手腕，右前臂立即架住敌人跟进的左摆拳。敌人不停顿，顺势用右肩和身体重量向前撞击。主角被迫后退半步，鞋底在湿地面短暂滑动，但立刻稳住。

敌人抬膝攻击主角腹部，主角双肘向内压住膝部，将冲击引向身体左侧，同时右脚切入敌人支撑腿外侧，为反击建立位置。摄影机跟随主角后退，敌人始终处于正前方。动作快速但不使用慢镜头。

【4—8秒：第一次反击】

敌人的膝部被压开，主角手臂从镜头前掠过形成遮挡，自然切换到两人右侧的平行移动机位。采用略低的中景，清楚展示脚步、髋部和拳肘路径。

主角左手控制敌人的右前臂，右拳从胸前短距离击中敌人右侧肋部。敌人的上半身因受力向左收缩，呼吸短暂中断，但立刻用左肘横击主角太阳穴。主角抬右臂挡住肘尖，前臂在碰撞中明显震动；随后转动肩膀，以左肘短击敌人胸口，再用右脚低位扫踢敌人左侧小腿。

敌人的左脚被扫得横移，但用右脚及时撑住，没有夸张腾空。他抓住主角上臂，将主角猛烈推向第一根混凝土立柱。摄影机随主角急速后退。主角后背接近立柱时用左掌撑住柱面卸力，沿柱边旋转躲避。敌人紧随而来的重拳擦过主角肩膀，砸中柱面，产生沉闷撞击、少量灰尘和疼痛反馈，但立柱不得碎裂。

【8—13秒：绕柱追击】

敌人击中立柱时，镜头产生一次短促撞击震动。主角快速绕到立柱另一侧，摄影机紧贴主角背后绕柱跟随。立柱短暂遮满画面，完成隐形切镜。遮挡结束后，主角位于立柱右侧，敌人从左侧追出，两人沿站厅纵深向楼梯方向移动。

敌人连续使用左右直拳压迫主角。主角边后撤边格挡：右掌向外拨开第一拳，左前臂贴住第二拳。敌人第三次攻击改为右腿中段踢击。主角来不及完全避开，只能收紧左臂保护肋部。踢击真实命中护臂，力量让主角向右踉跄两步，肩膀撞上玻璃护栏。玻璃发出沉闷震颤却没有破碎，护栏外的雨夜灯光因撞击产生短暂拖影。

敌人跨步逼近，左手压住主角肩膀，右肘攻击面部。主角在最后一刻低头，肘部从头顶掠过；主角左手抓住敌人上臂，右手控制手腕，尝试将其压向玻璃护栏。敌人凭借力量强行抽臂，以额头短促撞击主角眉骨。主角头部向后偏移，额角出现轻微擦伤，目光短暂失焦。

【13—17秒：主角失势】

头撞形成明确节奏重音。快速切入主角侧面近景，表现接触瞬间、飞散雨水和真实眩晕，随即拉回能够看清全身动作的中景，不使用长时间慢动作。

敌人抓住主角上身，将他从玻璃护栏方向拽回站厅中央，右腿绊住主角左腿，试图完成向前摔投。主角身体倾斜，在倒地前用右脚重新踩稳，并以左手勾住敌人后颈，双方进入短暂贴身角力。

摄影机从主角侧后方环绕约九十度，明确展示两人换位：敌人转到画面左侧，主角转到画面右侧，主角背后变为第二根立柱和闸机方向。敌人以力量将主角压在立柱边缘，进行一次肩撞和一次短膝击。主角用大腿与前臂挡住主要冲击，但仍因疼痛弯腰。敌人抬起右肘，准备从上方向下砸击主角后背。镜头靠近主角肩后，使抬起的肘部在画面中形成强烈威胁。

【17—22秒：危险拆解】

敌人的右肘快速下砸。主角不能凭空躲避，而是在肘击启动时向敌人身体内侧贴近，使肘尖从背后落空。主角左手托住敌人肘关节，右手控制其手腕，以肩膀作为支点向前旋转，破坏敌人的肩线。摄影机跟随主角完成半环绕，背景中的立柱、闸机和警示灯提供清楚的空间参照。

敌人为避免手臂被锁，顺势转身，以左拳反击。主角放开控制，低头闪过拳头，起身时用右肩撞击敌人胸口，将其推离立柱。主角立即以左直拳攻击敌人面部防守，迫使敌人抬高手臂；随后右拳从手臂下方击中腹部，再用左肘短击锁骨区域。三次攻击快速递进，但必须分别清楚，不能生成多条手臂。

敌人后退两步，脚后跟撞到检票闸机底座，随即用右腿横扫主角腰部。主角向前贴近，压缩踢击距离，以左臂承受大腿近端冲击，同时右手环住敌人腰侧，左脚踏到敌人支撑脚外侧。低机位镜头清楚交代主角如何控制敌人重心。

【22—26秒：环境摔投】

主角转动髋部并向斜前方发力，将失去支撑的敌人摔向闸机。敌人的肩背先撞在金属闸机侧面，闸机挡板被撞开并发出刺耳金属声，随后敌人落在湿地面，水花向外扩散。敌人的身体必须表现真实重量，不能轻飘飘飞行或在空中翻转多圈。

摄影机沿敌人落地方向快速俯冲，在触地时转为略高的斜俯视ACT视角。主角没有停下摆姿势，而是跨过被撞开的挡板继续追击。敌人翻身用右脚蹬向主角膝部，主角侧移避开。敌人借蹬腿动作翻滚起身，左手撑地，右脚踩稳，还未完全站直便挥出右摆拳。

主角从拳头内侧进入，左臂贴住敌人右臂，右掌推击敌人下颌。敌人向后仰头卸掉部分力量，同时左拳击中主角侧腹。主角明显收腹受击，却保持贴身距离，用右膝短促撞击敌人大腿前侧，进一步破坏其稳定性。两人呼吸加重，衣服逐渐湿污，但动作不能突然变得疲软。

【26—30秒：高潮反制】

摄影机回到主角左后方约一米的第三人称ACT跟随位置。主角位于画面中央偏左，敌人在正前方，背景保持被撞开的闸机、闪烁顶灯和红色警示灯。

敌人最后一次猛烈前冲，先用左拳虚晃主角面部，真正攻击是右肘横扫。主角没有被虚招骗出大幅动作，而是用右掌压下敌人左手，在右肘接近时向前踏入攻击内圈，左前臂架住敌人上臂，使肘尖从主角脑后掠过。主角抓住敌人后颈，右脚勾住其前脚踝，以肩膀向前下方施压。

敌人重心向后倒去，却抓住主角衣服试图将主角一同拖倒。主角立刻松开后颈，身体向左转出抓握，以右肘从极短距离击中敌人胸口偏肩位置，再用左掌推开敌人上胸。敌人向后撞在已经打开的闸机挡板上，挡板进一步弯曲。敌人半跪落地，一只手撑住湿地，另一只手仍保持防守，没有昏迷，也没有飞出画面。

主角受惯性影响向前半步，迅速重新稳住重心，双手保持防守，没有背对敌人、庆祝或摆胜利造型。摄影机缓慢移动到主角右侧，以主角肩膀作为前景，将焦点落在半跪喘息、暂时失去进攻能力的敌人身上。红色警示灯闪烁一次，远处传来雷声。最后一帧保持双方继续互相锁定的危险状态，让主角暂时占据优势，但为下一段战斗留下自然衔接。

【摄影、画面与声音】

保持电影级实拍质感与ACT游戏镜头的融合。主要采用肩后跟随、侧后跟随和腰部高度移动机位；关键命中使用短暂侧面中景或近景。摄影机移动快速但具有真实重量，不得漂浮、瞬移、疯狂旋转或持续无规则抖动。撞击时只使用极短、低幅度震动，震动方向与力量方向一致。

动作中允许适量运动模糊，但人物面部、手脚和接触点在关键时刻保持清晰。禁止鱼眼、长时间慢动作、子弹时间、冻结画面、速度线、游戏血条、准星、按钮提示和文字UI。ACT感来自主角中心构图、第三人称跟随、空间推进和及时的动作反馈。

超写实皮肤、肌肉牵拉、衣料褶皱、湿润头发、汗水和雨水反射；真实金属、混凝土、玻璃与湿地砖材质。冷蓝灰色为主色，冷白顶灯作为主光，红色警示灯作为局部轮廓光。高对比但保留暗部细节，高光不过曝，地面反射自然。禁止蜡像皮肤、塑料CG质感、噪点、脏污颗粒、锐化白边和压缩色块。

生成严格同步的现场声音：雨击顶棚、远处雷声、脚踩积水、湿地摩擦、衣料摆动、急促呼吸、拳掌击中皮肉、前臂格挡、肘膝碰撞、身体撞柱、玻璃震颤和闸机金属回响。无需对白。音乐仅保留极其克制的低频脉冲，不能盖过格斗音效。

【负面约束】

禁止身份互换、面孔漂移、服装变化、身体比例突变、多余人物、复制人物、多手多脚、关节反折、身体穿透和人物粘连；禁止隔空受击、动作没有惯性、敌人静止等待、无故滑行、瞬移、悬浮、武侠轻功、气功、能量特效、夸张冲击波和墙体爆炸；禁止主角全程无伤碾压，禁止敌人只会挨打；禁止无意义空镜、英雄登场、长时间对视、重复招式和结尾突然黑屏。

最终效果必须呈现清晰的动作结构：敌人强势抢攻、主角短暂反击、绕柱追击、主角失势、危险拆解、重新夺回主动、利用闸机完成摔投和最终反制。30秒全程高强度、无废秒，刺激而不混乱，凶狠但遵守人体力学，摄影机始终以主角为核心。

Create a 30 second 16:9 cinematic social video set inside a modern chiropractic and mobility clinic during late morning. The room has pale warm walls, clean wood flooring, black padded treatment tables, gray visitor chairs, a few green plants, subtle wall art, and tall windows overlooking leafy trees. Use natural daylight mixed with soft ceiling light, realistic skin texture, true fabric behavior, accurate anatomy, physically believable contact, consistent faces, and natural micro expressions. No text, no logos, no watermarks, no surreal motion.

From 0 to 4 seconds, open on a wide establishing shot with a slow handheld push through the clinic. A calm male practitioner in a charcoal shirt guides an adult male client in a white shirt toward a treatment table. Other staff move softly in the distant background. The mood feels professional, relaxed, and observational.

From 4 to 8 seconds, cut to a medium seated shot. The client sits centered while the practitioner stands behind him, gently checking shoulder level and neck rotation. Use small natural camera drift, shallow depth of field, window light on one side of the face, and realistic eye contact. Show quiet anticipation without exaggerated acting.

From 8 to 12 seconds, move into a close side angle as the practitioner carefully positions the head for a controlled neck release. Keep the motion restrained and anatomically correct. Capture a quick release, a subtle facial reaction, a sharp breath, and an immediate smile. Let the camera react with a tiny authentic handheld movement rather than a dramatic shake.

From 12 to 17 seconds, cut to a medium wide side view of the client lying on his side on the table. The practitioner braces the shoulder and pelvis, pauses, then performs one compact lumbar adjustment. Show realistic weight transfer, table cushion compression, shirt folds, breathing, hand pressure, and a brief surprised laugh from the client.

From 17 to 22 seconds, cut to the client lying face down. The practitioner palpates the upper back, stacks both hands, and applies one controlled thoracic compression. Use a slightly lower camera angle, soft reflections on the table, gentle background activity, and a brief focus pull from the hands to the client’s relieved expression.

From 22 to 26 seconds, transition to a head of table view. The client lies on his back while the practitioner places a black traction strap beneath the base of the skull. Build tension slowly and safely, then deliver one short controlled pull. The client reacts with wide eyes, then laughs and covers his face for a moment.

From 26 to 30 seconds, finish with the client sitting upright, rolling his shoulders and turning his neck comfortably while the practitioner stands beside him. End on an honest shared smile and a slow pullback that reveals the bright clinic. Keep the final moment calm and satisfying, not promotional.

Audio should feel captured on location with soft room ambience, distant clinic movement, clothing rustle, table creaks, natural breathing, quiet conversation without clearly audible words, and crisp but not exaggerated adjustment sounds. Add a low volume modern instrumental track with warm piano, soft bass, light percussion, and a gentle rise at each release, ending on a clean resolved note.

A deserted international airport baggage hall after midnight. One tired cleaner in a blue maintenance uniform polishes the floor beside a silent oval baggage carousel. The carousel transforms through physically connected airport machinery into a gigantic mechanical hermit crab while the cleaner remains trapped on its rotating luggage-covered shell. Surreal horror-comedy, realistic industrial mechanics, cold fluorescent lighting, polished-floor reflections, thin cleaning mist throughout. One continuous unbroken 30-second Steadicam shot; no cuts, transitions, montage, teleportation or camera resets. The camera constantly travels forward through the transformation, changing composition organically as objects pass near the lens.

0.0–1.2s — Beat 1: Extreme close-up of the carousel reflected in the wet polished floor; one red warning light unexpectedly blinks.
1.2–2.4s — Beat 2: Camera tilts up to the sleepy cleaner leaning on his mop as the belt clicks once behind him.
2.4–3.6s — Beat 3: The carousel suddenly runs backward; the cleaner slowly turns, confused.
3.6–4.8s — Beat 4: Camera arcs around him while suitcases accelerate and their wheels chatter against the belt.
4.8–6.0s — Beat 5: A passing suitcase hooks his mop and pulls him onto the moving carousel.
6.0–7.2s — Beat 6: Camera follows beside him at belt speed as he runs helplessly between circling luggage.
7.2–8.4s — Beat 7: Security trays snap open and closed like small warning claws as they pass close to the lens.
8.4–9.6s — Beat 8: Camera dives through a gap between suitcases into the dark maintenance space beneath the carousel.
9.6–10.8s — Beat 9: Locked close tracking beneath the machinery: foundation bolts rotate loose and fire from the concrete.
10.8–12.0s — Beat 10: Conveyor supports unfold sequentially into six heavy segmented legs, each foot slamming down behind the advancing camera.
12.0–13.2s — Beat 11: The camera rises with the lifting structure as the entire carousel tears free from the floor.
13.2–14.4s — Beat 12: The oval conveyor twists vertically into a rotating spiral shell without breaking apart.
14.4–15.6s — Beat 13: Suitcases lock across the spiral one after another, forming mismatched shell armor.
15.6–16.8s — Beat 14: Two baggage scales hinge outward into broad mechanical claws.
16.8–18.0s — Beat 15: Departure monitors extend on flexible cable stalks and become expressive rectangular eyes.
18.0–19.2s — Beat 16: The completed hermit crab drops onto all six legs; the impact sends a circular wave through the floor mist.
19.2–20.5s — Beat 17: Camera tracks backward at floor level as the enormous creature scuttles sideways through the terminal.
20.5–21.8s — Beat 18: The cleaner circles overhead on the rotating shell, gripping his mop and passing above the lens once per revolution.
21.8–23.1s — Beat 19: The crab delicately lifts one suitcase and places it into an airport security tray while still moving.
23.1–24.4s — Beat 20: The exit scanner flashes red; the creature freezes and its monitor eyes glance nervously at each other.
24.4–25.7s — Beat 21: Passing overhead, the cleaner desperately scans his mop handle; the gate turns green with a cheerful chime.
25.7–27.2s — Beat 22: The crab ducks beneath the sign and squeezes through the exit, its luggage shell scraping sparks from the doorway.
27.2–30.0s — Finale: Camera glides backward through the automatic doors into the rainy airport forecourt. The crab emerges majestically, pauses in the mist and raises both claws. The cleaner stands on the rotating shell holding his mop like a victory flag. The monitor eyes blink proudly as one lonely suitcase arrives late through the doors and clicks perfectly into the final empty space in the shell.

Sound: Continuous airport room tone evolving into conveyor rumble, suitcase-wheel percussion, hydraulic locking, concrete fractures, scanner beeps and deep mechanical crab vocalizations. Calm automated announcement during the chaos: “Your baggage has arrived.” Finish with the security chime and a strangely triumphant orchestral chord.

Continuity constraints: Preserve one cleaner, one mop, one terminal layout and one mechanically coherent crab throughout. Every component must originate visibly from the carousel or surrounding baggage equipment. Maintain continuous screen direction and spatial geography. No organic flesh, extra limbs, duplicated luggage, changing uniform, illegible foreground text, gore or unexplained morphing.

【30 秒一战空战 严格分层镜头版提示词（逐镜头标注摄影参数 + 前景 / 中景 / 背景三层光影，防过拟合）
30 秒高镜头密度一战空中格斗完整故事线，激烈战场硝烟氛围，一战高空漫天混战场景，超大画幅宽银幕，粗颗粒复古胶片质感，黄褐色复古战场影调，21:9 宽银幕，画面全程动态流畅无卡顿，每一个镜头严格区分前景 / 中景 / 背景三层景深，前后景焦距完全不同，杜绝平面前后景同焦画面，彻底避免 AI 过拟合同质化效果。德国双翼战机

德国战机2
，英国双翼战机

英国战机
，德军飞行员

德飞行员
，英国飞行员

英飞行员
。
0-2s：大远景高空俯视 焦距：14mm 光圈：f/5.6。前景：浓密高空硝烟缓慢流动擦过镜头下缘；中景：两架主角双翼战机（德方战机

德国战机2
在后，英方战机在前

英国战机
）一起在云缝里高速俯冲，后机死死咬住前机尾后；背景：数十架一战士战机群在远方天空各处缠斗，拉出密密麻麻白色航迹，厚重铅灰色积云铺满整个天空。自然光硬侧光，光线从侧上方斜切下来，硝烟边缘被阳光打透成半透明金色。
2-4s：驾驶舱中景跟拍 焦距：75mm 光圈：f/2.0。前景：螺旋桨转动拉出动态模糊气流从镜头前扫过；中景：德方飞行员

德飞行员
坐在驾驶舱里猛推操纵杆，头盔风镜反射出前方英方战机轮廓；背景：战机帆布蒙皮机身结构、高空远处模糊的云团轮廓层次虚化。侧逆光打亮飞行员肩线，驾驶舱内部保留暗部细节，浅景深背景完全虚化。
4-7s：机身侧面跟拍中近景 焦距：50mm 光圈：f/2.8。前景：高速气流卷动机翼蒙布线头抖动擦过画面边缘；中景：两架飞机机翼几乎贴在一起，德方战机机枪口连续喷吐出枪口焰，亮白色曳光弹线条连续擦过英方战机机翼蒙皮表面；背景：远处空中其他战机开火的微弱枪口焰光点零散分布在硝烟里。侧顶硬光，机枪开火瞬间枪口焰在机身蒙皮上投下跳动的光斑。
7-10s：机翼破口大特写 焦距：180mm 光圈：f/1.4。前景：飞溅的金属蒙皮碎屑在镜头前景慢动作划过；中景：英方战机机翼表面被机枪子弹击中，帆布蒙皮撕开破口漏出内部钢丝骨架，缕缕白烟从破口处冒出来；背景：远处蓝天和云层被浅景深完全虚化成柔和色块。侧光精准打亮破口边缘撕裂的帆布纤维纹理，暗部保留阴影层次，极致浅景深。
10-13s：飞行员近景特写 焦距：85mm 光圈：f/1.8。前景：高速气流吹动飞行服领口在画面左下角微微晃动；中景：英方飞行员猛拉杆回头看向后方，脸上紧绷全神贯注，快速扳动操纵杆做极限规避动作；背景：驾驶舱风窗外飞速流过的云层完全虚化。侧光半打亮飞行员半张脸，另一半落在硬朗阴影里，浅景深背景完全模糊，突出人物紧绷情绪。
13-17s：极限规避低角度环绕镜头 焦距：24mm 光圈：f/4。前景：地面炸起的橙色硝烟烟尘从画面底部向上翻涌；中景：英方战机侧身几乎 90 度侧翻，大角度转向从德方战机射击窗口里快速滑脱，机翼下方掠过地面一战战壕铁丝网轮廓；背景：远方地平线处数十个地面炸开的硝烟烟柱缓缓升起。侧逆光把战机机身勾出完整金色轮廓，低角度让机身在天空里极具冲击力，中景深只把机身主体拍实，远景硝烟层次自然虚化。
17-21s：高空拉升大远景 焦距：20mm 光圈：f/8。前景：半透明硝烟云团从镜头前缓缓飘过；中景：两架主角飞机一追（德方战机）一绕（英方战机）在高空云团里拉出交叉的白烟轨迹；背景：整片天空布满上百条战斗机拉出的白色航迹线，无数小黑点大小的战机在远景各处互相厮杀，庞大混乱的一战空战战场全貌完整铺开。顶光漫射下硝烟层次丰富，大景深完整收纳前景中景背景三层全部清晰的战场空间，画面纵深感拉满。
21-24s：迎头对冲低角度仰拍 焦距：35mm 光圈：f/2.8。前景：两架飞机高速旋转的螺旋桨扇叶边缘虚化形成动态扇面；中景：双机同时迎头对冲相向飞行，机身快速向镜头逼近，距离飞速缩短；背景：后方整片高空混战的机群轮廓全部虚化散焦。正仰拍逆光，机身被阳光完全勾勒出黑色剪影，只透出机翼轮廓的半透明帆布纹理，前景螺旋桨动态模糊增加速度感。
24-27s：隔舱对视大特写 焦距：100mm 光圈：f/1.4。前景：驾驶舱风窗外晃动的气流波纹虚化在镜头前；中景：两名飞行员隔着呼啸气流在驾驶舱里互相对视一瞬，时间微微放慢；背景：两侧飞速向后流走的天空和云团完全虚化成运动模糊拖影。侧软光只打亮两名飞行员半张脸，背景极致虚化，浅景深把所有注意力锁在人物眼神对视的瞬间。
27-29s：贴脸擦身极高速跟拍 焦距：40mm 光圈：f/3.5。前景：机翼尖擦过的气流扰动在画面边缘形成动态扭曲波纹；中景：两架战机几乎贴脸擦肩而过，机翼尖差几厘米就会相撞，气流吹动机翼表面蒙布剧烈抖动；背景：两侧向后飞速退去的混战战机全部拉出动态运动拖影。追焦跟拍全程只有两架主角战机机身完全锐利，前后运动物体全部带自然运动模糊，速度感拉满。
29-30s：两机反向散开收束大远景 焦距：21mm 光圈：f/5.6。前景：最后一缕高空硝烟缓缓从画面中间飘过；中景：两架反向飞远的双翼机背对着彼此向天空两个方向散开，身后留下两道漫长的白烟航迹，黄昏阳光把机身轮廓镀上一层金边；背景：远方天空仍在持续厮杀的整个战场，漫天航迹和硝烟构成庞大的一战空战史诗全景。黄昏暖橙色侧逆光斜照整个画面，烟的边缘是金的，云层底部是暖橙色，远处战场硝烟带着冷蓝灰调，冷暖对比宽银幕史诗感拉满。
全局约束：全程动作节奏紧凑激烈，一战战机细节完全写实，没有任何现代喷气式飞机，无多余字幕无多余文字，胶片颗粒均匀自然，所有镜头的光圈焦距参数对应生成正确景深分层，严格杜绝前后景同焦平面的扁平化画面，完全避免过拟合 AI 同质化效果。镜头要自然，不要生硬。】全片不要有音乐，不要有文字。

type: anime_opening_continuous_camera_flythrough style: visual: dark fantasy anime, cel-shaded 2D, high contrast, full-color Japanese anime motion_quality: 24fps, 作画枚数多め, メリハリのあるスピードランプ tone: stylish, dramatic, kinetic, elegant, ominous direction: > 日本のフルカラーアニメのオープニング。 高速なカット割りの代わりに、一筆書きのような連続カメラワークで、 複数のキャラクターを次々と捉えていく。 カメラは右へ左へ、上下へ、奥へ手前へと飛び回るローラーコースターPOVで、 一切止まらず、各キャラクターの最も映える瞬間を連続的につないでいく。 各キャラクターのポーズ・表情・背景・空間演出は、 そのキャラクターの性格、武器、属性、感情の核、物語上の役割から 最も魅力的に見える形をAIが自律的に判断して構成すること。 camera: motion: fast forward dolly with lateral drifts, rollercoaster POV, fluid aerial movement core_rule: > no hard cuts, no static frames, no fades. 全編を通して一続きのワンカットとして成立させること。 speed_ramps: > キャラクターのリビール直前に減速し、決めの瞬間で一瞬だけ視認性を確保し、 通過と同時に再加速する。 lens_feel: dynamic anime cinematography, dramatic perspective shifts, strong parallax final_exception: > ラストのクライマックスキャラクター、または集合決めカットの直前のみ、 重みを出すために初めてカメラの運動を極端に緩める、 もしくは短く静止してもよい。 environment_logic: base_space: 無限に広がる異空間ヴォイド variation_rule: > 各キャラクターのリビール区間ごとに、そのキャラクターの属性、感情、 象徴、戦闘スタイル、役割に最も合う環境要素をAIが選んで構成すること。 同じ空間を繰り返さず、毎回異なる空間的印象をつくること。 ただし全体としてはひとつの連続した異空間を飛行している感覚を保つこと。 palette_options: - deep crimson (#5A0000–#8B0000) + cyan mint accents + black shadows - midnight blue void + white petals + silver light - blood red mist + black feathers + gold rim light - violet smoke + shattered glass + cold cyan - 上記をベースに、各キャラクターに合わせて自由に再解釈してよい floating_elements_pool: - petals - feathers - blades - ribbons - chains - shattered glass - ash - sparks - torn paper - ink splashes - crystals - smoke - water droplets - leaves lighting: > dramatic rim light, deep shadows。 光源設計はキャラクターの性格や役割に応じて変えること。 支配的なキャラには逆光や王者のような縁光、 儚いキャラには拡散光、 狂気のあるキャラには不安定な明滅光など、 感情の印象を光で補強すること。 input_characters: description: > 以下にキャラクターのリストを与える。 人数は固定しない。2人でも10人以上でも対応可能。 各キャラクターについて、名前・性格・武器・属性・役割・感情の核・象徴モチーフなどを参照し、 そのキャラらしさが最大化する一瞬を構成すること。 format_example: - name: Character Name role: protagonist / rival / villain / mentor / key figure / support personality: "" weapon_or_power: "" attribute_or_theme: "" emotional_core: "" symbolism: "" priority: high / medium / low reveal_planning: global_rule: > 入力された全キャラクターを、物語の高まりが自然に増していく順に並べ替えてよい。 基本的には、軽め・不穏・謎めいた導入から始まり、 中盤で躍動感と情報量を増し、 終盤で主人公・対立軸・ラスボス・最重要人物へ向けて熱量を上げること。 per_character_rule: > 各キャラクターごとに以下を自動で設計すること： 1. pose: 静止ではなく「動きの最中の一瞬」 2. expression: 感情の核が伝わる表情 3. framing: 最も映えるカメラ距離・角度 4. background_variant: そのキャラに対応した空間演出 5. foreground_wipe: 次のキャラへつなぐ前景通過物 6. motion_relation: カメラに対して向かってくる / すれ違う / 見下ろす / 落下する / 回転する 等 uniqueness_rule: > 各キャラクターで、体勢、シルエット、画面構図、視線方向、背景モチーフ、 前景の抜け、動きのベクトルを被らせないこと。 連続して似た演出を使わないこと。 duration_rule: > 各キャラクターの見せ尺は均一でなくてよい。 priority が高いキャラクターほど、わずかに長く、印象的に見せること。 低優先キャラは短く鋭く見せ、高優先キャラは減速を強めて存在感を出すこと。 character_processing_loop: instruction: > 入力されたキャラクター配列を上から順に機械的に処理するのではなく、 オープニング映像として最も気持ちよく流れる順番に再構成してよい。 それぞれについて以下を判断して映像化すること。 for_each_character: decide: - このキャラは支配的か受動的か - 攻撃 / 防御 / 逃走 / 佇み / 観察 / 詠唱 / 指揮 のどれが最も似合うか - 武器や能力をどう一瞬で象徴的に見せるか - 視線、手、指、髪、衣装、武器のどこを強調すべきか - カメラがそのキャラに向かうべきか、横切るべきか、追い抜くべきか - そのキャラに最も合う背景と前景モチーフは何か output: - pose - expression - framing - background_variant - foreground_wipe - transition_vector transitions: between_reveals: > 花弁、羽根、刃、リボン、鎖、ガラス片、煙、灰、インクなどが 必ずレンズ手前を至近距離で横切り、それをワイプ代わりにして次のキャラへつなぐこと。 rule: > 必ず「前景がレンズを横切る → 空間が変化する → 次のキャラが現れる」 という流れを守ること。 continuity: > 前景ワイプは単なる切り替えではなく、 カメラが本当に次の空間へ飛び込んでいく感覚を生むように使うこと。 climax_logic: final_focus_rule: > 最後の区間では、最重要キャラクター （主人公 / ラスボス / キーパーソン / 物語の中心人物）に到達すること。 そのキャラは他よりも重く、強く、象徴的に見せること。 ending_options: - 最重要キャラクター単体でカメラが初めて止まり、一枚絵として決まる - 主人公の先に最大の敵が現れ、緊張感のある静止に入る - 最重要キャラのあと、短く複数人の集合構図へ流れ込み、一枚絵で締める final_image_rule: > ラストはポスターのように成立する構図にすること。 それまでの流動性と対比して、最後にだけ「止まる意味」があるように演出すること。 output_goal: > 結果として、全体が一本の連続したアニメOPショットとして成立し、 各キャラクターが短時間でも明確に識別でき、 しかも一人ずつ違う魅力で刻み込まれること。 単なる紹介映像ではなく、「この作品世界の熱量と因縁」が伝わること。 negative: - hard cuts - static camera (except final climax hold) - fades - text - logos - subtitles - photorealism - 3DCG look - repetitive poses - repeated environments - flat staging

POV — Morning Commute in Coastal Japan | Ultra-Realistic, One Continuous Take

First-person POV, no cuts, one unbroken handheld-feeling shot from our own eyes on the way through a small seaside town. Ultra-photorealistic, phone-in-hand realism — natural camera micro-shake, subtle head bob with each step, occasional glance down at our own hands and shoes. 4K, shallow but natural depth of field, real morning light, no color-grading fantasy, no neon.

Beat 1 — Descending into the station (0–4s): We walk down worn concrete station stairs into a small coastal-town metro entrance, one hand loosely gripping a canvas bag strap that swings into the lower frame. Fluorescent tint mixes with daylight bleeding from the entrance behind us. Commuters pass in soft focus; we hear muffled announcements and the shuffle of footsteps.

Beat 2 — The orange cat (4–9s): We slow and crouch — the horizon dips as our POV lowers toward the ground. An orange tabby sits by a ticket-gate pillar, tail curled. Our hand (natural skin texture, slightly bitten nails, cuff of a sleeve) reaches into frame and gently strokes its head. The cat leans into the touch, eyes half-closing, ears flicking. We hold there a beat, warm and quiet.

Beat 3 — Boarding, settling by the window (9–14s): We rise, the horizon lifts, and we step through the train doors just as the chime sounds. POV turns and moves toward a window seat; we sit, and the frame settles against the glass. A faint silhouette of us ghosts over the view. The train pulls away with a gentle lurch.

Beat 4 — The shimmering sea (14–20s): Through the window, the town gives way to open coastline. Sunlight scatters across the water in thousands of moving sparkles — real specular glitter, not CGI bloom. Utility poles and wires strobe past in the foreground. We rest our chin lightly (subtle downward frame tilt), just watching.

Beat 5 — Rails into the sea (20–25s): The track curves and runs so close to the shore that the rails seem to vanish straight into the water — the sea fills nearly the whole frame, waves lapping right up to the ballast. Foam catches the light. We're gliding along the edge of the ocean, the horizon line steady, gulls crossing in the distance. Hold on this until the shot ends.

Technical spec: continuous POV, first-person, no cuts or transitions, natural handheld micro-motion, realistic morning ambient audio (station hum, cat, train chime, rail clatter, distant surf), authentic Japanese coastal-railway setting (Shimonada / Enoden-style seaside line), overcast-to-clear soft daylight, photoreal skin and fabric texture, 2.39:1 or 16:9, ultra-realistic.

【风格】武侠电影级动作喜剧（Wuxia Action Comedy），古风客栈实景，8K，达芬奇高级调色，升格慢动作与快剪结合，真实布料与木屑物理，横屏16:9
【时长】30秒
【场景】古风江湖客栈大堂，木桌长凳、红灯笼、蒸笼冒热气，梁柱交错，光从窗棂斜射带浮尘
【角色】女侠A @图1（红衣冷艳，用剑）、女侠B @图2（青衣飒爽，用双筷/软鞭），两人武艺相当

[00:00-00:02] 钩子·同时出手
蒸笼掀开——热气散去，只剩孤零零一个白胖包子。两只手"唰"地同时探向它，在包子上方一寸僵住。镜头拉近两人对视，杀气骤起。
音效：蒸汽"嘶"声，一声兵刃出鞘。

[00:02-00:06] 拔剑·桌面开打
A拔剑挑翻整张桌子腾空，B踩着飞起的长凳跃上房梁，包子被气浪震到空中。碗筷茶壶四散飞溅。

[00:06-00:11] 空中争夺（升格）
包子在半空划弧，两人凌空交手，A剑尖挑、B筷子夹，包子在刀光间被抢来抢去，谁也没碰实，热气还在包子上冒。

[00:11-00:16] 客栈大乱
战场蔓延，两人踩桌翻梁、灯笼被削落、木屑纷飞，其他"食客"抱头躲桌下。包子始终在两人争夺中心悬着不落。

[00:16-00:21] 决胜一击（升格特写）
A与B同时使出绝招，剑气与鞭影在包子两侧交汇——包子被劲气托着高高弹起，两人各自摆出接杀造型，屏息等它落下。

[00:21-00:26] 神反转
镜头跟着下落的包子——一只慵懒的橘猫"喵"地从桌上跃起，在半空一口叼住包子，稳稳落地，当着两人的面吧唧吧唧吃完，舔爪。
音效：所有打斗音效戛然而止，一声"喵~"，乌鸦飞过。

[00:26-00:30] 傻眼收尾（定格）
A和B保持着帅气的接杀姿势僵在原地，剑和筷子还举着，齐刷刷看向吃饱打嗝的猫，表情裂开。
字幕（砸出）：「有些仗，打赢了也没用。」
音效：一记喜剧"咚"，猫满足地打了个嗝。

【导演备注】1.反差铁律：打斗越是天崩地裂、招式越华丽正经，最后被猫截胡的落差越好笑；2.身份锁定：A=@图1红衣用剑、B=@图2青衣用筷/鞭，脸/服装全程一致；3.节奏：2秒对峙→拔剑→空中争夺→大乱→决胜→猫反转，动作段用快剪+关键处升格；4.物理真实：包子热气、木屑、灯笼、布料惯性、猫的重量都要真实，武侠不卡通；5.包子必须全程在画面中心被争夺，是视觉焦点和笑点核心；6.不见血、不伤人，纯招式对拆。
【负面提示词】卡通武侠，塑料CG，换脸，两人身份/武器混淆，包子中途消失，猫出现得太早，血腥伤人，多余手指，字幕提前，水印，真实品牌logo，画面糊乱，未成年人形象。

基础设定：一段25S史诗赛博武侠风格的美剧的预告片。
角色/场景/道具设定：
黑衣女子，夜刃：image1，武器为短刀。
听渊：image2，武器为长剑。
西部猫：image3
闪电丧尸机器人：image4
青衣射箭女：image5
红衣女，南宫无双：image6，image18 ，南宫无双的手下 image7。
巨型沙虫：image8，高度有几十米，上百米。
粉短发女：image9，image 17
秦昭宁：image10，全身形象image11，武器image12。
楚霸王：image13。
北境的丧尸机器人：image14
酒吧内部：Image 15
沙漠场景：image 16
视觉基调： 好莱坞史诗奇幻美剧与末世废土大片融合质感，整体参考美剧史诗大片的沉重史诗感与美国大片预告片的强视觉冲击。画面具有粗粝胶片颗粒感、。世界观呈现中式武侠、古代战争、赛博北境、沙漠废土，巨型怪物并存的混合异世界。整体质感荒凉、危险、宏大、硬核，带有强烈的末世生存感和宿命感。
光影色调： 用高反差电影光影，强逆光、侧逆光和局部冷光结合。沙漠酒馆线以昏黄油灯、破窗夕阳、琥珀色沙尘光为主，暗部压深，人物轮廓被暖光勾出。北境雪山线以冷白、铁青、蓝灰色为主，暴雪漫反射形成冰冷压迫感。整体调色保持青橙对撞，高光偏琥珀与焦土黄，阴影偏铁青与褪色蓝灰。
摄影机参数与运镜基调： 采用电影级全画幅数字摄影机质感，ARRI Alexa 65 / RED V-Raptor 级别画面，16:9 横版画幅，24fps 主体电影帧率，部分动作镜头使用 60fps / 120fps 升格慢动作。镜头语言以 24mm、35mm、50mm 电影定焦为主，人物压迫感使用 35mm 近景手持跟拍，史诗大场面使用 24mm 广角低角度仰拍与航拍大全景，人物情绪特写使用 50mm 浅景深镜头。景深控制明显，背景虚化自然，焦点在人物眼神、武器、箭矢、飞针、机械电弧之间快速切换。
其他设定：动作凌厉。画面强烈的视觉冲击。画面带有强烈的冲击力和打击感。整个画面有节奏感和电影感，仅生成环境的音效，不要配背景音乐。真人写实史诗电影风格。画面禁止出现任何字幕和任何白色的字体；画面出现文字，采用透明字体。完全真人实拍质感。
画面内容：
0-4秒：画面建立在一间沙漠废土酒馆内部。中景环绕运镜，听渊、夜刃、西部猫被一圈敌人围住，敌人中混杂着赛博改造打手和闪电丧尸机器人带来的机械手下。听渊穿青衣，单手持长剑，剑尖微微下垂，眼神冷静但紧绷；夜刃黑衣站在阴影中，手持短刃半出鞘，脸上没有表情；西部猫站在桌面上，牛仔帽压低，爪子慢慢摸向腰间武器。。
4-8秒：硬切北境雪地。画面骤然变冷，风雪呼啸。秦昭宁从厚厚积雪中猛然睁眼苏醒，面部特写，睫毛和发丝结着冰霜，脸上带着伤口和血迹。远处暴雪深处，隐约出现数双红色眼睛，忽明忽暗，像有什么东西在雪雾中盯着她。音效只保留风暴声和低沉丧尸嘶吼。突然，几个塞外丧尸从雪地里破雪而出，身上挂着残破甲片，动作僵硬却极快，挥舞弯刀冲向秦昭宁。镜头采用手持近距离跟拍，雪粒猛烈撞击镜头，压迫感极强。
8-11秒：硬切回沙漠酒馆内部。，一支箭从二层廊台方向破空射下，带着尖锐风声击中闪电丧尸机器人的胸口装甲，电光爆裂，火星四溅。整个酒馆短暂陷入半秒静止。听渊、夜刃、西部猫和敌人同时抬头看向楼上。镜头快速上摇，二层青衣射箭女出现，长弓拉满，。她不说话，只是冷静地瞄准第二个目标。镜头强调箭矢、弓弦、她的眼神和楼下众人的震惊反应。
11-16秒：硬切北境场景，紧接秦昭宁被围攻。秦昭宁从雪地中翻身而起，抓起红缨长枪，低角度镜头捕捉枪尖划破积雪的瞬间。几个塞外丧尸扑到她面前，她挥动长枪横扫，枪杆带着沉重破风声击碎丧尸兵器，枪尖刺穿冰雪与残甲。动作干净、狠、带有古代女将军的力量感。危机仍未解除，更多塞外丧尸和半机械化丧尸机器人从风雪中冲来。就在秦昭宁被逼退半步时，远处传来战马嘶鸣。风雪深处，楚霸王骑着黑马冲出，巨型武器拖出一道雪雾。他从秦昭宁身侧掠过，低角度跟拍马蹄踏碎冰层，随后巨刃横扫，多个丧尸机器人被直接劈飞，机械零件、冰屑和黑血同时炸开。秦昭宁回头看向他，脸上第一次出现震惊表情，像是无法判断这个突然出现的人究竟是救兵还是更大的怪物。
16-20秒：硬切沙漠天空，南宫无双站在飞船甲板前端，红衣金纹在狂风中翻动，姿态极稳，像整个沙漠都在她脚下。她缓缓抬手，周围无数金属碎片、飞针、断裂兵器和机械零件悬浮起来，形成一个危险的金属环。镜头环绕她半圈，突出她冷静、华丽、强势的压迫感。远处沙海开始下陷，巨型沙虫从地下缓缓升起，没有完全露出全貌，只显现出巨大背脊、鳞片和吞噬沙丘的阴影。沙虫低下头，像在向南宫无双臣服。飞船下方，她的巨人手下站在沙漠中，仰望她和沙虫，脸上是近乎膜拜表情。画面安静但极度危险。
20-25秒：硬切高速沙漠车内视角。粉色短发女子驾驶一辆越野车的车内画面，粉色短发女子单手握方向盘，另一只手猛地拉动档杆，车身贴着沙丘猛烈抖动，几乎要翻车。听渊表情紧张，夜刃依旧冷静，但手已经按住车门边缘。粉色短发女子回头看她们一眼，带着不合时宜的轻松和疯劲，用中文大声说：“坐稳了，侠女，这车没有刹车！” 越野车猛然加速，非常猛的惯性，后座的听渊和夜刃往后座猛的后躺。切换车外航拍视角，越野车快速行驶在沙漠中。

Shot 1 (2.0s): An extreme close-up on @Dragon's closed eye as it suddenly snaps open, the golden iris contracting sharply. The camera holds tight and still, dust particles drifting past in the beam of light. Sharp, sudden shift in tension with a subtle lighting flicker.

Shot 2 (2.5s): A quick, reactive medium shot as @Boy stumbles backward in fear, nearly tripping over rubble, his expression panicked. The camera shakes handheld, following his frantic retreat. Lighting shifts to a colder, harsher tone as shadows stretch across the hall.

Shot 3 (3.0s): A powerful low-angle wide shot as @Dragon rises up, wings spreading and casting a massive shadow over the hall. It lets out a thunderous roar. The camera tilts up rapidly to capture its full towering height, dust and debris shaking loose from the ceiling. Dramatic high-contrast lighting with the beam from above now cutting harshly across the scene.

Shot 4 (2.5s): A fast-paced action shot as @Dragon swipes its massive claws toward @Boy, who dives and rolls out of the way across the stone floor. The camera whip-pans to follow the motion, adding kinetic energy. Debris scatters, lighting flickers with dust kicked into the air.

Shot 10 (2.5s): A dynamic tracking shot as @Boy scrambles behind a fallen pillar for cover, breathing heavily. @Dragon rears back, preparing to attack. The camera circles quickly around the pillar, low to the ground, building tension. Cold blue-white lighting dominates the frame.

Shot 11 (3.0s): A dramatic wide shot as @Dragon unleashes a burst of icy breath across the hall, frost spreading rapidly over the stone floor and pillars. @Boy sprints and slides across the ground to dodge the blast, ice crystals forming in the air around him. The camera tracks low and fast alongside his movement, capturing the chaos.

Shot 12 (2.0s): A final tense close-up as @Boy presses his back against a frozen pillar, chest heaving, staring up at @Dragon towering above him. The camera holds still, slowly pushing in. Cold light reflects off the newly formed ice, creating a striking, high-contrast final frame.

参照素材:
Image1: 銀髪ゴスロリ双子の顔立ち、目つき、髪型、衣装、黒い光輪、全体配色の最優先参照。元画像の構図は使用しない。
Image2: キャラクター設定画。正面・背面の髪型、体型、黒いゴスロリ衣装、靴、表情設計の参照。
Image3: 実写ゴシック寝室の舞台参照。部屋の構造、天蓋ベッド、レース、ベルベット、暗色木材、窓、ランプ、家具、床、現実の材質感と奥行きを参照する。壁面の十字架や宗教記号は使用しない。
Image4: 30秒プレビズ。CUT 01〜06の人物配置、画角、中央9:16セーフ、カメラ移動、カメラ高、アングル、終端構図を参照する。画像内の人物は演出確認用マネキンであり、完成映像ではImage1とImage2のキャラクターへ置き換える。
Image5: 立ち姿の灰色の兎のぬいぐるみ。現実的な体型、毛足、垂れ耳、暗い赤色のガラス製の瞳を参照する。

固定条件:
30秒、16:9横型、視聴者がその場にいるPOV視点。9:16へ中央トリムしても双子の顔、手、兎のぬいぐるみ、主要な演技が残るよう、関心事を常に中央へ集める。
実写とセル画アニメの明確なハイブリッド映像。部屋、家具、寝具、ランプ、窓、床、兎のぬいぐるみは実写フォトリアル。双子だけを高密度なセル画アニメとして描く。キャラクターの接地影、落ち影、環境光、ランプ光、遮蔽、色かぶりは実写背景と物理的に一致させる。
背景は全編で深い被写界深度。絞りF5.6〜F8相当の見え方とし、前景・中景・後景のレース、ベルベット、木目、金属、ガラス、カーテン、寝具、床、壁の質感と部屋の立体構造を明瞭に保つ。背景を雰囲気だけのボケにせず、実写空間として読める情報量を維持する。自然なレンズ描写、現実的なハイライトの減衰、微細なセンサーノイズ、実写らしい影と反射。
双子は瓜二つの美少女アニメキャラクター。Image1とImage2を最優先し、顔立ち、目つき、銀髪ツインテール、額と耳が見える髪型、黒いリボン、黒いゴスロリ衣装、黒い光輪を全カットで維持する。キャラクター配色は均一なベタ塗り、段階的な色調、強いセルシェーディング。主線は太さが安定した、ムラのない鮮明な黒線。2024年制作の日本ヴィンテージセルアニメ映画を思わせる精密な作画、高い描き込み、滑らかな動き。
双子の瞳は全編で澄んだグレー。白目は清潔な白。白いまつ毛、白いアイライン、白い上下まぶたの線、白い目の輪郭線、長い下まつ毛を維持する。目を赤くしない。瞳、白目、目の縁に充血や血管を一切出さない。
赤色は兎の暗赤色のガラス眼と、最後に双子の頬へ現れる上品な朱色の紅潮だけに限定する。頬の紅潮は目や鼻へ広げず、白い肌との色彩コントラストを明瞭にする。
カメラはPOVらしい距離感。全編にごく軽い手持ちの揺れと呼吸に同期する微細な上下動を入れるが、顔と背景の可読性を損なわない。各カットでは記載した主要カメラワークを優先し、不要な複合移動を加えない。
音楽なし。環境音もできるだけ入れない。日本語の女性ボイス、近距離で静か、囁きに近い自然な発声。台詞は指定どおりに発話し、字幕や画面文字は出さない。

全体設計:
前半15秒は静かな執着と親密さを積み上げる。後半は「裏切ったら……」の余韻から静かな笑いへ移り、3秒だけ照明とPOVの後退によるホラーへ反転し、最後の9秒で緊張を甘く裏返す。結末の主役は、澄んだグレーの瞳、青白い肌、朱色に染まる頬、蠱惑的かつ恍惚とした微笑。ホラーを引きずらず、怖さより可愛さと危うい魅力を最終印象にする。

[00:00-00:05]
動作・演出: 実写のゴシック寝室。妹が天蓋ベッドに腰掛け、ベッド上で立ち姿を保つ灰色の兎のぬいぐるみの頭を、指先でゆっくり撫でる。ランプの実写炎がわずかに揺らめき、妹の白い髪と黒い衣装へ硬いセル影を落とす。妹は撫でる手を止めず、最後に視線だけをカメラへ向ける。
カメラ: MCU、アイレベル0度。妹の上半身から顔のCUへ、0.8mのスロードリーイン。中央9:16セーフ内に顔、手、兎を維持する。
音声: 衣擦れ、毛足を撫でる小さな音、ランプの微かな燃焼音、遠い室内音。妹「コウテイペンギンっていいよね。」

[00:05-00:10]
動作・演出: 姉が妹の背後から静かに入り、妹の首から上胸部へ執着するように両腕を回して抱きつく。締め付ける暴力ではなく、逃がさない親密さ。二人の黒い光輪が不規則に弱く明滅する。二人は澄んだグレーの瞳でカメラをまっすぐ見つめる。
カメラ: MS、ハイアングル35度。頭上から0.6mのゆっくりしたクレーンダウン。終端で二人の顔を中央9:16セーフへ重ねる。
音声: ベッドの沈む音、布の擦れる音、低い室内残響。姉「アデリーもいいわよ。」

[00:10-00:15]
動作・演出: 二人の頬と髪が触れるほど顔を寄せる。表情は無機質な静けさから、口元だけがわずかに歪む危うい微笑へ移る。瞳はグレーのまま澄んでおり、背景には実写の天蓋、ランプ、レース、木製家具が鮮明に残る。
カメラ: CU、ローアングル15度。左の顔から右の顔へ20度だけゆっくりパンし、二人の間へ戻ってセンターで止める。
音声: 部屋の環境音を少し絞り、浅い呼吸を近くで聞かせる。妹「イワトビも……すき」

[00:15-00:18]
動作・演出: 二人は密着したまま、視線をカメラから外さない。妹の口元だけが小さくほどけ、姉はその笑いを共有するように僅かに頬を寄せる。目には異常を起こさず、静止に近い演技で不穏な間を作る。
カメラ: タイトCU、アイレベル0度。前カットのセンター位置から継続し、0.15mだけ極めて遅いマイクロプッシュイン。
音声: 0.4秒の静かな間のあと、妹の小さな含み笑い「フフッ」。BGMなし。

[00:18-00:21]
動作・演出: 一瞬だけホラーへ反転する。枕元のランプが乾いた音と同時に消え、冷たい窓光だけが実写の部屋の輪郭、レース、木材、二人のシルエットを薄く残す。二つの黒い光輪が闇の上で短く明滅し、兎の暗赤色のガラス眼が反射光を一点だけ返す。双子は動かず、目を赤くしない。最後の0.3秒でランプが再点灯し始める。
カメラ: MCU、ダッチアングル4度。POVが反射的に0.25mだけ鋭く後退するワンアクション。後退後は揺れを止め、暗闇を1拍だけ保持する。
音声: ランプが消える乾いたクリック、短い低周波の衝撃音、直後に無音へ近づく。叫び声、金切り声、ホラー音楽は入れない。

[00:21-00:30]
動作・演出: 暖かなランプ光が滑らかに戻り、恐怖の硬さが解ける。二人はカメラへ少しだけ身を寄せる。妹が「なんて……ね」と甘く囁き、姉も同時に目を細める。二人の白い肌は青白く清潔なまま、頬だけが時間をかけて上品な朱色へ染まる。二人はカメラを受け入れるような蠱惑的かつ恍惚とした微笑を浮かべる。澄んだグレーの瞳には柔らかなランプのキャッチライト。赤い光や充血ではなく、白い肌と朱色の頬の対比で陶酔感を表現する。実写背景のレース、天蓋、木目、ランプ、兎の毛足は最後まで鮮明に見える。
カメラ: CU、アイレベル0度。前カットのダッチを水平へ戻してから、二人の顔へ0.35mの非常に遅いドリーイン。終端は二人の顔を左右対称に中央へ置き、頬と目、背景の実写質感が同時に読める距離で停止する。
音声: ランプが戻る小さな点灯音、寝具の僅かな沈み、近い呼吸。妹「なんて……ね」。語尾は蠱惑的で甘く、笑みを含ませる。声色と表情で表現する。

終了フレーム:
アイレベルの左右対称CU。二人が頬を寄せ、澄んだグレーの瞳でカメラを見つめ、白い肌と上品な朱色の頬を対比させた、蠱惑的かつ恍惚とした微笑。黒い光輪は安定して弱く輝く。実写のランプ、天蓋、レース、木目、兎の毛足を深い被写界深度で鮮明に残し、0.5秒静止保持する。

避けること:
目の充血、赤い白目、赤い虹彩、赤い瞳孔、目の血管、赤い目の縁、泣き腫らした目、目周辺への赤い照明。最終カット以外の頬の強い紅潮。頬の赤みが目や鼻へ広がる表現。
浅すぎる被写界深度、背景ボケ、クリーミーなボケ、顔以外の全面ぼかし、実写背景の情報消失、イラスト背景、アニメ背景、絵画化した家具、人工的な被写界深度処理。
キャラクターの実写化、背景や兎のアニメ化、セル画キャラクターと実写空間の影・光・接地の不一致。
Image1の構図の複製。壁の十字架、磔刑像、宗教記号。流血、傷、暴力、首を締める表現、過度にグロテスクな演出、長すぎる暗転。
双子の顔、髪型、衣装、体型、光輪の変形や入れ替わり。第三の人物、余分な腕や指、融合した身体、兎の増殖や変形。
字幕、台詞文字、ハート記号、ロゴ、透かし、UI、カメラ注釈を完成映像へ表示すること。
激しい手ブレ、過剰なローリング、急すぎるズーム、顔や手の見切れ、中央9:16セーフから主要演技が外れること。

Create a fast, trippy 30-second dubstep music video using all the uploaded photographs

(PLEASE FIND ATTACHED ALL 14 IMAGES + AUDIO IN THREAD).

Use the uploaded 30-second audio as the only soundtrack. Make it a powerful dubstep edit: every movement, punch-in, transition and hard cut must hit the beat. Fully animate everything inside the photographs. Make the dancers perform, fabric and flames spin, painted eyes react, masks lunge, multiple arms ripple, the drummer strike his drum, sadhus dissolve into ash and black birds, motorcycles race aggressively, smoke creatures come alive, the underwater band actively play, boats move through the surreal landscape, and the flaming weapon create violent circles of fire. No photograph should remain static.Freely mix all the visuals in whatever order works best with the music. Let movement from one photograph naturally transform into the next: spinning fire becomes fabric, fabric becomes a painted eye, expanding arms become the drummer’s arms, ash birds become racing motorcycles, motorcycle dust becomes dancing smoke, smoke becomes underwater bubbles, bubbles become water and boats, and the boats transform into circles of fire.Keep constant movement throughout. Use rapid punch-ins, speed ramps, bass-impact flashes, hard rhythmic cuts, brief freeze-frames and fluid psychedelic transitions. Add a separate graphic layer flashing ॐ, the trishul, damru, third eye, crescent moon and traditional Hindu sacred symbols precisely on the beat. Let them pulse, rotate, distort and dissolve without covering the performers.Make it stylish, colourful, strange and extremely high-energy—an edgy, award-winning Incredible India advertisement edited like a dubstep music video. No dialogue, no typography, no slideshow, no long static shots and no complicated story. Finish with the strongest collision of fire, ash, birds and sacred symbols on the final bass hit.

#capcutseedance25 #capcutcpp

---------------
Duration: 20s | 16:9 | 24fps Duel from Romance of the Three Kingdoms, battle at Hulao Pass, late Han dynasty. REFERENCES
Image 1
 — 呂布 LU BU
Image 2
 — 関羽 GUAN YU
Image 3
 — 張飛 ZHANG FEI Use them for IDENTITY ONLY: face, beard, hair, headwear, armour, cloak colour, build, proportions. IGNORE their white studio background, flat studio lighting and standing pose — none of it appears here. Every shot is outdoors, and all three men are mounted and fighting. STYLE (all beats) A dusty plain before a huge stone mountain pass at dusk. Two vast armies on either side, banners rippling, dust in the air. Overcast sky, low copper sun breaking through. Palette: iron grey, ochre dust, blood red, bronze. Desaturated and earthy. 50mm, shallow focus, heavy haze, film grain, high contrast, hard rim light through the dust. Photorealistic historical epic, sweat and grime, worn scratched armour. No fantasy glow, no magic. WEAPONS — no reference exists. Build from this, keep identical throughout. Each is 1.5x its owner's height. Never swap them. 呂布: ji halberd — straight spear point, one crescent side blade below it on one side, long dark shaft, bronze fittings. 関羽: guandao — one heavy broad curved blade with a hook on its back edge, joined to a long dark shaft by a bronze dragon head. 張飛: serpent spear — slender steel blade forged in an S-shaped wave, on a plain dark shaft bound with cord. HORSES — no reference exists. Anatomically correct, four legs, correct joints. 呂布: large red-chestnut stallion, black mane, bronze fittings, red tassels. 関羽: tall dark bay, black mane and lower legs, plain leather tack. 張飛: heavy solid black, thick neck, shaggy fetlocks, battered iron tack. BEAT 1 (0-4s) 呂布 — clean-shaven, gold headdress with two pheasant feathers, red cloak, halberd, red-chestnut horse — sits alone between the two armies, halberd across his saddle. The horse stamps and turns a half step. He raises the halberd and levels it at the enemy line. Camera: WS from low, slow push-in. BEAT 2 (4-8s) 張飛 — bristling beard, black iron armour, dark cloak, serpent spear, black horse — bursts from the line at a gallop, roaring, and drives the spear at 呂布. 呂布 turns the halberd across his body and knocks it aside. Sparks and dust. The horses wheel past each other. Camera: tracking alongside at horse height, moving with the charge. BEAT 3 (8-12s) 関羽 — long smooth black beard, ruddy face, dark green robe over armour, green headwrap, guandao, dark bay horse — rides in from the far side, rises in the stirrups and cuts down overhead. 呂布 catches it on the haft. Both strain, blades locked, horses shoulder to shoulder. Camera: MCU, orbiting once around the locked weapons. BEAT 4 (12-16s) All three circle in churning dust, weapons striking and turning each other aside, horses rearing. 呂布 in red and gold, 関羽 in green, 張飛 in black iron. Cut tight to 呂布's eyes under the headdress — narrowing, calculating, uncertain for the first time. Camera: handheld, close, drifting between them. BEAT 5 (16-20s) 呂布 wrenches his horse around, sweeps the halberd once to drive them back, and gallops for the pass, red cloak and feathers streaming. 関羽 and 張飛 pull up side by side, chests heaving, weapons still raised, watching him go against the low copper sun. Camera: WS, pulling out to reveal both armies. AUDIO War drums and massed shouting throughout, rising through beats 2-4. Hooves on dry earth, snorting horses, steel ringing on steel, creaking leather, wind and dust. A deep roar from 張飛 at 4s. Near-silence for a breath at 12s on 呂布's eyes, then the clash returns. No dialogue. AVOID white studio background, flat studio lighting, seamless backdrop, neutral standing poses, facial hair on 呂布, on-screen text, subtitles, watermarks, modern objects, fantasy glow, magic, wire-work floating, clean unworn costumes, faces/armour/weapons swapping between beats, weapons changing shape or length, horses with deformed or extra legs, extra or missing limbs, more than three warriors, mixed camera moves, jitter, flicker, ghosting.

(0-4s) Wide shot of the duel arena — the musculer man and the old kung fu master face off, crowd murmuring in anticipation.
Referee raises hand and starts counting down: eng::**"3... 2... 1..."**.

(4-7s) Referee shouts "Go!" / gives the start signal. The kung fu master bows slightly.

(7-9s) Right as the master bows, the musculer man swings his leg and kicks him straight in the head. The master collapses. The entire crowd gasps in shock, frozen in disbelief.

(11-15s) The musculer man **English**:  "I thought the fight started, why is this old man bowing?"

@dreamina_ai #DreaminaCPP

Lock the original illustration completely. Preserve the exact art style, brushwork, textures, material rendering, color palette, creature proportions, facial expressions, lighting, composition, and every character design exactly as shown. Never change the visual style. Every creature must remain identical in every shot. No text, watermark, logo, or signature. One continuous story. Motion always progresses forward. No creature moves backward. Use cinematic pacing with hard cuts, speed ramps, bullet time, dynamic tracking, volumetric water, realistic physics, motion blur, subtle film grain, dramatic lighting, lens droplets, cinematic depth of field, bold camera language, emotional facial animation, and seamless transitions.

0-3s

Without warning, the peaceful group suddenly notices every bird exploding into the sky. Tiny ripples appear beneath their feet. A deep rumble grows louder. Extreme close-up of frightened eyes. Fast push-in toward the rabbit. Hard cut to a gigantic wall of water rising behind them. Lightning-fast whip pan reveals the impossible tsunami racing toward the camera. Deep bass hit.

3-6s

The wave crashes over everyone. Water engulfs the frame. Camera tumbles underwater with bubbles, debris, flowers, leaves and sunlight cutting through the current. Every creature is separated naturally by the force. Slow-motion for one second before time accelerates again.

6-10s

Rapid cross-cut survival sequence. The rabbit paddles frantically with long ears floating behind. The lion powers through the waves with strong strokes. The rhino kicks heavily while struggling to stay above water. The giant blue triceratops swims like a massive whale. Frogs leap from floating debris. Tiny creatures cling to drifting branches. Cats desperately paddle while trying not to sink. Dynamic handheld water-level camera alternating with overhead drone shots.

10-15s

The current becomes more violent. Floating logs collide. The turtle spins helplessly in a whirlpool before escaping. The sheep nearly slips beneath the surface until the lion nudges it upward. The black cat loses its grip and disappears beneath a wave. Silence for half a second except muffled underwater sound.

15-20s

The gray kitten dives underwater searching. Cinematic underwater tracking follows the kitten weaving between drifting plants and bubbles. A frightened turtle struggles below. The kitten reaches it, grabs its shell with tiny paws and guides it upward toward sunlight breaking through the surface.

20-25s

Both burst above the water. The exhausted kitten climbs onto the turtle's shell. The turtle begins swimming steadily through the endless flood while the kitten balances carefully, soaked but relieved. Around them every animal continues fighting the current in its own unique way. Long aerial tracking shot follows their path.

25-28s

The current slowly weakens. One by one the surviving animals regroup behind the turtle. The rabbit swims beside it. Frogs hop onto floating wood. The lion keeps everyone together. The enormous blue triceratops shields the smaller creatures from remaining waves. Warm sunlight finally pierces the storm clouds.

28-30s

A majestic vertical drone shot rises high into the sky. The flood forms beautiful winding rivers across the landscape. At the center, the tiny kitten sits safely on the turtle's shell leading the group forward while every surviving creature follows behind. The music swells into an emotional orchestral finale. Hold the final frame like an animated movie poster as golden light reflects across the water.

SUBJECTS:
セレスティア（Celestia）、闇の魔導師 @ image1。銀白色から淡いラベンダーへとグラデーションする長い髪、幻想的に輝く紫色の瞳を持つ優雅な闇の魔法使い。発光する紫のクリスタル装飾が施されたゴシック調の黒いドレスをまとい、宙に浮かぶ紫のクリスタルコアを頂いた洗練された黒い魔法の杖を携える。

ENVIRONMENT:
雲の上に浮かぶ壮大な魔法都市。浮遊島、石造りの空中橋、魔法使いの塔、巨大なクリスタル尖塔、空中に浮かぶ書店、魔法カフェ、飛行船、浮遊庭園、上向きに流れる幻想的な滝、浮遊ランタン、魔法の樹々が広がる幻想世界。

CAMERA（全体）:
全編を通してスピード感のあるシネマティックFPV視点。各カットでは「1つの主要カメラワーク」のみを採用し、演出を整理。カット間はホイップパンやモーションブラー・マッチカットで自然につなぎ、ハードカットは使用しない。

STYLE:
最高品質のアニメシネマティックスタイル。超高品質イラスト、鮮やかなファンタジーライティング、美しいセルシェーディング、力強いアニメ線画、絵画的ハイライト、幻想的なブルーム、ボリューメトリックゴッドレイ、魔法のレンズフレア、AAA級ファンタジーアニメのオープニング品質。

COLOR LOGIC:
漆黒、ミッドナイトブルー、バイオレット、ラベンダー、輝くマゼンタ、純白のハイライト、淡いシアンの環境光、暖かなゴールドのランタン光、エメラルドグリーンの植物。魔法エフェクトは深い紫を基調とする。

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TIMELINE（合計30秒）
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0:00-0:05【静止 → 爆発的始動】
MAIN FX：巨大な魔法陣1つのみ

セレスティアは時計塔の頂上で静かに立ち、マントと髪が風になびく。魔法の粒子が漂う中、杖を掲げると足元に巨大な魔法陣が展開する。

CAMERA：
ゆっくりとしたオービット → 急激なスピードランプ

TRANSITION：
モーションブラー・マッチカットで屋根上チェイスへ

SFX：
魔力の低い唸り、クリスタル共鳴、魔力爆発、突風

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0:05-0:10【疾走】

MAIN FX：
足元に生成される発光魔法足場のみ

屋根の上を高速で駆け抜け、一歩踏み出すたびに足元へ魔法の足場が出現し、それを蹴って次々と跳躍する。他の魔法演出は重ねない。

CAMERA：
FPV追跡、足元中心のローアングルトラッキング

TRANSITION：
大きく跳躍しながら上方向へホイップパン

SFX：
魔法の足音、魔力バースト、風切り音

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0:10-0:16【静止 → ポータル連鎖】

MAIN FX：
転移ポータル

空中で約0.4秒だけスローモーション。周囲が静まり粒子だけがゆっくり漂う。その直後、高速で複数の転移ポータルを連続通過する。

CAMERA：
スローモーション静止 → ポータル回転に合わせた高速オービット

TRANSITION：
ポータルの白い閃光で街への急降下へ

SFX：
（0.4秒ほぼ無音）
→ ポータル共鳴、クリスタルベル、空間歪曲音

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0:16-0:21【急降下魔法】

MAIN FX：
街全体を照らす巨大ルーン1つ

ランタンが並ぶ街路へ急降下しながら巨大魔法を発動。街全体が紫色の光で照らされる。蝶やリボンは背景演出程度に留める。

CAMERA：
急降下ショット＋クローズアップ＋ワイド俯瞰を交互に使用

TRANSITION：
スピードランプでラストスプリントへ

SFX：
多層魔法詠唱、クリスタルベル、魔法爆発

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0:21-0:27【クライマックス】

MAIN FX：
巨大衝撃波

最後の全力疾走。クリスタル尖塔へ跳躍し空中で一回転。着地と同時に杖を地面へ突き立て、都市全体へ巨大な魔力衝撃波が広がる。この瞬間のみ演出を最大化する。

CAMERA：
空中回転中はオービット → 着地後は都市全景へ大きく引く

TRANSITION：
ワイドショットを維持しながら衝撃波の光が徐々に消えていく

SFX：
壮大な魔法クレッシェンド、クリスタル噴出音、オーケストラのインパクト

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0:27-0:30【余韻】

MAIN FX：
残光のみ

セレスティアは尖塔の頂上に静かに立ち、衝撃波から舞い降りる光の粒子がゆっくり降り注ぐ。タイトルやロゴを配置できる余白として使える締め。

CAMERA：
ゆっくりとしたプッシュイン → 静止

SFX：
消えていくクリスタル共鳴、静かな魔力の余韻

A 30 second film from ONE completely locked, static camera position that never moves, never pans, never zooms, never cuts. The same view of the same patch of ground for one thousand years, time passing at enormous speed. In the foreground of every single frame sits a large mossy grey boulder. It never moves. It is present and recognisable in every frame of the film from first to last. [0:00-0:03] Ancient temperate forest. Huge old trees, deep green undergrowth, mist between the trunks, soft grey daylight. [0:03-0:06] Trees fall and are dragged away. A clearing opens. Stumps, churned mud, a first thin column of smoke. [0:06-0:09] A single timber and thatch hut rises beside the boulder. A small vegetable plot. Chickens. [0:09-0:12] A village grows around it. More huts, fences, a dirt track, wood smoke, sheep in the field beyond. [0:12-0:15] A stone wall is built, incorporating the boulder into its base. A church tower rises behind. Snow falls and melts. Seasons flicker past. [0:15-0:18] Fire. The village burns, timbers collapse, smoke blackens the sky. The wall and the boulder survive. [0:18-0:21] Rebuilding in brick. A cobbled road. A chimney, then many chimneys. Industrial smoke, grey air, rain. [0:21-0:24] The town becomes a city. Concrete rises. The old wall is demolished. The boulder sits in a small paved square, surrounded by buildings. [0:24-0:26] Glass towers. Traffic light streaking past at night. The boulder is fenced off, a small green plaque beside it. [0:26-0:28] Abandonment. Windows dark, glass cracked, weeds through the paving, ivy climbing the towers. Silence. [0:28-0:30] The towers have collapsed and gone. Young forest has grown over everything. Mist between the trunks. The frame is now identical to the opening frame, the same boulder in the same position under the same soft grey light. Camera: absolutely locked and static for all 30 seconds. No movement of any kind. No cuts, no dissolves, no transitions — one continuous transforming shot. Style: photoreal, cinematic, natural overcast light throughout, muted natural colour, seasons and weather flickering rapidly past. Audio: diegetic only, evolving with the era — forest birds, axes, village life, church bell, fire, industrial machinery, city traffic, then silence, then birds again. NO MUSIC, no score, no soundtrack, no instruments. No text, no captions, no titles, no watermarks, no camera movement, no cuts. created with @higgsfield

Broadcast footage from a real 2000s–2010s Japanese sports entertainment program. Realistic TV broadcast footage reminiscent of a major Japanese obstacle course competition show. Full-scale sports coverage combining ENG cameras, crane cameras, wire cameras, and telephoto cameras. Natural handheld camera shake, zoom, pan, and tracking shots. Slightly soft footage characteristic of early HD broadcasts, natural broadcast noise, TV compression feel, realistic color reproduction. The venue features large lighting, spectator seating, announcer's booth, and the enthusiastic cheers of the heated audience. A tense atmosphere of anticipation and the challenger's seriousness permeate the entire competition venue. Fix the main subject completely to @[Image 1](image_1). Do not change the reference image's character's facial features, hairstyle, skin tone, body type, sense of age, expression, clothing, or identity from start to finish. Do not shift to a different person midway through generation. Maintain the hairstyle, face contour, eye and nose features, and body proportions. The outfit is based on the reference image and does not change even during the competition. 0–2 seconds [膝アップ紹介ショット / Knee-Up Introduction Shot] Challenger introduction via ENG camera. The character from @[Image 1](image_1) stands at the starting point, giving a natural smile and lightly waving to the camera. Applause and cheers rise from the venue. The background shows a massive obstacle course and spectator seating. A heated atmosphere as if the play-by-play announcer is introducing the challenger. Just before the starting buzzer sounds, the challenger turns forward and switches to a serious expression. 2–5 seconds [ワイドクレーンショット→追従カメラ / Wide Crane Shot → Tracking Camera] At the sound of the starting buzzer, they burst into a full sprint. They dive into the quad steps, nimbly navigating the diagonally placed footings on left and right with rhythmic steps. Arms swinging powerfully, conquering the obstacles with precise footwork. Roaring cheers from the spectator seats. Large lighting illuminates the entire course. 5–8 seconds [望遠トラッキングショット / Telephoto Tracking Shot] A big leap from the final footing, landing on the rolling hill (giant rotating roller). The roller begins spinning vigorously. The character from @[Image 1](image_1) spreads both arms wide to maintain balance, advancing cautiously yet swiftly. Their foot slips slightly, eliciting a murmur from the spectator seats. 8–11 seconds [高速サイドトラッキングショット / High-Speed Side Tracking Shot] The roller's rotation speeds up. The character from @[Image 1](image_1) desperately presses forward, but their right foot slips, causing their body to sway dramatically left and right. They swing their arms widely to regain balance. Realistic friction expression as the shoes skid across the roller surface. The commentary ramps up in excitement all at once. 11–13 seconds [斜め前方ダイナミックショット / Diagonal Front Dynamic Shot] They jump to leap to the next footing. However, the rotating roller catches their landing foot, causing their body to lose balance dramatically. They stretch both arms out to steady themselves but can't hold on, falling straight into the water hazard area. Screams and cheers mix from the spectator seats. 13–15 seconds [インパクトフォーカスショット / Impact Focus Shot] The character from @[Image 1](image_1) plummets spectacularly into the water hazard area, sending up a massive splash. They surface from the water, catching their breath with a rueful smile. Soaked to the skin yet showing a refreshingly sportsmanlike expression. Applause and cheers come from the spectator seats, as the play-by-play announcer wraps up the challenge in an excited voice. Video Quality・Style Faithfully recreate a 2000s–2010s Japanese sports program. Realistic ENG cameras, crane cameras, wire cameras, telephoto lenses for full-scale TV coverage. Natural zoom, pan, tracking shots. The soft texture of early HD broadcasts, natural broadcast noise, TV compression feel, color reproduction like live-action footage. Immersive feel from large lighting, realistic spectator seating, commentary, and cheers. Progresses throughout in real-time broadcast pacing, with no slow-motion effects used at all. Most Important Matters Maintain 100% of the character from @[Image 1](image_1)'s identity. Retain the face, hairstyle, body type, skin tone, sense of age, and clothing until the end. No becoming a different person, face deformation, or body type changes allowed. Do not display telops, program logos, watermarks, or subtitles. Do not display real program logos or trademarks. Realistic broadcast quality as if televising an actual Japanese obstacle course competition program. Camera work should resemble actual sports coverage, maintaining natural zoom, pan, and tracking shots.

Scene and Mood: A lone figure climbs upward through a flooding vertical botanical archive tower during a night storm, glass tiers shattering and cascading water below, forcing a desperate ascent toward the glass dome roof as lightning flickers outside. Frame Map: Shot 1, seconds 0 to 6, subject small in the lower third of a tall vertical tower interior, tiers of glass terrariums stacked upward through the frame, water sheeting down from above. Shot 2, seconds 6 to 12, subject center frame climbing a metal service ladder bolted to the tower's inner wall, glass tiers visible left and right, water pouring past. Shot 3, seconds 12 to 18, subject in the right third crossing a narrow catwalk as a glass panel shatters in the left third behind them. Shot 4, seconds 18 to 24, subject small in the lower third reaching the dome's base, storm sky and glowing drifting spores filling the top two thirds through the glass ceiling above. Shot 5, seconds 24 to 30, subject silhouetted center frame bursting through the dome into open night air, lightning lighting the wider tower silhouette below. Subject Lock: One adult figure, lean build, soaked dark hair plastered to the forehead, a heavy canvas work jacket dark with water over a plain thermal shirt, fingerless work gloves, mud and plant matter smeared on one forearm. Posture straining and climbing throughout, gaze fixed upward, hands gripping rungs, rails, and glass edges with visible strain. Same face, hair, jacket, and build locked across all five shots, no change at any cut. Cross Frame Rules: Only one figure occupies every frame across the runtime, nothing else enters or crosses. Screen position shifts per the Frame Map, but soaked jacket state and climbing posture carry unbroken across every cut. Movement: Shot 1, subject wades through knee deep water at the tower's base then grips a ladder rung and begins climbing at second 4, water sheeting down past the shoulders, loose leaves and broken glass drifting past in the current below. Shot 2, subject climbs rung over rung, jacket heavy and dragging, a terrarium panel cracks audibly at second 9 sending a spray of water sideways past the frame. Shot 3, subject sprints across the catwalk at second 14, a glass tier shatters behind them at second 16 releasing a wall of water and debris that just misses their trailing foot. Shot 4, subject reaches the dome's base at second 20, presses both palms flat against the glass overhead, glowing spores drifting slowly against the dark storm clouds beyond it. Shot 5, subject drives a shoulder through the weakened dome glass at second 26, bursting into open air as lightning flashes and rain drives sideways, glass fragments scattering outward around them. Last Frame: Subject holds silhouetted center frame at the dome's broken edge, chest heaving, one hand still braced on the shattered frame, storm clouds and a bright lightning flash filling the upper half, the flooded tower's tiered silhouette dropping away below into darkness. No on screen text, no captions, no signage typography, no rendered text in the frame. World Plate: A tall cylindrical botanical archive tower at night during a storm, tiers of glass terrariums stacked vertically and lit faintly from within by dim growth lamps, water sheeting down the tower's interior walls, a narrow metal ladder and catwalk system running up the center. A glass dome caps the tower, storm clouds and lightning visible through it, faint bioluminescent spores drifting in the air near the ceiling. Sound Bed: Diegetic only, rushing water and heavy dripping throughout, metal rungs clanging under gripped hands, glass cracking and shattering at intervals, distant thunder rolling, wind howling as the dome breaks, heavy strained breathing and grunts of effort, rain hammering the outer glass, a final gust of wind once the dome opens. Capture Realism: Depth via suspended water mist and falling spray between the figure and the tiered glass planes behind them. Moisture without shine, soaked jacket and hair read matte and heavy, not glossy. Per zone specular kill on skin, wet skin reads diffuse, no beauty light glow. Contrast curve, controlled highlights on the lightning and growth lamps, lifted but not crushed shadow on the figure, mid tones held cool and desaturated throughout. Camera Capture: Wide latitude cinema capture, vintage 2x anamorphic character on Shots 1 through 3 at 35mm, handheld with restrained breath, shifting to clean spherical character on Shots 4 and 5 at 24mm, wider and harder shake against wind, fine 35mm grain, desaturated rendition crushed toward deep green and steel blue, 24fps natural 180 degree shutter blur, 30s total across five hard cut shots.

Scene
Polished man, early 20s, silver-white dyed comma fringe swept across forehead, subtle silver eye glitter on upper lids, small silver hoop in each ear.

Outfit
Cropped black leather jacket with silver zipper hardware over fitted white ribbed crop top, high-waisted straight-leg black leather pants, chunky black platform boots with thick rubber soles.

Space
Sleek professional dance practice room, floor-to-ceiling mirror panels on far wall, pale grey vinyl flooring with faint sheen, LED strip lighting mounted along ceiling perimeter and mirror frame edges cycling slowly cool blue ⇄ crisp white, immaculately empty ultra-modern minimalist.

Camera Open
Wide full-body at mid-chest height, 24mm equiv lens, slight low angle emphasizing boots and full silhouette.

Color Grade
High-contrast, cool cyan shadow toning, clean highlights.

Mood
Electric, controlled, precise.

Diegetic SFX Throughout
Boot strikes on vinyl, jacket leather creak on sharp arm movements, breath on exertion.

Timeline

0s — Centered ready stance, feet hip-width, arms at sides wrists cocked outward, chest lifted, eyes forward to camera.

Camera: hold static wide full-body
LED: pulse once blue→white slow wash
SFX: faint ambient room hum, vinyl floor creak under weight shift
3s — Sharp chest isolation pops forward+up x2, arms snap back simultaneously, chin lifts on each pop.

Camera: wide with slight push in
LED: cool blue intensifies at mirror edges casting twin reflections
SFX: leather jacket creak on each arm snap
6s — Weight shifts right into crisp side-step lock — right foot steps wide, left foot locks behind at heel, both arms extend hard left in opposition creating diagonal line, head tilt left.

Camera: rack to 3/4 angle showing dancer+mirror
LED: white strip brightens sharply
SFX: platform boot strike on vinyl — clean clap
9s — Double arm roll — both arms circle inward from shoulder in smooth rolling wave, hips counter-shift left, upper body undulates.

Camera: slow push to medium full-body
LED: fade briefly to dim blue creating moody strobe-adjacent flicker
SFX: audible breath exhale at wave peak
12s — Body wave travels chest→hips→knees visible full-torso ripple, arms float wide, eye contact breaks as chin tucks then lifts.

Camera: tilt slightly down to capture footwork on vinyl then return
LED: brightens back to white
SFX: rubber sole squeak on wave landing
15s — Right arm shoots forward with pointed index in sharp snap, left fist locks at hip, head snaps right, hold one beat then rapid alternating knee drops with hip emphasis, arms crossing low.

Camera: pull wide to capture footwork and full-body bounce
LED: strips cycle blue-white-blue rapidly
SFX: two sharp boot strikes on alternating knee drops
18s — Explosive two-footed jump with tucked knees, arms flung overhead, hair catching air. Landing in deep crouch with arms slamming downward palms to floor, impact absorbed through knees.

Camera: catch jump at apex then cut to low-angle looking up at landing
LED: flare to full white on landing beat
SFX: heavy dual boot impact reverberating
21s — 180° pivot on ball of left foot, right foot sweeping wide, arms open outward mid-rotation, full back shown revealing jacket back panel, then face returns chest proud.

Camera: pan follow catching mirror reflection of turn
LED: shifts to cool blue
SFX: pivot foot scrape on vinyl
24s — Deep lunge right, right hand reaches toward floor without touching, left arm sweeps fully overhead, gaze locked to camera, torso twisted open. Hold one beat then pull to standing with controlled arm ripple outward from chest along both arms in fluid wave sequence.

Camera: move to tight medium-body framing to capture arm ripple detail
LED: pulses between blue and white rapidly
SFX: leather creak on lunge-open
27s — Transition into sharp hip-isolation sequence, three crisp lateral hip pops L-R-L with upper body counter-isolating, arms frame-wide at shoulder height wrists flexed, speed increases.

Camera: hold tight medium-body
LED: holds bright white
SFX: boot heel tap on each hip accent
30s — Final freeze, snap into wide-stance hero pose, right arm punched toward camera at shoulder height, left arm cocked at shoulder fist closed, chin angled down eyes lock directly into lens beneath silver comma fringe. All motion stops.

Camera: hold medium full-body
LED: lock to full cool blue casting sharp cyan shadows across vinyl floor, mirror behind reflects frozen pose doubled
Diegetic SFX: silence drops completely; only faint room resonance remains

@Image1 is the absolute reference for THE RAPPER and completely replaces every previous performer reference. Preserve his exact identity: middle-aged man with a high receding hairline, short salt-and-pepper hair, thick dark eyebrows, dark eyes and a full beard with strongly defined white-gray sections. Preserve his stocky build, black-white-dark-green horizontally striped T-shirt with black chest pocket, sand-colored knee-length chino shorts and chunky off-white sneakers. No changes to his face, body, hair, beard, clothes or proportions.

A 30-second single continuous live stadium rap performance captured horizontally on an iPhone from the front audience section. Authentic handheld fan footage: physical hand tremor, operator breathing, imperfect reframing, rolling shutter, digital-zoom softness, momentary autofocus hunting and compressed phone-microphone sound. No cuts.

The first frame already shows THE RAPPER full-body on the right third at the end of a stage runway. A huge sold-out stadium surrounds him. Exactly four adult backup dancers wait several meters behind him. Emerald, white and black LED graphics echo the stripes of his shirt. The stage floor remains solid, flat and continuous.

A heavy original grime beat begins: deep sub-bass, dry kick, snapping snare and minimal low synth. The iPhone rapidly pinches from 1× to a shaky 5× digital zoom, briefly overshoots, then locks onto THE RAPPER in a full-body composition. Focus stays wide enough to preserve his feet and choreography.

He begins rapping with a low-mid, forceful cadence and exact lip synchronization:

THE RAPPER:
“Walk in steady, put the weight on the beat,
Every bar lands, every move stays clean.
Hands up high when the bass comes down,
I don’t chase the wave—I shake the whole ground!”

Only these words are spoken. Each line is delivered in one controlled breath.

On the first bar he performs two violent shoulder hits, a chest pop and a sharp forearm lock. His shirt and beard react naturally to momentum.

On the second bar he executes fast heel-toe pivots, crosses one foot behind the other and glides sideways while keeping his heavy body convincingly grounded. The camera operator struggles to keep his sneakers in frame, corrects downward and catches the complete footwork.

On the third bar the four dancers join in perfect synchronization. THE RAPPER leads a hard sequence: right stomp, left stomp, elbows strike outward, torso snaps backward, hands shoot overhead. Every movement lands precisely on a kick or snare.

The instrumental cuts for one beat. He holds a deep wide stance, eyes fixed on the upper tiers. His chest rises with one visible breath.

He shouts the final line while performing a rapid three-step, a controlled 180° pivot and one enormous downward arm strike. On “GROUND,” he stomps once. The bass returns with a massive impact; the LED floor sends a broad solid emerald light wave across the stage.

The entire stadium copies his movement. The phone shakes from thousands of spectators stomping together. He breaks into a confident grin but continues bouncing in time, pointing from one side of the stadium to the other.

The operator zooms rapidly back through 3× and 1× to 0.5× ultra-wide while turning 160° away from the stage in one continuous handheld sweep. Exposure briefly pumps, then recovers.

Finish on the full stadium bowl: tens of thousands of people across every tier performing the same shoulder-hit and stomp combination, emerald wrist lights moving in broad geometric waves, stage remaining on the far-left edge. Audio continues with the crowd chanting “SHAKE THE GROUND,” live bass vibration and realistic phone compression. Rich emerald and white light, warm skin and deep blacks. Clear air without haze, smoke, confetti, mist, sparks or airborne particles.

CAMERA / LOOK: Handheld mini DV camcorder footage filmed by the subject herself. Slight hand shake, occasional focus hunting, imperfect framing, natural zoom adjustments, soft tape-like image quality, subtle grain, realistic auto-exposure shifts from bright kitchen morning light. Natural skin tones, mild motion blur, authentic consumer camcorder aesthetic.
STYLE: Cozy coffee-prep vlog with gentle ASMR elements. Relaxed pacing, minimal dialogue, candid moments. Focus on satisfying sounds: bean grinder whirring, portafilter tamping, steam wand hissing, cup clinking, milk frothing.
SUBJECT: Young man in his mid-20s, plain t-shirt, hair slightly tousled, minimal accessories. Calm, focused energy while making his morning coffee.
SETTING: Small kitchen counter with an espresso machine on a bright morning. Natural daylight, coffee beans and a mug nearby, quiet atmosphere.
STORYBOARD:
→ (3s, propped medium shot) Places camera on the counter, switches on the machine. "Morning coffee, the proper way."
→ (3s, overhead shot) Grinds fresh coffee beans, fine grounds falling into the portafilter.
→ (3s, close-up) Tamps the grounds down firmly and evenly.
→ (3s, handheld shot) Locks the portafilter into the machine. "Here we go."
→ (3s, detail shot) Espresso streams slowly into a small cup. No dialogue.
→ (3s, medium shot) Pours cold milk into a small steel pitcher. "Time for the milk."
→ (3s, macro shot) Steam wand hissing as it froths the milk.
→ (3s, propped shot) Pours frothed milk carefully over the espresso, forming light layers.
→ (3s, warm ending shot) Holds the finished cup, takes a small sip, satisfied smile. "That's exactly what I needed."
→ (3s, final shot) Reaches toward camera, still holding the cup. "See you later." Hand covers lens as recording ends.
AUDIO NOTES: Natural kitchen ambience — grinder whirring, tamping, steam hissing, milk pouring should be clearly audible. Dialogue quiet and casual.
REALISM NOTES: Authentic body language, natural blinking, genuine focused smiles, occasional careful pauses while pouring, imperfect framing, focus breathing, bright morning light shifts. Should resemble a genuine personal coffee vlog on a consumer camcorder, not a commercial or AI-generated production.

#Seedance #AIVideo #AIAnimation #GenerativeAI #AIArtCommunity #DreaminaSeedance25 #DreaminaAI #Seedance25 #Seedance #VLOG #Higgsfield
@dreamina_ai @noman23761 @Strength04_X
 https://t.co/48xdJRUgB5

SOURCE AND CONTINUATION
Extend @video1. This is a direct continuation that begins at the exact frame where @video1 ends — the same ride, the same day, the next stretch of desert. Every shot below is new material that happens after the source footage, not a retelling of it.
Preserve exactly from @video1: the rider's identity, helmet and visor, black riding suit, gloves and boots; the hoverboard and its cyan underglow; the desert world, dune shapes and haze; the low golden sun and its direction; the colour grade; and the music, which continues unbroken in the same key, tempo and arrangement with no restart.
CHARACTERS
The rider: same man from @video1, full dark helmet with a clear visor and two white light strips, black armored riding suit, gloves, boots. Identical in every shot. He rides the same hoverboard, lit underneath by a continuous cyan strip.
LOCATION MAP
Foreground: open sand, wind-carved ripples, loose grit lifting off the crests.
Midground: the ride path — dunes flattening into a cracked salt pan that runs into a post-apocalyptic ruin field of collapsed concrete slabs, leaning steel columns, half-buried vehicle hulls and broken roadway sections.
Background: a low sandstone cliff wall on the far side of the ruins, and beyond it open sky with the sun sitting low on the horizon.
The rider travels camera-left to camera-right in every lateral view. The sun stays low and ahead of him, camera-right, throughout.
FIRST FRAME / BLOCKING
Full-frame lateral profile close-up of the rider, 18°, camera tracking alongside him at his own speed, his helmet filling the right third of frame in sharp profile, dunes streaking past behind him, cyan board glow spilling up onto his boots from below.
FORMAT MODE
Timed multishot with HARD CUTS only at 4.0s, 8.0s, 12.0s, 15.0s, 19.0s, 23.5s and 27.0s. The camera cuts only at these points. Real-time playback everywhere except 19.0–23.5s, which is slow motion; the speed change happens only on those two hard cuts.
STORYBOARD
SHOT 1 (0.0–4.0s)
Lateral profile close-up, 18°, camera tracking beside him at 60 km/h, level with his shoulder. He rides steady, head turning a few degrees forward as the ruins come into his sightline, then his shoulders drop slightly and he leans in. Sand streams off the board's trailing edge behind him. Low sun rakes across the front of his visor from camera-right, leaving the far side of his helmet in deep shade.
SHOT 2 (4.0–8.0s)
HARD CUT to an extreme wide, 84°, camera high and static as he crosses the frame camera-left to camera-right at 60 km/h, a small figure with a cyan thread of light beneath him. Ahead of him the ruin field opens up — collapsed slabs and leaning steel standing as tall as six humans, throwing long shadows across the salt pan.
SHOT 3 (8.0–12.0s)
HARD CUT to a low tracking shot, 47°, camera 30 cm off the ground running with him at 70 km/h as he enters the ruins. He weaves between two leaning columns, board tilting hard onto its edge, a sheet of sand and grit fanning off the tail. Broken concrete passes close on both sides. Cyan underglow flares against the slab faces as he passes them.
SHOT 4 (12.0–15.0s)
HARD CUT to a medium shot from the front quarter, 29°, camera drifting backward ahead of him at 70 km/h. He drops into a deep drift, both arms out for balance, the board sliding sideways through a curve of debris, a long curtain of dust thrown out behind him and catching the low sun. His head stays locked on his line through the turn.
SHOT 5 (15.0–19.0s)
HARD CUT to a low rear three-quarter shot, 63°, camera accelerating with him from 70 to 110 km/h. He crouches, drives his weight forward, and the board's cyan strip brightens as it surges. Ahead of him a broken roadway section rises out of the sand at a shallow angle, its torn edge lifted clear of the ground. He hits it square and launches.
SHOT 6 (19.0–23.5s)
HARD CUT into SLOW MOTION. Wide side view, 47°, camera craning slowly upward with him against the low sun. He is airborne at the apex, board still under his feet, one hand gripping the front edge, knees folded. A full curtain of sand hangs suspended around and beneath him, every grain lit gold from camera-right and drifting rather than falling. The cyan glow underneath him rakes across the suspended sand. The whole shot stays in slow motion start to finish.
SHOT 7 (23.5–27.0s)
HARD CUT back to real time. Low tracking shot, 47°, camera behind and beside him. He lands hard, board slapping the sand and compressing, a burst of grit blowing outward from the impact, and he rides straight out of it at 110 km/h across the last open stretch toward the sandstone cliffs. The ruins fall away behind him.
SHOT 8 (27.0–30.0s)
HARD CUT to a lateral profile medium shot, 29°, camera settling alongside him and coming to rest as he does. He carves the board hard sideways and brakes, throwing a low wide sheet of sand forward and to camera-right, and stops at the cliff edge. He straightens up, squares his shoulders, and turns his helmet to face the sun sitting on the horizon. Held final frame: the rider in profile at the cliff edge, sand still settling around the board, the cyan glow steady beneath him, the sun low ahead of him.
PERFORMANCE
Everything reads through the body, since his face is behind the visor: weight shifting into each turn, arms counterbalancing the drift, the deep crouch before the launch, the folded stillness at the apex, the absorbed compression of the landing, and the settled straightening at the very end. Restrained and controlled throughout — a rider who knows this ground.
PHYSICS
The board carries real mass and inertia. It leans into turns and rebounds on landing. Sand behaves as loose dry grain: it fans off the edge under load, hangs in a curtain in slow motion, blows outward in a burst on impact, and settles slowly at the end. Dust catches and scatters the low sun. Wind drags loose grit off the dune crests continuously. Debris in the ruins stays put; only sand and dust move.
LIGHTING
Fixed 3200K golden-hour sun, low on the horizon ahead of the rider and camera-right, unchanged in every shot. Hard warm key on the front of his suit and visor, deep shade on the far side, long shadows running away camera-left across the sand and the ruin floor. Airborne dust glows where it crosses the sun. Cyan board light acts as a cold practical from below, catching his boots, the sand under him and nearby slab faces.
AUDIO
The music from @video1 continues unbroken through the whole extension — same track, same key, same tempo, no restart and no new song. Under it: the low hum of the board, wind across open sand, grit spraying off the edge, concrete and steel echoing close in the ruins.
At 19.0s the mix thins for the slow-motion shot — the music drops to a single sustained low note, and the suspended sand and the board's hum sit at the front.
At 23.5s the full arrangement returns hard on the landing impact.
In the final shot the music resolves and holds under open desert wind. No dialogue anywhere.
OUTPUT SETTINGS
16:9, real-time in every segment except 19.0–23.5s, which is slow motion.
POSITIVE LOCKS
This is a continuation of @video1 — all action takes place after the source footage ends.
The rider, helmet, visor light strips, suit and the hoverboard's cyan underglow stay identical to @video1 in every shot.
The rider travels camera-left to camera-right in every lateral view, and the sun stays low and camera-right in every shot.
One continuous piece of music runs from the first frame to the last, carried over from @video1.
The board keeps complete geometry and stays under his feet through the jump and landing.
Cuts land only at the stated seconds, and the speed change to slow motion happens only at 19.0s and back at 23.5s.
The video ends on the held profile of the rider stopped at the cliff edge, facing the low sun.

A colossal giant appears, striding through a lake; the ground shakes with every step, sending massive amounts of water splashing.

A flying dragon appears, performing aerial acrobatics; the giant tries to catch it with his arms, but the dragon manages to dodge the giant's attempts to stomp on it.

A fast-paced action scene with realistic cinematography.

[Timestamped Script & Storyboard]
[00:00 - 00:08] [High-Speed ​​Dash] — Cutting Through the Wind | Action / Physics Directive: The camera flies in close pursuit, positioned just behind and to the side of the mecha-motorcycle as it races through a downpour. Its wide, rapidly spinning tires kick up massive sheets of water several meters high, while the blue plasma exhaust trail etches a long streak of light against the rainy night. Subtext: Convey a sense of extreme speed to the AI; focus the visual composition on the physical interaction between the rain, reflections on the wet road, and the engine exhaust. [00:09 - 00:16] [Extreme Evasion] — Center of Gravity Shift | Action / Physics Directive: The camera instantly shifts to a high-angle overhead shot. A series of exploding, wrecked vehicles suddenly blocks the path ahead; the mecha-motorcycle leans sharply—almost scraping the ground—as its tires generate dazzling orange sparks from friction, executing a tight "S-curve" to perfectly weave around the burning wreckage. Subtext: Illustrate the shift in the mecha's center of gravity during high-speed movement, highlighting the gravitational feedback and spark effects resulting from extreme tire-to-ground friction. [00:17 - 00:24] [Mid-Air Reconfiguration] — Mechanical Transformation | Action / Physics Directive: The mecha-motorcycle launches off a broken bridge section into the air, with the camera leaping up to track it in a circling shot. While airborne, the motorcycle's shell rapidly flips, deconstructs, and reassembles; the wheels retract into thrusters, and the chassis unfolds to extend steel limbs, instantly transforming from motorcycle mode into a heavy, humanoid combat mecha. Subtext: Showcase the aesthetic of heavy industrial machinery; emphasize the precision interlocking and sense of mass as parts combine, avoiding any "noodle-like" soft-body deformation. [00:25 - 00:30] [Heavy Landing] — A Moment of Power | Action / Physics Directive: The camera rapidly descends to a low-angle, close-up shot looking up at the mecha's face. The humanoid mech drops to one knee, slamming heavily onto the roadway. The impact of its immense tonnage causes the bridge surface to shatter in a spiderweb pattern, while the resulting shockwave instantly clears away the surrounding rain in an expanding ring. The mech slowly lifts its head; a crimson tactical eye-light flares to life, fixing a direct, unblinking stare at the camera. Subtext of the shot: It creates a visually explosive "Superhero Landing," using the shattered pavement and the blast of displaced air to convey the mech's terrifying weight and destructive power to the audience.

【主体】
@Image1
のダンサー兼役者。参照画像の顔立ち・髪型・衣装を忠実に維持すること。周囲には学園の生徒たち多数（群舞メンバー）。 【シーン】 実写調の異世界の学園。重力の方向が判然としない不思議な空間（廊下や階段が斜めに交差し、上下感覚が曖昧）。背景の一貫性のみ保持し、カット間で同一の学園世界であることがわかるようにする。 【アクション】 主役が学園内を練り歩き、その動きに呼応して生徒たちが次々とダンスに加わっていく。ユーモラスでエネルギッシュなボリウッド風の群舞。ラストは全員が一箇所に集合し、フォーメーションを組んで踊り上がる。 【カメラワーク】 Fast-paced rhythmic cuts synced to music, tracking shot following the lead dancer, dynamic crane and dolly movements, wide shot for the final group formation. 【スタイル・雰囲気・仕様】 ボリウッド映画風のダンスムービー。軽快で情熱的なボリウッド音楽に合わせた高揚感のある演出。カラフルで彩度高め。24FPS。

El entrevistador esta en su podcast  entrevistando a @8993a3ce-444a-414b-9800-6798a9c997eb y le pregunta con su voz @0949c9e6-24ae-4895-b567-94aa844e0150: " Buenas mi gente, tenemos un nuevo modelo de IA y hemos traido a un experto en ello, Nabil cuentanos" y entonces el invitado dice con su voz @8993a3ce-444a-414b-9800-6798a9c997eb: "Buenas jordi, la verdad que es una cosa de locos. Gracias a este modelo puedo hacer cosas como esta" y se levanta chasquea los dedos y le sale pelo. Se sienta y dice con su voz @7ac71528-ba91-42ec-92e1-89875ed6e49f: "inténtalo tú" y jordi se levanta y chasquea los dedos y entra un equipo de rugby en el podcast y nabil y jordi empiezan a empujarse con el equipo entero como en una pelea. De repente la camara enfoca a nabil en medio de la pelea y este con su voz @7ac71528-ba91-42ec-92e1-89875ed6e49fdice :" Esto solo es posible con el nuevo modelo de seedance, que loco!" y le da un empujon al que tiene encima forcejeando. De repente jordi en medio de la pelea grita con su voz @0949c9e6-24ae-4895-b567-94aa844e0150: "STOP" y todos los de rugby se convierten en plumas que caen al suelo. Jordi y Nabil se miran y les entra un ataque de risa

キャンバス上にある情報を全て使い、以下の内容の動画を作って。 （以下） Seedance 2.5用プロンプト｜占獣・一人芝居版 生成目的 参照画像50枚を用い、約15.18秒、16:9の高品質な日本製2Dセルカラーアニメーションを生成する。元プレビズの編集点、カメラ軸、画角、被写体サイズ、手の軌道、札の位置、廊下の消失点、動作の緩急を維持しながら、登場人物をオリジナル作品『占獣 / SENJYU』の主人公・我妻學へ置換する。 この映像に存在する人間は我妻學ただ一人である。敵役、対戦相手、廊下奥の人物、分身、残像、影人間、鏡像、反射内の人物、背後の人物、観客、通行人を一切生成しない。前半の正面顔、手元、背面、後半の廊下内の背面人物は、すべて同一時刻の同一人物・我妻學である。カメラが切り替わっただけであり、二人が向かい合っている場面ではない。無人廊下の奥には何者も存在しない。 参照画像の読み方 Image 1〜24はセルカラーの時間順キー画像。Image 25〜48はImage 1〜24と同一番号で対になる深度マップ。Image 49は我妻學のキャラクター固定資料。Image 50は占術札の固定資料。 各カラー画像と深度画像は必ず一対として扱う。カラー画像から顔、衣装、線、色、札の意匠、背景素材を取得し、同番号の深度画像から前後関係、被写体距離、手と顔の重なり、札同士の奥行き、廊下の消失点を取得する。深度画像の白は近景、黒は遠景。深度画像の無彩色を完成映像の色として採用しない。 キャラクター固定 我妻學は小学生男子。短く乱れた黒髪、鮮やかな青い瞳、少年らしい小柄で細身の体格。濃紺の半袖夏制服、白いパイピング、濃紺の短パン。すべてのカットで顔、年齢、髪型、目の色、体格、袖丈、襟、服の配色を固定する。成人化、長身化、筋肉質化、別人化、女性化を禁止。手前に大きく写る手も必ず學本人の手であり、第三者の手ではない。手指は片手につき5本。手首、肘、肩の接続を自然に保ち、指の増殖、癒着、欠損、左右反転を避ける。 占術札固定 トランプではなく『占獣』独自の占術札。黒藍色の薄い長方形、細いシアン発光縁、九星・羅針盤・星図を抽象化した幾何学意匠。ハート、スペード、ダイヤ、クラブ、ジョーカー、数字、英字、読める文字、既存カードゲームの記号を表示しない。札は硬質な紙または薄い術式媒体として扱い、ゴムのように曲げない。浮遊時は各札が独立した平面を保ち、互いに貫通しない。発光は輪郭と術式線に限定し、画面全体をネオンで白飛びさせない。 映像スタイル 完成された劇場品質の2Dセルアニメ。鮮明で整理された線画、2〜3段階のセル影、抑制された濃紺・青緑・シアンの色設計。写真、実写、3DCGレンダー、ゲーム画面、モーションコミック、ラフ絵、鉛筆線へ変化させない。背景は暗い施設廊下だが黒潰れさせず、壁、床、扉、天井灯、奥行きを読める状態にする。被写界深度は強くしすぎず、参照キーにある手、顔、札の輪郭を維持する。 ショット構成 Shot 01｜0.000〜0.346秒｜極端な顔寄り Image 1からImage 2へ。學の片目、顔の一部、上げた手を極端な近距離で捉える。カメラ位置を動かさず、呼吸と視線の微細な緊張だけを補間する。手前の手は學本人の手。別人物のPOVや、誰かが顔を覆っている構図に解釈しない。Image 2の直後にハードカット。 Shot 02｜0.346〜1.093秒｜占術札の手元 Image 3からImage 4へ。札群と學の手だけを俯瞰寄りで映す。人物の顔や別の身体を追加しない。手の圧と術式反応によって札の重なりがわずかに変化する。札は同じデザイン、同じ枚数感、同じ平面性を維持。次ショットへハードカット。 Shot 03｜1.093〜4.042秒｜正面で札を制御 Image 5→6→7→8。正面寄りの學が、顔の横に掲げた札を指先で制御し、手首を下げ、指を組み替え、解放直前の形へ移行する。カメラは基本固定。學の頭部位置と肩線を安定させ、手だけが弧を描いて動く。Image 5〜8のポーズ間を滑らかに補間するが、過剰な中割りで手をぐにゃぐにゃ変形させない。表情は冷静で集中。口パクなし。 Shot 04｜4.042〜4.768秒｜札群の空間展開 Image 9からImage 10へ。人物は画面に存在せず、占術札だけが暗い空間に複数の距離層で浮遊する。札の移動は小さく鋭い。各札の前後関係は対応深度に従う。新しい札を無制限に増やさない。画面中央に敵や召喚獣を出さない。 Shot 05｜4.768〜6.621秒｜背面から右手操作 Image 11→12→13。學を背後から捉える。右肩、前腕、手首、指先が連動し、空中の札を整列させる。背後に見えるのは無人空間と札だけ。正面にもう一人の學を置かない。背中、首、右肩の接続を固定し、腕の長さを変えない。カメラは固定し、微細なプッシュインのみ許可。 Shot 06｜6.621〜7.605秒｜正面の腕・拳 Image 14→15→16。ハードカットで正面へ戻り、學が腕を伸ばした状態から指を巻き込み、拳を上げる。右手の軌道、顔の中心位置、肩幅を参照どおりに維持。拳は顔を完全に隠さない。決意は目線と手の収束で表現し、叫びや口パクを追加しない。 Shot 07｜7.605〜8.642秒｜デジタル表示 Image 17からImage 18へ。壁面表示だけのインサート。人間、手、影、反射を追加しない。表示面は同一位置で、発光の変化だけを見せる。画面上に字幕、UI、説明文、ロゴを追加しない。表示を読ませることより、緊張の時間圧を伝える。 Shot 08｜8.642〜10.028秒｜無人廊下への前進 Image 19からImage 20へ。完全に無人の長い廊下。中央消失点へ向かう直線的で高速なドリーイン。扉、天井灯、床線の間隔が物理的に縮まり、正しい遠近法で加速を示す。廊下奥に人物、標的、怪物、影を生成しない。左右へ蛇行、ロール、手持ち揺れを加えない。 Shot 09｜10.028〜15.148秒｜背面投擲 Image 21→22→23→24。無人廊下の手前に學一人だけが背中を向けて立つ。開始時に右肩と前腕で投擲準備。次に複数の占術札を片手の周囲へ浮上させ、両腕のバランスを取りながら投擲方向を定める。札が腕の振りと同期して無人廊下の消失点へ高速移動し、最後は學が腕を伸ばしたフォロースルーで終える。札は画面奥へ小さくなり、正しい遠近縮小とモーションブラーを持つ。札が向かう先に人物や標的を出さない。學の身体は一体のみで、残像による複数腕や複数身体を作らない。 編集・時間・カメラ 総尺は元動画と同等の約15.18秒。9つの編集ショットはすべてハードカットで接続し、異なるアングル間をモーフィングしない。各ショット内部のみSTART→ACTION KEY→ENDを補間する。カメラ移動を許可するのは、Shot 08の直線ドリーインと、参照から読み取れるごく小さな寄りのみ。勝手な旋回、360度回転、オービット、魚眼化、ズームアウト、別アングル追加を禁止。廊下の左右反転を禁止。 動作と物理 人物の重心、肩から肘、肘から手首、手首から指の連鎖を保つ。札が手を貫通しない。札同士が融合しない。札は投擲方向へ速度を得た後、慣性に従って廊下奥へ進む。発光軌跡は短く、札の数を誤認させる長い残像を作らない。髪、襟、袖には動作に応じた最小限の追従を付ける。床接地が見える場合は足を滑らせない。 絶対除外 二人目の人物、敵、対戦相手、廊下奥の人影、同じ學の複製、黒い分身、幽霊、残像人物、鏡像、反射人物、群衆、手だけの第三者、別キャラクター、成人、女性、顔の変化、衣装変更、長袖化、別制服、トランプ、ハート、スペード、ダイヤ、クラブ、既存カードゲーム、銃、ナイフ、剣、流血、接触戦、人物への攻撃、召喚獣、字幕、台詞テロップ、ロゴ、透かし、読める文章、画面分割、絵コンテ枠、参照番号表示、低解像度、実写、3DCG、粘土質、過度なグロー、色飛び、黒潰れ、指の増殖、腕の増殖、身体の複製、顔の溶解、札の融合、背景のワープ、廊下の左右反転。 最終到達像 完成映像は、我妻學一人が占術札を静かに支配し、無人の長い廊下へ一斉投擲する、一人芝居の高速アクションである。人物同士の戦闘にはしない。元プレビズのショット順、カメラ軸、動作ピーク、時間圧を保ちつつ、すべてを『占獣』固有のセルカラー世界へ変換する。

A cinematic slow-motion shot of a professional Caucasian male badminton player competing in the Olympic finals. He leaps high into the air with explosive power for a powerful smash. Focus on the intense facial expression and the flexed muscles of his arm. As he hits the shuttlecock, a subtle motion blur and wind effect are visible. The background shows a packed Olympic arena with blurred crowds and bright stadium lights. Smooth camera tracking following his jump. 4K, ultra-realistic, high frame rate, vivid colors, athletic anatomy, professional sports photography style.

参照キャラクター画像を1枚使用する。
参照画像の髪型、体型、衣装シルエット、表情の方向性、雰囲気を参考にする。
実写MV風の架空人物として自然に再構成する。
実在の俳優、モデル、有名人、特定の人物には似せない。

参照画像の衣装、色、アクセサリー、世界観をもとに、背景・VFX・色・記号・装飾をランダム生成する。
背景は固定せず、参照画像に合う実写MV風の場所をランダムに選ぶ。
屋上、路地、ステージ裏、廃ビル、夜の街、ネオン空間、グラフィティ空間、ライブ会場裏など。
全体はグラフィティ系実写MV風に統一する。

60fps。
118 BPM基準。

高品質な実写MV。
リアルな人物、肌、髪、布、アクセサリー、靴。
自然な照明と現実のカメラ質感。
背景には実写と馴染むグラフィックモーションVFXを重ねる。

ダンスは、男性にも女性にも似合う自然なストリート系MVダンス。
難しい技を連発しない。
人間が自然に踊れる範囲の動きにする。
脚を曲げ続けず、自然な立ち姿勢を保つ。
膝はビートのアクセントで軽く沈む程度にする。
重心移動、踏み替え、軽いターン、肩のリズム、手先の動きを中心にする。
動きはキレがあるが、ロボットのように硬くしない。
身体全体が音に乗って自然につながるようにする。

単純な横移動を主役にしない。
前後の奥行き、身体の角度変化、軽い踏み替え、自然なターンで見せる。
腕は振り回さず、身体に近い位置でスタイリッシュに動かす。
手首や指先は自然に使う。
過剰にセクシーにしない。
アイドルダンスにも、バレエにも、ロボットダンスにも寄せない。

背景とVFXは常に軽く動く。
参照画像の世界観に合う抽象記号、短い文字断片、模様、アイコン、スプレー跡、光の線、ノイズ、図形、装飾をランダムに配置する。
文字や記号の意味は固定しない。
VFXは人物の後ろで控えめに反応し、顔や身体を隠さない。

VFXは身体の動きに自然に反応する。
足の接地で小さな粒子や波紋が出る。
肩や手の動きに合わせて背景の線や光が軽く揺れる。
衣装の差し色から小さなスパークや色残像が出る。
布やアクセサリーの揺れに合わせて短い光の残像が出る。
演出は派手すぎず、実写MVに馴染ませる。

カメラは実写MVの自然なカメラワーク。
開始直後から中距離の全身ショット。
人物は映像開始時点ですでに踊っている。
カメラは完全停止しない。
軽い押し込み、軽い引き、斜め前からの小さな回り込み、短い足元カットを使う。
カメラを動かしすぎない。
ダンスのライン、衣装、表情が読めるように撮影する。

0.0s - 3.5s
開始直後から自然に踊っている。
中距離の全身ショット。
片足を軽く前へ踏み込み、ビートに合わせて上半身が自然に乗る。
肩を小さくヒットさせ、手首を軽く外へ流す。
足元は小さな踏み替えとつま先タップ。
膝は軽く使うだけで、曲げ続けない。
表情は参照画像の雰囲気を保つ。
背景VFXは軽く跳ね、足元に小さな粒子が出る。

3.5s - 7.0s
カメラが斜め前から少しだけ押し込む。
人物はその場を中心に、前後の踏み替えと軽いターンで踊る。
腕は身体の近くでコンパクトに動かす。
片手を衣装ディテールの近くへ持っていき、軽く離す。
肩、胸、手首の動きが滑らかにつながる。
脚のラインが自然に伸びる瞬間を作る。
背景のランダムなグラフィックが音に合わせて揺れる。

7.0s - 10.5s
上半身を少し強調する。
短い視線、軽い首の角度変化、手先のフリックを入れる。
足元は大きく移動せず、踏み替えと小さなクロスステップでリズムを取る。
身体を少し斜めに向けてから正面へ戻す。
ターンは小さく自然にする。
VFXは衣装カラーに合わせて、光の線や粒子が控えめに反応する。

10.5s - 13.5s
動きを少しだけ強くする。
前後のステップ、肩ヒット、手首スナップ、軽い胸ヒットをつなげる。
一つ一つの動きは独立させず、身体全体の流れとして自然につなぐ。
膝は一瞬だけ沈め、すぐ自然に伸ばす。
背景グラフィックが少し活発になり、奥行き方向へ流れる。

13.5s - 15.0s
次の動きへつながる準備。
人物は前後のクロスステップと小さなターンを続ける。
最後に止まらない。
決めポーズにしない。
身体がまだ動いていて、次のステップへ入る途中で終わる。
背景VFXも止めず、奥へ流れるように動かす。

全体印象：
参照画像ベースのカラフルなグラフィティ系実写MVダンス。
自然に人間が踊っているような、滑らかで見栄えの良い振付。
男性にも女性にも似合う。
キレはあるが、硬すぎない。
脚を曲げ続けず、自然な立ち姿勢と軽い沈みを交互に見せる。
横移動を多用せず、前後の奥行き、角度変化、踏み替え、自然なターンで見せる。
開始直後からダンスで入り、次の動きへ繋がる途中で終わる。
テキストオーバーレイなし。
字幕なし。
ロゴなし。

Authentic live-action cinematic footage captured as a continuous one-shot sequence on Arri Alexa 65 with Panavision Ultra Vista anamorphic lenses on real Kodak Vision3 35mm film. Ultra-photorealistic Hollywood adventure film aesthetic with natural film grain, cinematic depth of field, realistic handheld camera inertia, dynamic tracking shots, physically accurate motion blur, volumetric golden-hour sunlight, atmospheric jungle mist, practical lighting, realistic water simulation, authentic environmental interaction, and absolutely no CGI or game-engine appearance.

A powerful Amazonian tribal warrior with weathered bronze skin, long braided black hair decorated with jungle feathers, athletic muscular build, worn leather tribal clothing, and intense recognizable eyes sprints through a dense rainforest while the camera performs an energetic low-angle tracking shot weaving between giant roots, rocks, vines, and tropical vegetation. He bursts out onto the edge of a colossal waterfall and leaps into the air as the camera dives beside him. During freefall his body organically transforms into a gigantic Amazon river crocodile with realistic skeletal restructuring, growing scales, extending jaws, muscular limbs, and a powerful tail before crashing into the river below.

The camera follows underwater in one continuous movement as the crocodile powers through crystal-clear water, scattering schools of fish and passing submerged trees and ancient stone ruins. While swimming at high speed, the crocodile seamlessly transforms into a massive Amazon giant catfish with smooth biological morphing, retracting limbs, sleek skin, broad fins, powerful tail propulsion, and continuous identity preservation. The giant catfish accelerates through flooded jungle ruins before its body thickens and organically transforms into a colossal emerald anaconda with shimmering green scales, enormous muscular coils, and realistic serpentine movement as it glides through submerged temples and rises onto the rainforest floor.

The colossal anaconda rapidly slithers through dense jungle while the camera performs fast ground-level tracking through mud, roots, and foliage. As it launches over a fallen tree, it seamlessly transforms into a powerful black jaguar with sleek black fur, muscular feline anatomy, realistic shoulder movement, explosive sprinting speed, and intense recognizable eyes. The jaguar races through the rainforest before reaching a towering cliff where it leaps into open air. During the jump, its body organically transforms into a majestic giant harpy eagle as black fur becomes feathers, forelegs expand into enormous wings, hind legs become massive talons, and the eagle catches an air current before soaring high above the endless Amazon canopy.

The camera transitions into an FPV-style aerial pursuit as the harpy eagle flies between clouds toward an ancient mountain temple surrounded by waterfalls. The eagle folds its wings into a dramatic dive toward the summit. During the dive, feathers organically become skin, wings become human arms, talons become feet, and the original Amazonian warrior fully reforms with perfect facial identity, braided hair, and worn tribal clothing. He lands powerfully on the temple platform, rises slowly, and looks directly into the camera while the camera performs a slow cinematic push-in. Behind him, endless rainforest, waterfalls, drifting mist, and golden sunlight create an epic final hero shot before a slow fade to black.

Maintain one continuous uninterrupted shot, seamless transitions, consistent character identity, realistic anatomy, believable body weight, physically accurate transformations, natural cloth simulation, hair physics, feather dynamics, water interaction, foliage collision, perfect environmental continuity, Hollywood blockbuster cinematography, ultra-photorealistic live action, no jump cuts, no visual glitches, no cartoon style, no artificial CGI, maximum cinematic realism.

30-second cinematic anime action sequence, breathtaking high-budget anime film, ultra-dynamic editing, fluid sakuga animation, spectacular fight choreography, seamless kinetic camera movement, aggressive speed ramps, rapid match cuts, whip pans, rotating camera moves, dramatic perspective shifts, cinematic lens distortion, volumetric lighting, dust, sparks, debris, explosive impacts, emotionally intense, premium animation quality, no dialogue.

0–5s

A ruined futuristic city stands silent beneath storm clouds.

Two lone warriors face each other hundreds of meters apart.

The camera rapidly alternates between extreme wide shots, close-ups of determined eyes, hands tightening around weapons, feet scraping broken concrete, fluttering coats and drifting dust.

A heartbeat.

Absolute silence.

5–10s

Both fighters explode forward simultaneously.

The camera races alongside them before instantly switching to overhead drone views, impossible low angles beneath their feet, first-person perspectives, and ultra-fast lateral tracking shots.

Shockwaves ripple across the ground as they collide.

The first impact sends debris flying in every direction.

10–15s

An overwhelming combat montage.

Lightning-fast sword strikes.

Acrobatic flips.

Mid-air clashes.

Wall running.

Buildings collapse around them.

The camera never stays still: continuous orbit shots, rapid whip pans, rotating 360-degree movements, crash zooms, Dutch angles, seamless transitions through clouds of dust and sparks.

Constant speed ramps amplify every decisive strike.

15–20s

The battle escalates.

Energy erupts with every collision.

One fighter launches the other through multiple rooftops.

The camera follows in a single uninterrupted shot before cutting to an extreme close-up as both instantly reappear, colliding again in mid-air.

Fragments of glass, steel and concrete freeze momentarily before exploding outward.

20–25s

The choreography becomes almost impossible to follow.

Dozens of rapid exchanges.

The camera jumps between ultra-wide cinematic compositions, intimate facial close-ups, spinning aerial shots, slow-motion impacts, handheld ground-level tracking, and impossible anime-style perspective shifts.

Every cut increases the intensity.

The music reaches its peak.

25–30s

Everything suddenly slows.

The two warriors cross paths one final time.

Silence.

A single decisive strike.

The camera follows the blade in extreme slow motion before rapidly pulling back into an enormous aerial shot revealing the devastated city beneath dark skies.

Dust slowly settles.

Hard cut to black.

Sound design: colossal cinematic orchestra blended with modern hybrid percussion, taiko drums, distorted synth pulses, thunderous impacts, rushing wind, metallic blade clashes, explosive shockwaves, collapsing buildings, debris showers, aggressive cinematic whooshes, deep bass hits, brief silence before the final strike, overwhelming orchestral finale with massive surround sound.

Use the provided references consistently across the full 30 seconds: Image 1 is the first faceless black-armored chaser rider; Image 2 is Kestrel's charcoal courier motorcycle with amber light strip; Image 3 is the dark chaser motorcycle with red taillight and no amber; Image 4 is Kestrel, the broad-shouldered slicked-back male hero in a single-shouldered charcoal jacket with an amber sash; Image 5 is the second faceless black-armored chaser variant. Kestrel stays in front and the two dark pursuit riders stay behind or beside him as visual pressure. Create an original high-speed dark-fantasy motorcycle pursuit scene, 30 seconds, very fast-paced, readable, designed as an edit-friendly trailer cut with rapid cinematic shots. No background music, no soundtrack music, no subtitles, no text, no logos.  Setting: elevated highway through a dense dystopian megacity, monolithic concrete arcologies, industrial haze, flat overcast daylight, no rain, imposing and orderly rather than chaotic. Empty roadway, brutal concrete barriers, smoke, sparks, glowing energy trails, and stylized road-impact flashes.  FAST 12-SHOT STRUCTURE:  SHOT 1, 0:00–0:02 — Cold open. A bright energy flare streaks past the camera toward the highway, motion-blurred, then blooms behind Kestrel's bike in a dramatic orange-black shockwave. Camera shakes. Kestrel is already in front, escaping.  SHOT 2, 0:02–0:04 — High aerial reveal. Three motorcycles tear along the elevated highway far below, Kestrel's amber light strip visible at the front, two matte-black pursuit bikes behind in staggered formation. Camera dive accelerates downward.  SHOT 3, 0:04–0:06 — Extreme low road-level shot. The hero bike blasts over the lens, amber strip streaking; two dark pursuit bikes thunder after him with red taillights and black armor. Heavy motion blur, road grit, heat shimmer.  SHOT 4, 0:06–0:08 — Close-up on Kestrel. Slicked-back wet ash-grey hair, sharp masculine face, amber sash whipping violently, gloved hand twisting the throttle. His eyes stay calm while light flashes bloom behind him.  SHOT 5, 0:08–0:11 — Rear chase cam. The left pursuit rider closes in tight and releases a bright warning energy streak. Kestrel drops his shoulder and leans the bike underneath it; the streak passes his shoulder and showers sparks from the concrete barrier.  SHOT 6, 0:11–0:14 — Side-by-side pressure. The right pursuit rider surges up beside Kestrel and forces him toward the lane edge. Kestrel kicks the side of his bike frame and snaps the bike sideways in a controlled drift, narrowly avoiding contact while staying ahead. The camera whip-pans with the movement.  SHOT 7, 0:14–0:17 — Front tracking angle looking backward. A heavier guided light trail launches from behind, weaving between the bikes with a bright trail. Kestrel cuts through a narrow gap between broken road plates. The guided light hits the road ahead and erupts into concrete dust, debris mist, and black smoke.  SHOT 8, 0:17–0:20 — Hero stunt beat. Kestrel and the charcoal motorcycle punch through the blast wash. The bike performs one clean slow-motion barrel-roll through smoke and flying road dust, amber strip glowing, then lands hard with sparks and instantly accelerates. Make the rotation clean and physically readable.  SHOT 9, 0:20–0:22 — Pursuit rider close-ups. Rapid cuts: faceless black mirrored visor reflecting Kestrel's amber light; armored gauntlet gripping throttle; red taillight streak; tire sliding through sparks. The two pursuit riders regroup behind him, still closing.  SHOT 10, 0:22–0:25 — Power reveal. Low side profile at extreme speed. Kestrel rises upright on the moving bike, balanced and confident, turning backward toward the two riders. Four compact golden magical sigils bloom around his shoulders and hands, spinning like hot geometric halos. The road and city blur around him.  SHOT 11, 0:25–0:28 — Climax escape. The golden sigils fire concentrated beams backward down the highway. The beams carve glowing lines through the haze and strike the road around the pursuing bikes, creating a wall of golden-orange light, smoke, sparks, and shockwave energy. The two pursuit riders disappear into the smoke and fall far behind, ending the chase. Keep it stylized, non-graphic, cinematic, and readable.  SHOT 12, 0:28–0:30 — Final hero exit. Medium rear tracking beside Kestrel. He drops back into the seat, leans low over the charcoal bike, gives a small confident smirk, then rockets away down the elevated highway. Smoke columns recede behind him. End with forward acceleration, no title card.  Visual style: original premium dark-fantasy action cinema, high quality Unreal Engine cinematic render, modern high-end fantasy game visual quality, not copying any existing franchise characters, armor, weapons, symbols, or scenes. Anamorphic lens, speed-ramped action, rapid cinematic cuts, whip-pan transitions, camera shake from road impacts, heavy motion blur, atmospheric haze, film grain, cinematic color grade, strong silhouettes, consistent character and vehicle design, dynamic but readable action, no rain.  Audio instruction: no background music, no soundtrack music. If audio is generated, use only sparse cinematic sound effects such as engine roars, wind rush, energy pulses, road-impact booms, tire skids, debris impacts, and magical beam crackle.

[Phần 1: Character]
+ Nhân (young man, @referance image): A rustic Vietnamese peasant with sun-bronzed skin, wearing simple dark linen garments, showing deep resilience and bravery.
+ Hắc Thần Điểu (mythical giant bird @referance image ): A colossal guardian bird of prey with jet-black feathers, a razor-sharp golden beak, and piercing, glowing red eyes.
+ Giao Long (mythical sea monster): Serpentine dragon-like sea creatures covered in dark green scales with vibrant bioluminescent green patterns and glowing eyes.

[Phần 2: Bối cảnh]
An ancient mythical Vietnamese seascape during a raging tempest, dominated by towering limestone karsts rising majestically from a turbulent, bioluminescent green ocean. The environment is devoid of any modern structures, filled only with untamed waters, dark ominous storm clouds, and a mythical atmosphere of a forgotten folkloric era.

[Phần 3: Phong cách đoạn video]
Cinematic 8K video style with hyper-realistic textures and dynamic dark-fantasy atmosphere. The color palette features deep ocean blues, stormy charcoal greys, and dramatic contrast from the vibrant bioluminescent green of the sea creatures and the divine gold energy of the mythical bird. High-speed action cinematography with dramatic slow-motion, dynamic tracking shots, shutter angle matching intense action, organic film grain, and realistic water simulation with volumetric splashes and heavy atmosphere.

[Phần 4: Shot-by-shot]
Shot 1 (2s):
POV moving rapidly upward from deep underwater towards the surface. Looking through the murky, bubbling green water, the glowing silhouettes of giant Giao Long swirl below, creating a sense of thalassophobia. Above the water's surface, the dark silhouette of Hac Than Dieu 📷is visible from behind, flying in place with Nhan r📷iding on its back, his back turned to the camera. Golden hour stormy light filters through the surface. no dialog

Shot 2 (3s):
Close-up of the bubbling, boiling sea surface glowing with an eerie, underwater green bioluminescence under a dark stormy sky. The atmosphere is strangely silent. A colossal, glowing shadow of Giao Long swirls beneath the waves, then suddenly bursts violently upward from the ocean directly towards the camera, spraying water everywhere. no dialog

Shot 3 (1s):
Close-up of Nhan's panicked face under the flashing stormy light, wind whipping his hair. He sits on the back of Hac Than Dieu, quickly turning his head around to look at the newly emerged sea dragon behind them, his eyes wide with fear. Nhan screams "Cẩn thận!" (dialogue in Vietnamese).

Shot 4 (1s):
Close-up of Hac Than Dieu under the stormy sky, its sharp head snapping around in alarm toward the direction Nhan is looking, its red eyes glowing intensely as it senses the threat. no dialog

Shot 5 (2s):
Wide slow-motion tracking shot. Under a dark, stormy sky, the massive Hac Than Dieu, with Nhan clinging to its feathered back, masterfully tilts its giant black wings to the side, narrowly evading the massive Giao Long's snapping jaws in a near-miss aerial dodge. no dialog

Shot 6 (2s):
Slow-motion close-up of Nhan under flashing lightning, his expression filled with sheer terror as the bird tilts sharply. He grips the thick dark feathers of Hac Than Dieu tightly with both hands, trying his best not to fall off into the ocean below. no dialog

Shot 7 (1s):
Slow-motion extreme close-up of the lunging Giao Long's fearsome mouth, filled with sharp, wet fangs and glowing with green light, snapped open wide, attempting to bite the edge of Hac Than Dieu's massive black wing under the stormy sky. no dialog

Shot 8 (2s):
Slow-motion shot of Hac Than Dieu carrying Nhan on its back. The giant bird performs a breathtaking mid-air barrel roll under the dark, thundering clouds, its body twisting elegantly to dodge the attack. no dialog

Shot 9 (4s):
Wide shot showcasing the majestic landscape of jagged limestone karsts rising from the churning ocean. The bioluminescent green water glows intensely as multiple Giao Long rise and fly up. The camera speed ramps back to normal as Hac Than Dieu escapes the first bite spectacularly, swiftly dodging a second lunging Giao Long, while three more of the sea monsters are seen in the background preparing to lunge at high speed. no dialog

Shot 10 (1s):
Close-up of Hac Than Dieu's head under the stormy sky. The giant bird opens its sharp beak wide, letting out a booming, telepathic command. Hac Than Dieu shouts "Bám chặt!" (dialogue in Vietnamese).

Shot 11 (1s):
Close-up of Nhan. Shifting from initial panic to absolute focus, his face hardens with determination as he locks his grip even tighter onto the dark feathers of Hac Than Dieu under the flashing lightning. no dialog

Shot 12 (1s):
Medium shot under the dark stormy twilight. The first Giao Long, frustrated by its missed attack, turns around aggressively and lunges headfirst directly towards the camera, its glowing green eyes filled with rage. no dialog

Shot 13 (9s):
Medium dynamic continuous shot kết hợp với obit shot. Under the dark stormy sky, Hac Than Dieu carrying Nhan releases a brilliant burst of divine golden energy. Suddenly accelerating, the giant bird rolls in mid-air and strikes the lunging Giao Long's head with its powerful talons, knocking it out of the frame. Instantly, a second Giao Long attacks from the side; Hac Than Dieu swerves swiftly, and Nhan uses the momentum to land a powerful kick on the monster's flank, sending it crashing away. Two more Giao Long attack in tandem; a smooth, dynamic orbiting camera tracks Hac Than Dieu as it weaves through their strikes, diving through a narrow, majestic limestone mountain pass over the sea, leading the camera into a pitch black screen. no dialog

【基础设定】一段女生不同场景跳“”拖拉机舞“”，并在中途完成丝滑转场的视频，真人写实质感。人物跳舞动作，位置关系严格参考 {{Mixed 3}} 复刻动作轨迹 ；

0-3秒：将参考视频里面的主体替换成女生d72f88ea-9673-461d-9f75-87a4040f02e0，场景跟随变化；女生没有尾巴，首帧画面就是女主拿着短刀，高高举起手，跟参考视频的首帧动作完全一致

3-6秒：女生通过一个舞蹈工作衔接特效转场变成exec-9219a05b-ee6d-4c5b-9176-edad734b296d ，场景跟随变化；女生继续参考视频的动作完成舞蹈

6-9秒：女生通过一个舞蹈工作衔接特效转场变成exec-a1caf641-08fc-4f8d-b156-c084277123be，场景跟随变化；女生继续参考视频的动作完成舞蹈

9-15秒：女生通过一个舞蹈工作衔接特效转场变成image，场景跟随变化；女生继续参考视频的动作完成舞蹈

【限制】动作不漂移，不跳帧，不改变人物的数量和站位；全程画面只有一个女生在跳舞，不要肢体融合、重复肢体或主体消失。轮廓稳定。仅生成音效，不要生成背景音乐。女生全程没有尾巴

生成一段完整连续的3分钟写实古装武打电影片段。横屏16:9，2.35:1电影宽银幕构图，24fps，4K电影质感，冷峻低饱和蓝灰色调，真实物理动作，凌厉但克制的写实武侠风格。动作设计强调力量、速度、重心、惯性和空间利用，不使用仙术、轻功飞行或夸张能量特效。

故事发生在暴雨深夜的一座废弃山寺。青石庭院积满雨水，屋檐不断滴水，破损灯笼在风中摇晃，暖黄色火光与冷蓝色月光形成强烈对比。男主约三十岁，黑发高束，穿深靛蓝色窄袖短袍、黑色长裤和旧皮护腕，身形精悍，神情冷静，右手握一把带有磨损痕迹的窄刃长刀。二十余名蒙面敌人穿统一黑色夜行衣，从山门、回廊和屋顶逐渐包围男主，分别使用短刀、长枪、铁棍和锁链。所有人物外形、服装、兵器、伤势和位置前后保持一致，敌人数量随着战斗逐渐减少，不得凭空增加。

0-15秒：暴雨中的山寺全景，镜头穿过密集雨幕缓慢下降，越过残破屋檐和摇晃灯笼，落到青石庭院中央。男主背对镜头独自站立，雨水顺着刀鞘不断滴落。二十余名黑衣敌人从四面回廊、山门和屋顶无声出现，形成层层包围。镜头贴近男主右手，他用拇指缓缓顶开刀镡，刀刃露出一线寒光。敌人首领在回廊阴影中低声说道：“拿下。”男主抬起眼睛，平静回答：“让开。”伴随低沉雷声，第一批敌人突然冲出。

15-30秒：四名持短刀敌人从正面和两侧同时夹击。镜头采用贴身手持跟拍，男主侧身避开第一刀，用刀鞘撞开第二人的手腕，反手拔刀格挡第三人的横斩，金属碰撞迸出短促火星。他不做多余动作，连续使用肩撞、肘击、扫腿和刀背重击，将三名敌人迅速击倒。第四名敌人从背后扑来，男主听到脚步声，低头避开刀锋，转身用刀柄击中对方面部，再借对方身体挡住迎面刺来的长枪。镜头绕男主半圈，其他敌人立刻收紧包围，没有停下来等待。

30-45秒：六名长枪敌人组成半圆枪阵，同时向男主逼近，枪尖不断封锁他的退路。男主没有正面硬拼，而是快速退向庭院狭窄石阶，引诱枪阵收缩。第一排长枪同时刺出时，他踩着湿滑石阶侧身滑下，刀锋由下向上连续斩断两根枪杆，随后抓住断裂枪杆向侧面拨打，令另外三支长枪互相碰撞。他踩上一尊倾斜的石狮，借高度越过低扫的枪杆，落下时以膝撞击倒一名枪手。镜头从低角度跟随落地动作，雨水被双脚猛烈溅开。

45-60秒：屋顶上的敌人突然跃下，前后夹击男主。镜头迅速仰拍，两道黑影穿过灯笼和雨幕落向庭院。男主翻身滚过地面，刀锋贴着敌人的靴底掠过，顺势来到回廊入口。他利用廊柱阻挡多人围攻，让敌人无法同时展开。两名敌人一左一右贴近，男主用刀背压住左侧短刀，抬腿踢中右侧敌人的膝弯，再借廊柱反弹转身，将左侧敌人撞进后方人群。一个灯笼被刀锋割断，从空中落下，在积水中熄灭，画面短暂陷入半明半暗。

60-75秒：战斗进入第一次高潮。剩余敌人分成前后两队，在回廊中高速追击男主。镜头采用侧面长距离跟拍，男主一边后退一边格挡连续刀击，刀锋、雨水和火星在画面中交错。他突然踢翻长凳，迫使前排敌人跳跃躲避，自己从长凳下方滑过，起身后连续击中两人的腰腹和手腕。另一名敌人从柱后偷袭，男主用左手抓住对方持刀手臂，将其带向廊柱，迫使刀锋嵌入木柱，再用肩膀将其撞倒。动作紧凑、真实、清晰，不出现无意义旋转。

75-90秒：山门外的弩手突然射击。弩箭穿过雨幕击碎回廊木窗，男主迅速掀起一张木桌作为盾牌。镜头紧贴木桌另一侧，数支弩箭接连穿透桌面，箭头距离男主面部只有几厘米。男主顶着木桌向前冲撞，将两名敌人压倒在台阶上，随后把木桌推向弩手方向，趁遮挡翻滚进入大殿。敌人紧随其后冲进殿内。最后一支弩箭擦过男主左肩，划破衣袖，留下明显但不过度血腥的伤口。从此刻开始，男主左臂活动受到轻微影响，呼吸逐渐沉重。

90-105秒：大殿内部空间狭窄，残破佛像和木柱形成复杂障碍。一个身材魁梧的敌人挥舞铁棍迎面砸下，男主横刀抵挡，却被巨大力量震退，长刀脱手滑到佛像台阶下。魁梧敌人连续挥棍横扫，男主俯身闪避，铁棍击碎木柱表面。男主贴近对方，让长兵器无法发挥，用掌根、肘击和膝撞连续攻击对方胸腹，然后抓住铁棍中段借力旋转，将魁梧敌人摔过肩膀，砸碎旁边长桌。男主没有时间拾刀，只能夺下一根断裂枪杆作为短棍迎敌。

105-120秒：四名敌人在大殿中同时围攻。男主使用断枪进行近身棍法，挡住两把短刀，利用枪杆两端分别打击敌人的手腕、喉前和膝盖。镜头在木柱之间快速横移，通过柱子遮挡完成自然转场。男主故意露出破绽，引诱两名敌人同时进攻，最后一刻侧身闪开，让二人的兵器互相卡住。他用断枪横扫二人腿部，再踩住掉落的短刀，将短刀踢到手中。另一名敌人从佛像上方扑下，男主举起短刀格挡，巨大的冲击让两人同时摔出殿门，重新落入暴雨庭院。

120-135秒：男主在积水中翻滚起身，敌人首领终于从回廊阴影中走出。首领身材高瘦，使用一把带锁链的弯刃，动作冷静而危险。剩余敌人退到四周封锁出口。首领甩动锁链，弯刃贴着地面划过，激起一道水浪。男主连续后退闪避，弯刃缠住他的短刀并猛然拉走。首领第二次甩出锁链，缠住男主脚踝，将他拖倒在湿滑地面。男主在被拖动过程中抓住一块破碎瓦片，割开缠绕脚踝的布带，翻身避开从上方劈落的弯刃。弯刃重重砸进青石地面，火星和雨水同时炸开。

135-150秒：三名剩余敌人趁男主倒地同时冲来。男主已经疲惫，左肩受伤，动作明显不再轻松。他故意保持半跪姿势，引诱第一人靠近，突然抓住对方手腕，将其带入首领再次甩来的锁链轨迹。锁链缠住敌人的兵器，造成短暂混乱。男主利用湿滑地面低身旋转扫腿，使另外两人失去平衡，再用刀鞘和拳肘连续击倒。最后一名敌人试图从背后刺击，男主在积水倒影中看见对方，头也不回地向后撞肘，随后转身用掌根将其击倒。庭院里只剩男主与首领相对而立。

150-165秒：最终决斗。雷声骤然炸响，首领抽回锁链弯刃，发动连续快速攻击。镜头在广角全景和刀锋特写之间切换：弯刃横扫、锁链回旋、男主侧闪、格挡、翻滚，每一次动作都清晰连贯。男主捡回落在庭院边缘的长刀，用刀身缠住锁链，却被首领猛力拉近。两人在极近距离展开拳肘搏斗，首领击中男主伤肩，男主痛苦后退，长刀再次险些脱手。首领高举弯刃完成最后一击时，画面短暂升格，男主没有后退，而是突然向前贴身进入锁链内圈，用护腕架开首领手臂，以刀柄重击其胸口。

165-180秒：恢复正常速度。首领踉跄后退仍想挥刀，男主踩住落在积水中的锁链，旋身夺下弯刃，再用长刀精准架在首领颈侧，动作突然停止。雨声重新变得清晰，首领手中的兵器缓缓掉落，跪倒在地。男主没有补刀，只是收刀入鞘。镜头缓慢拉远，庭院中敌人全部失去战斗能力，兵器散落在雨水里，没有血腥特写。男主扶着受伤的左肩穿过山门，破晓的微光从远处云层后出现。最后一个镜头停留在积水中的刀痕和逐渐平静的波纹上，远处传来男主渐行渐远的脚步声，画面自然淡出。

镜头要求：整段战斗保持明确的空间方向和人物位置，使用大远景交代战场，中近景呈现攻防动作，适量使用贴身手持跟拍、低角度跟拍、环绕移动、遮挡转场和关键动作升格；不要频繁无意义快切，不要让镜头晃动到看不清动作。敌人必须采取包围、夹击、枪阵、远程掩护和多人协同，不能排队等待男主逐个攻击。男主通过地形、廊柱、石阶、长凳、木桌和敌人之间的位置关系化解人数劣势。

声音设计：全程保留真实暴雨声、雷声、急促脚步声、衣料摩擦声、呼吸声、刀剑碰撞声、木材碎裂声和兵器落地声。配乐以前半段低沉鼓点和弦乐持续积累，中段加入快速鼓点，最终决斗时音乐达到高潮；首领跪倒后音乐立刻停止，只保留雨声和脚步声。

禁止出现：仙术、飞行、能量波、武器发光、夸张爆炸、血腥肢解、现代物品、字幕、文字、LOGO和水印；禁止人物脸部突变、服装变化、额外肢体、兵器凭空出现或消失、敌人数量突然增加、同一个敌人重复出现、动作穿模、无重力漂浮、连续无意义空翻以及男主毫发无伤。整段必须像一场真正拍摄完成、叙事清楚、动作连贯、逐步升级的3分钟电影级武打戏。

A photorealistic live-action 30-second uninterrupted one-shot action sequence, presented in native 16:9 widescreen cinematic format. Designed specifically for a full-width IMAX composition with an epic sense of horizontal scale. Visual quality comparable to a $350 million Hollywood blockbuster.

The camera is the true protagonist.

A devastated futuristic Tokyo stretches across the horizon. Endless ruined skyscrapers, collapsed highways, burning buildings, thick smoke columns, drifting ash, military helicopters, and distant explosions fill the entire width of the frame.

The opening begins with an enormous ultra-wide aerial establishing shot. The camera dives from the clouds toward the ruined city at breathtaking speed before seamlessly transitioning into an aggressive FPV drone flight.

A lone samurai in realistic black armor stands in the center of an abandoned avenue.

Far in the distance, occupying nearly the entire width of the horizon, a colossal 120-meter stone titan slowly emerges between skyscrapers.

The camera never cuts.

The titan charges.

Every footstep sends shockwaves through multiple city blocks.

The camera accelerates violently.

It flies between skyscrapers, through broken office floors, underneath collapsing bridges, inches above destroyed streets, then suddenly climbs hundreds of meters before diving again.

The camera constantly sweeps horizontally across the city, fully utilizing the 16:9 frame to reveal the immense scale of Tokyo.

Buildings rush past both sides of the frame with massive cinematic parallax.

The samurai sprints through the destruction.

The camera races beside him, then overtakes him, flies backward while tracking his face, performs wide orbit shots, dramatic side tracking shots, sweeping crane movements, low-angle hero shots, extreme wide establishing shots, and breathtaking aerial reveals—all without a single cut.

The samurai runs vertically along a collapsing skyscraper.

The camera follows only inches behind him before swinging outward into an enormous wide shot, revealing the titan filling almost the entire frame.

The camera dives beneath the titan, spirals upward around its massive body, then performs a huge 360-degree orbit as debris, fire, shattered glass, sparks, and smoke explode across the widescreen image.

Natural cinematic camera inertia, realistic handheld momentum, subtle vibration from explosions, dynamic focus pulls, anamorphic lens flares, realistic motion blur, volumetric lighting, HDR, atmospheric haze, practical lighting, physically accurate destruction.

Silence.

The camera slowly pushes toward the samurai.

He assumes an iaido stance.

An explosive burst of movement.

The camera follows the slash in one impossible continuous motion before rapidly pulling back thousands of meters.

The titan freezes.

A glowing cut slowly appears.

The titan splits perfectly in half.

Both halves collapse across the entire width of the city, generating an immense wall of dust that rolls across the skyline.

The final shot is an ultra-wide aerial pullback revealing the burning ruins of Tokyo stretching from edge to edge of the frame, with the lone samurai reduced to a tiny silhouette in the foreground.

Photorealistic live action, IMAX cinematic realism, ultra-detailed environments, massive sense of scale, seamless one-shot, award-winning visual effects, physically believable camera movement, spectacular destruction, emotionally powerful composition, 16:9 optimized, ultra-wide cinematic framing, no text, no subtitles, no watermark.

A photorealistic live-action 30-second uninterrupted one-shot action sequence, presented in native 16:9 widescreen cinematic format. Designed specifically for a full-width IMAX composition with an epic sense of horizontal scale. Visual quality comparable to a $350 million Hollywood blockbuster.

The camera is the true protagonist.

A devastated futuristic Tokyo stretches across the horizon. Endless ruined skyscrapers, collapsed highways, burning buildings, thick smoke columns, drifting ash, military helicopters, and distant explosions fill the entire width of the frame.

The opening begins with an enormous ultra-wide aerial establishing shot. The camera dives from the clouds toward the ruined city at breathtaking speed before seamlessly transitioning into an aggressive FPV drone flight.

A lone samurai in realistic black armor stands in the center of an abandoned avenue.

Far in the distance, occupying nearly the entire width of the horizon, a colossal 120-meter stone titan slowly emerges between skyscrapers.

The camera never cuts.

The titan charges.

Every footstep sends shockwaves through multiple city blocks.

The camera accelerates violently.

It flies between skyscrapers, through broken office floors, underneath collapsing bridges, inches above destroyed streets, then suddenly climbs hundreds of meters before diving again.

The camera constantly sweeps horizontally across the city, fully utilizing the 16:9 frame to reveal the immense scale of Tokyo.

Buildings rush past both sides of the frame with massive cinematic parallax.

The samurai sprints through the destruction.

The camera races beside him, then overtakes him, flies backward while tracking his face, performs wide orbit shots, dramatic side tracking shots, sweeping crane movements, low-angle hero shots, extreme wide establishing shots, and breathtaking aerial reveals—all without a single cut.

The samurai runs vertically along a collapsing skyscraper.

The camera follows only inches behind him before swinging outward into an enormous wide shot, revealing the titan filling almost the entire frame.

The camera dives beneath the titan, spirals upward around its massive body, then performs a huge 360-degree orbit as debris, fire, shattered glass, sparks, and smoke explode across the widescreen image.

Natural cinematic camera inertia, realistic handheld momentum, subtle vibration from explosions, dynamic focus pulls, anamorphic lens flares, realistic motion blur, volumetric lighting, HDR, atmospheric haze, practical lighting, physically accurate destruction.

Silence.

The camera slowly pushes toward the samurai.

He assumes an iaido stance.

An explosive burst of movement.

The camera follows the slash in one impossible continuous motion before rapidly pulling back thousands of meters.

The titan freezes.

A glowing cut slowly appears.

The titan splits perfectly in half.

Both halves collapse across the entire width of the city, generating an immense wall of dust that rolls across the skyline.

The final shot is an ultra-wide aerial pullback revealing the burning ruins of Tokyo stretching from edge to edge of the frame, with the lone samurai reduced to a tiny silhouette in the foreground.

Photorealistic live action, IMAX cinematic realism, ultra-detailed environments, massive sense of scale, seamless one-shot, award-winning visual effects, physically believable camera movement, spectacular destruction, emotionally powerful composition, 16:9 optimized, ultra-wide cinematic framing, no text, no subtitles, no watermark.

🕺プロンプト⬇️

Seedance 2.5｜30秒・完全ワンカット高速デュオダンス

30秒間ワンカット。編集カットなし。ショット切替なし。場面転換なし。別ショットへの変更なし。開始から終了まで同じ連続テイク。二人は常にフレーム内へ明確に収める。人物の複製、別人化、入れ替わり、融合、新しい人物の出現は禁止。

30秒だから動きを遅くしない。15秒ダンスと同等の運動密度を30秒間維持する。開始直後からすでに踊っている。静止、長いタメ、歩くだけの時間、ポーズを見せるための停止は禁止。約1拍から2拍ごとに、足、腰、胸、肩、首、腕、手首、指先、視線のどれかへ明確なアクセントを入れる。

キャラクターA：REN
20代半ばの東アジア系男性。高身長で細身だが、ダンサーらしく引き締まった体型。健康的な暖色系の肌。切れ長の琥珀色の瞳。目元へかかる、濡れたような黒いレイヤーヘア。挑発的で余裕のある表情。
浅く被ったヒョウ柄キャップ。アイスブルーとシルバーの光沢を持つ短丈デニムジャケット。内側には白いアシンメトリーなメッシュトップス。腰位置の高いライトブルーのダメージデニム。腰から揺れる赤いペイズリー柄の細長い布。複数のゴールドチェーン、細いベルト、腕時計、ブレスレット、メタリックパーツ。キャメル色の厚底ワークブーツ。
RENは動きの起点が鋭い。ヒールトゥ、高速クロスステップ、胸のヒット、肩の切り返し、手首スナップが得意。大胆で、相手を先に誘う。基本的に前半は半拍先行する。

キャラクターB：NOIR
20代後半の東アジア系男性。RENよりわずかに背が高く、華奢で手足が長い。色白の肌。細い黒縁眼鏡。灰黒色の鋭い瞳。片目へ落ちる無造作な黒髪。静かで妖しく、感情を表面へ出しすぎない。
黒と青紫の光沢を持つ短丈テーラードジャケット。細いシルバーライン。内側には少し透け感のあるオフホワイトシャツ。緩めた細い黒ネクタイ。高い腰位置の黒いワイドパンツ。左右非対称の揺れる布パネル。銀のチェーン、鍵型アクセサリー、細いボディベルト、指なし手袋。厚底の黒いレザーブーツ。
NOIRは肩、首、手首、指先、背骨の流れが柔らかい。RENの動きを半拍遅れて受け取り、そのまま模倣せず、反対方向や別の軌道へ変えて返す。中盤以降は先行役へ切り替わる。
二人の顔、髪型、肌色、体型、身長差、衣装、帽子、眼鏡、靴、装飾品を30秒間固定する。RENに眼鏡、黒いジャケット、銀の鍵飾りを追加しない。NOIRに帽子、青いデニム、赤い布、ゴールドチェーンを追加しない。二人の衣装や特徴を交換しない。
カメラ
中距離の全身ショットを基本にする。9:16の縦構図を活用し、一人を手前、一人を奥へ配置する前後構成と、二人を斜めに並べる構成を交互に使う。
カメラは30秒間完全停止しない。短い押し込み、軽い引き、小さな半円回り込み、わずかな上下移動、自然な手持ちの揺れだけで変化を作る。横方向へ長く移動するサイドスライドは禁止。
足元を見せる時もカットを切らず、カメラが少し低くなり、全身の中へ靴と足運びを含める。表情や手の接触を見せる時も、カメラが自然に少し押し込むだけにする。顔だけの長いアップは禁止。二人の脚とダンスを見失わない。
カメラはダンスを待たない。動作と同じテンポで小さく反応し、肩ヒットで微細に押し込み、ターンで短く回り込み、位置交換でわずかに引く。

アートステージ
背景は現実の場所ではない。屋上、路地、廃ビル、倉庫、普通の壁、夜景、街並み、写真背景のような風景は禁止。
実写MV用の巨大な縦型アートステージ。黒、オフホワイト、コバルトブルー、アイスブルー、深紅、鈍いゴールドを中心に構成する。
巨大グラフィティ、ネオンライン、手描き記号、意味を持たない抽象文字、動くポスター、破れた紙、スプレーアート、光る壁面、反射床、浮遊する紙片、黒インク、白い粒子、LEDライン、ステンシル、動く抽象図形を多層的に配置する。
開始時点から背景は激しく動いている。背景全体が118 BPMへ反応し、跳ねる、流れる、震える、剥がれる、反転する、再配置される。人物より前へ出ず、二人の顔、身体、脚を隠さない。
ステップで足元のグラフィティが弾ける。肩ヒットで壁の線が震える。胸ヒットでLEDが一度強く脈打つ。ターンで抽象記号が渦を作る。手首スナップで白いブラシ線と黒いインク斬撃が走る。指フリックで星形、稲妻、短いスパークが散る。接触動作では二人の間へ円形波紋が生まれる。
文字や記号を読ませる文章にはしない。歌詞、タイトル、字幕、ロゴ、ブランド名を表示しない。
ダンス全体
高速で華やかなストリートダンスと、親密なパートナーダンスを融合する。
細かな足踏みだけにしない。脚だけで踊らず、上半身、腰、胸、肩、首、腕、手首、指先、視線まで使う。高めの重心、綺麗な立ち姿、流れる連続動作を維持する。
低重心を長く続けない。膝はアクセントで一瞬だけ曲げ、すぐに伸ばす。しゃがみ込み、床ダンス、長い静止、重い動きは禁止。
二人は常に完全同期しない。半拍遅延、ミラー、逆方向への返し、交互の先行、短い完全ユニゾンを切り替える。
カップルダンス的な接触として、手首を受ける、前腕を組む、腕の下をくぐる、肩をかすめる、背中合わせになる、互いの重心を一瞬預ける、身体を引き寄せてすぐ離す、位置を交換する動きを使う。
接触後も止まらない。触れる、回る、離れる、次のステップへ入るまでを一つの連続動作にする。

0.0s–1.2s
開始直後から二人はすでに踊っている。
RENが手前、NOIRが約1.5メートル後方。二人とも中距離の全身。
RENが片足を前へ鋭く踏み込み、膝を一瞬使ってすぐ伸ばす。右肩ヒット、左肩ヒット、胸ヒット、手首スナップ。ヒールトゥからクロスステップへ入る。
NOIRは半拍遅れて同じ足運びを始めるが、腕はRENと反対方向へ流す。足元から粒子波紋と手描き円形波紋が広がる。

1.2s–2.4s
カメラが短く押し込む。
RENが斜め向きへ切り替え、前後ステップ、首スナップ、腰の小さな切り返し。片手を胸元のチェーンへ流し、すぐ外へ弾く。
NOIRは半拍遅れて肩と胸を刻み、指先を顔の横から下へ切る。背景線が連続して震え、白いブラシ線が走る。

2.4s–3.6s
カメラが少し低くなり、足元を含む全身。
二人が左右反転した高速ヒールトゥ。つま先タップ2回、かかとを引く、鋭いクロスステップ、斜め前への踏み出し。
RENが先に腰を小さく回し、NOIRが半拍遅れて逆方向へ回す。靴の軌道へ白線と粒子の尾が残る。

3.6s–4.8s
二人が前後位置を保ったままコンパクトなランニングマン変形。後ろへ引き、すぐ前へ戻る。
RENが腕を身体の近くから外へ切り、NOIRが逆側へ長く流す。二人が同時に小さくピボットし、視線だけをカメラへ向ける。
指フリックで星形とスパーク。巨大グラフィティが波打つ。

4.8s–6.0s
カメラが小さく半円回り込み、二人が斜めに並ぶ。
RENが片足クロス、反対足オープン、胸ヒット、肩抜き。NOIRは半拍遅れて同じ足運びを行いながら、上半身を逆方向へひねる。
二人が互いの手首を一瞬だけ受け、その接点を使って素早く位置を交換する。停止しない。

6.0s–7.2s
位置交換直後、NOIRが手前になる。
NOIRが先行し、斜めシャッフル、ヒールトゥ、つま先スクレイプ、首から肩へのウェーブ。RENが半拍遅れて追う。
NOIRが片腕を大きく流し、RENがその腕の下を素早くくぐる。髪、布、チェーン、赤い布が強く揺れる。

7.2s–8.4s
カメラが短く寄るが、膝下まで維持する。
RENがNOIRの肩付近へ手を滑らせ、NOIRがその手首を一瞬だけ受ける。二人は視線を合わせたまま、胸ヒット、肩ヒット、手首スナップを交互に返す。
REN、NOIR、REN、NOIRの順で半拍ごとにアクセントを交換する。

8.4s–9.6s
二人が接触を解き、反対方向へ同時に半回転。
RENは右回転、NOIRは左回転。回転終了と同時にクロスステップ、オープンステップ、指フリック。
ターンの軌道へ手描き回転線と短い残像。背景記号が二重の渦になる。

9.6s–10.8s
カメラが自然に全身へ戻る。
二人が同じ方向を向き、RENが前、NOIRが後ろのシャドーダンス。RENが肩、胸、腰、手首を高速で連結し、NOIRが半拍遅れて追従する。
NOIRは最後の手首スナップだけ先回りし、RENの動きを追い越す。

10.8s–12.0s
先行役がNOIRへ切り替わる。
NOIRが高速クロスステップ、前後ステップ、片肘を外へ切る、胸ヒット、首スナップ。RENが半拍遅れて同じリズムを別方向へ返す。
二人の足元に交互の円形波紋。背景ポスターが一拍ごとに剥がれ、粒子へ変わる。

12.0s–13.2s
二人が向かい合う。
NOIRが右手を差し出し、RENが左手首で受ける。手を握り続けず、接点を使って二人が素早く逆方向へ一回転。
回転途中で前腕を組み、肩をかすめ、そのまま立ち位置を交換する。

13.2s–14.4s
二人が背中合わせになる。
NOIRが肩、胸、腰の順に高速で刻み、RENが半拍遅れて返す。次の2拍でRENが先行へ戻る。
背中を強く押し合わず、肩甲骨の接触を軸に小さく回転する。黒インクと白線が二人の輪郭に沿って走る。

14.4s–15.6s
二人が同時に反転し、正面へ戻る。
RENが高速ヒールトゥ、NOIRが逆方向のつま先タップ。腕は交差し、足はミラーになる。
RENがNOIRの前腕を一瞬引き、NOIRがその勢いを利用して身体を横へ流す。二人はすぐ離れる。

15.6s–16.8s
カメラがわずかに低くなり、全身を強調。
二人が高速シャッフル、クロス、オープン、ヒールスイッチ。左右の足を素早く交換しながら、上半身は胸ヒットと肩ロールを続ける。
足元のグラフィティが連続して弾ける。動きを止めない。

16.8s–18.0s
カメラが小さく押し込む。
RENが片手を帽子のつばへ触れ、すぐ外へフリック。NOIRが眼鏡の横へ指を近づけ、触れずに外へ流す。
二人が同時に首を切り、腰を逆方向へ流し、胸ヒットから手首スナップへ接続する。視線を短くカメラへ向ける。

18.0s–19.2s
NOIRがRENの腕の下を高速でくぐる。
RENは腕を上げたまま静止せず、身体を同時にピボットさせる。NOIRが抜けた瞬間、二人が前後位置を交換。
ターンで銀とゴールドの粒子軌跡が交差する。

19.2s–20.4s
二人が斜め方向へ進みながら、ランニングマン変形、クロスステップ、肩ヒットを連続する。
RENが半拍先行、NOIRが半拍遅延。2拍後に役割が反転し、NOIRが先行する。
カメラは短く引き、二人の移動範囲と全身を維持する。

20.4s–21.6s
二人が前腕を組み、一瞬だけ互いに外側へ体重を預ける。
傾いた姿勢を保持しない。すぐ反動で中央へ戻り、肩をかすめながら左右へ抜ける。
戻る動きに胸ヒット、手首スナップ、指フリックを重ねる。円形VFXが二人の間で弾ける。

21.6s–22.8s
二人が並び、短い完全ユニゾン。
ヒールトゥ、クロスステップ、胸ヒット、肩ロール、首スナップ、両手首スナップを高速で連結する。
完全同期は約2拍だけ。後半はRENが半拍先行し、NOIRが逆方向へ動きを流す。

22.8s–24.0s
NOIRが前、RENが後ろの縦配置。
NOIRが身体を斜めへ切り、片腕を顔の横から外へ流す。RENが後方から半拍遅れて同じ軌道を反対側へ返す。
二人が同時に半回転し、前後位置を入れ替える。背景の抽象図形が縦方向へ伸びる。

24.0s–25.2s
RENが高速クロスステップからNOIRへ接近。
RENの片手がNOIRの肩を一瞬かすめ、NOIRはRENの腰付近の揺れる布へ触れず、軌道だけを追う。
二人は身体を近づけたまま肩、胸、腰を交互に刻み、次の拍ですぐ離れる。

25.2s–26.4s
カメラが少し下がり、足元を含む全身。
二人が逆方向の高速シャッフル。つま先タップ、ヒールスイッチ、足の交差、オープンステップ。
上半身は止めず、肩ヒット、首スナップ、指フリックを同時に行う。床の反射へ青、赤、金の光が走る。

26.4s–27.6s
二人が再び向かい合い、手首を一瞬接続する。
RENがNOIRを引くのではなく、互いの回転力を交換する。RENが右回転、NOIRが左回転し、回転後に肩をかすめてすれ違う。
すれ違いながら両者がカメラへ短く視線を送る。

27.6s–28.8s
二人が同じ方向を向き、最後の高速ユニゾンへ入る。
前後ステップ、クロスステップ、胸ヒット、右肩、左肩、手首スナップ、指フリック、タイトな半回転。
最初の2拍は完全同期。続く動きはRENが半拍先行、最後はNOIRが先行して終盤へ繋ぐ。

28.8s–30.0s
停止しないフィニッシュ。
二人が前腕を一度組み、反対方向へ身体を流し、その反動で中央へ戻る。腕を解きながら高速クロスステップ、肩ヒット、胸ヒット、手首スナップ。
RENが先にカメラを見る。NOIRが半拍遅れて眼鏡越しに視線を向ける。
決めポーズで固まらない。二人が次のターンへ入り始め、髪、ジャケット、ネクタイ、チェーン、赤い布が大きく揺れ、カメラも軽く押し込んでいる途中で終了する。

手描きVFX
実写映像に2D手描きアニメーションを重ねた質感。
白線、黒インク線、ラフなブラシライン、スピード線、円、バツ、波線、星形、稲妻、擦れた筆跡、短い残像を使用する。線は少し揺れ、意図的なコマ落ち感を持つ。
VFXは毎拍同じものを出さない。足、肩、胸、手首、指、ターン、二人の接触へ別々に反応する。顔、手、脚、衣装のシルエットを隠さない。

Negative Prompt
スローモーション、遅いダンス、長いタメ、静止、ポーズ保持、開始時の棒立ち、歩くだけ、単調な横揺れ、地味な足踏み、同じステップの反復、低重心を続ける、膝を曲げ続ける、床ダンス、しゃがみ込み、長い視線の演技、顔だけのアップ、接触したまま停止する、ゆっくりした回転、過剰なオービット、カメラ停止、サイドスライド、横追跡、カット、ジャンプカット、隠しカット、暗転、ショット切替、場面転換、別の場所、人物増殖、第三者、別人化、顔交換、衣装交換、帽子交換、眼鏡交換、髪型変更、衣装消失、アクセサリー消失、身体融合、手指崩壊、余分な手足、身体貫通、足滑り、宙に浮く、普通の背景、屋上、路地、廃ビル、倉庫、夜景、街並み、地味な衣装、普通の私服、読める文章、字幕、歌詞、ロゴ、透かし、白飛び、過剰なモーションブラー、ちらつき。

ジャパニーズホラーの空気感。彩度を落とした病的な緑と灰色のアンダートーンによるカラーグレーディング。腰から上のトラッキングショットのワンカット長回し。青いストライプのボタンダウンシャツにカーキのチノパンを着た少年が、霧に沈んだ静まり返った日本の田舎の集落の通りを走っている。少年の顔は静かな恐怖に震え、目には今にもこぼれそうな涙が光り、口は声にならない嗚咽をこらえるように薄く開いている。カメラはゆっくりとした意図的な手持ちの動きで少年に寄り添うように漂う。集落は不気味なほど静か。濃い白い霧が家々の間に低く垂れ込め、すべての音を吸い込んでいる。通りのあちこちに、苔・蔦・絡まった緑の葉で全身が覆われた人型の存在が、ゆっくりと硬直したゾンビのような歩き方で、濡れた路面に足を引きずりながら歩いている。その動きは機械的で不自然。一部は少年が通り過ぎると顔のない苔の頭をゆっくりと回し、別の個体は不気味な遅延動作で蔦の腕を伸ばす。音楽はなし、濡れた足音とかすかな水滴の音だけ。少年は通りの植物人間をすり抜け、木造家屋の間の狭い路地へ入る。カメラは薄暗い通路を追う。路地にも数体の植物人間が同じ遅いゾンビ歩きでのろのろと移動しており、苔むしたシルエットが薄暗い中で黒い木の壁と見分けがつかない。少年は脇をすり抜け、必死に日本家屋の引き戸を押し開けて中に入る。カメラは室内へ続く——薄暗い和風建築の内部が一瞬映る。板張りの廊下がまっすぐ奥へ伸び、両側の部屋は開いた襖の向こうに畳の間が見え、壁には黒カビのシミ、あらゆる表面に湿気が光り腐敗を暗示する。廊下や部屋の中を植物人間が同じ硬直したゾンビ歩きでゆっくりと移動している。苔の体がほぼ暗闇の中で蠢く。少年はすぐに奥の出口を見つける——廊下の突き当たりの木の戸。軋む板張りの廊下を駆け抜ける。廊下にいた植物人間がゆっくりと体を回し、少年が通り過ぎる際に苔の腕を伸ばす。少年は裏手の戸を引き開け、家の裏の灰色の曇天の下に広がる畑へとよろめき出る。カメラは地面近くまで下がり、ニンジンの葉や大根の葉の列の間から向こう側を覗く。背景に少年が畑を横切って走る姿が霧の中にぼんやり見える。長く居心地の悪い間。やがて手前の葉が震え始める——激しくではなく、ゆっくりと忍び寄るような震え。暗く湿った土の中から、実物と同じサイズの大根・ニンジン・カブが、腕や脚のような根の形をして音もなく地面から這い出してくる——どれも拳ひとつ分から前腕ほどの実際の野菜の大きさ。最初はゆっくりと現れ、青白い体から土がぼろぼろと崩れ落ち、やがて速度を上げて土の上をよちよちと歩き出す。囁きと叫びの間のような細く甲高いキーキー音を発する。畑のあらゆる畝から数百体が姿を現す。カメラがゆっくりと上がり少年を捉える。少年は立ち止まっている。足元を見下ろす。表情が困惑から純粋な恐怖へと変わる。小さな根菜たちが足元に群がり、何十本ものニンジン・白い大根・丸いカブが靴にしがみつきズボンの裾をよじ登る。少年は震えながら振り払おうとするが、四方八方からさらに押し寄せる——キーキー鳴く小さな野菜の潮流が黒い土の上を流れるように少年へ向かってくる。少年は膝をつく。カメラがゆっくりと安定した軌道で少年を中心に回り始める。Jホラー映画のような冷静な客観性をもって。根菜たちが細い鳴き声の合間の沈黙の中で積み重なっていく——胴体をよじ登り、腕をつかみ、肩と背中に群がる。少年の嗚咽が空っぽの畑に響く。少年は仰向けに倒れ込み、まだ弱々しく根菜を押し返そうとしている。カメラは急がない軌道で回り続け、根菜が層を成して少年を埋めていく——脚が消え、胸が覆われ、腕が飲み込まれる。叫びがくぐもり、やがて無音になる。青いストライプシャツの最後の一片が、数百体の小さな野菜が蠢く塚の下に消える。カメラが緩やかにやや高い位置へと上昇する——真俯瞰ではなく、軽いハイアングルで脈打つ根菜の塚を見下ろす。この視点から畑の全体が四方に広がる。あらゆる畝、あらゆる溝から、無数の小さな根菜——ニンジン、大根、カブ——が根の足で土から出てきて、中央の塚に向かって静かに途切れることなく行進を続けている。果てしない、音のない行列。音響：濡れた足音、水滴、木の軋み、かすかな風、遠い囁きのように層を成す細い甲高い鳴き声、土が静かに裂ける音、少年の叫びがくぐもった沈黙へと消えていく、土の上を根が這う静かなざわめき。

Create a 30-second stylized 3D animated short with appealing rounded character design, expressive facial animation, tactile materials, warm cinematic lighting, playful physical comedy, and sincere emotion. No dialogue, subtitles, logos, or readable text. [0–5s — The Street] Frontal wide shot across a busy sidewalk: a weary, kind-eyed middle-aged beggar sits on the ground against an old stone wall, wearing the same patched coat and knitted cap throughout. A shallow donation plate rests in front of him. Pedestrians repeatedly cross between the camera and the beggar, briefly hiding him and emphasizing that he is overlooked. After one foreground passerby fills the frame, cut upward to a glossy black crow watching from a nearby tree branch, its head tilting with alert curiosity. [5–12s — Kindness] Return to the same frontal geography. A pedestrian takes the final bite from a half-eaten sandwich, pauses, and gently places the remaining half beside the beggar’s plate. Hold on the beggar’s grateful expression. The crow glides down and lands beside him. In a closer shared frame, the hungry beggar breaks off a piece of sandwich and offers it on his open palm. The crow cautiously takes it; their eyes meet, establishing trust. [12–16s — The Theft] A different passerby drops a paper banknote into the plate. Brief insert as it lands. The beggar’s shoulders lift, his tired face brightens, and he smiles with relief. Cut to the crow noticing this reaction. It snaps its head toward the plate, hops forward, grabs the same banknote in its beak, and launches away. The beggar freezes for one comic beat, then springs up and gives chase. [16–25s — The Chase] Accelerate through a clear, energetic multi-cut pursuit while preserving the crow’s route and the beggar’s direction of travel. The crow flies low between pedestrians; the beggar dodges around them, nearly collides with a fruit cart, regains balance, and keeps running. Lateral tracking through narrow streets between tall buildings; foreground bodies and street objects create fast parallax. The crow darts over the hood of a moving car at the last instant; the beggar skids past behind it as the driver brakes safely. Follow the banknote as the causal visual anchor, always secured in the crow’s beak. Alternate wide geography, close near-misses, and restrained handheld chase views. The crow finally turns into a quiet hidden courtyard and rises toward a wooden treehouse built inside a huge old tree. [25–30s — The Gift] The beggar follows up a rough wooden ladder and cautiously enters the small treehouse. Shift from frantic motion into stillness. Over his shoulder, reveal shelves and nests filled with many glittering found treasures: coins, paper money, rings, necklaces, brooches, watches, and polished trinkets. Warm golden shafts of light illuminate the collection. The beggar’s amazement slowly becomes an emotional smile as he realizes the crow deliberately led him here. The crow places the stolen banknote neatly on the treasure pile, turns toward him, and gives a mischievous, affectionate smile. End on a gentle two-shot of the unlikely friends beside the glowing treasure, with the crow nudging one small golden ring toward the beggar. Keep exactly one beggar, one crow, one sandwich, one donation plate, and the same stolen banknote throughout. Preserve clothing, character proportions, prop ownership, daylight direction, travel direction, and treehouse layout. Use expressive but believable body weight, cloth movement, wingbeats, landings, foot contact, traffic motion, and object interactions. Audio: lively city ambience, footsteps, cloth and paper rustle, soft crow calls, wingbeats, comic percussion during the theft, rapidly building orchestral rhythm through the chase, then warm strings and delicate piano for the final reveal.

Use @[image1] as storyboard reference for cinematic sequence. use as first shot 01 A 30-second majestic cinematic sequence transitioning smoothly through all 9 storyboard panels in strict chronological order. Visual style: luxury travel commercial, photorealistic 8K, hyper-detailed sand textures, rich golden hour lighting, volumetric atmosphere, silk-like fabric physics. CRITICAL: Absolutely NO frames, borders, film strips, numbers, UI, or text. Render as seamless full-screen cinematic shots only. Ignore grid layout completely. Maintain 100% fidelity to the composition, color palette, and textures of the reference panels. Shot 1 (0-3.3s): Panel 1. Wide cinematic shot. A caravan of camels walks in silhouette against a massive setting sun. Deep shadows and golden rim light. Camera pans slowly right, following the footprints in the sand. Shot 2 (3.3-6.6s): Panel 2. Low-angle tracking shot. Camels drinking from a crystal-clear oasis. Palm trees sway gently in the breeze. The water reflects the golden sky with realistic ripples. Shot 3 (6.6-10.0s): Panel 3. Drone shot rising. A lone rider guides a camel up the steep ridge of a massive sand dune. The sun is a giant glowing orb behind them. Sand grains shift realistically under hooves. Shot 4 (10.0-13.3s): Panel 4. Long lens shot. A majestic desert city with minarets shimmers in the heat haze across a vast sandy plain. The caravan moves slowly towards the mirage. Atmospheric perspective is deep and rich. Shot 5 (13.3-16.6s): Panel 5. Tracking shot. The caravan passes through ancient stone arches and ruins. Sunlight streams through the columns, highlighting the weathered stone texture and dust particles in the air. Shot 6 (16.6-20.0s): Panel 6. Dynamic action. A powerful sandstorm swirls around the caravan. The wind whips the sand and cloaks dramatically. High contrast, dramatic lighting, raw power of nature. Shot 7 (20.0-23.3s): Panel 7. Night scene. A tranquil camp under a starry sky with the Milky Way visible. A warm campfire crackles in the center, illuminating the faces of travelers and the canvas of tents. Shot 8 (23.3-26.6s): Panel 8. Wide establishing shot. The caravan moves across endless rolling dunes at sunset. The wind creates intricate patterns on the sand ridges. The light is warm, soft, and inviting. Shot 9 (26.6-30.0s): Panel 9. Grand Finale. The caravan arrives at the gates of a magnificent city with domes and towers. The sun sets perfectly behind the architecture. Camera slowly zooms out to reveal the scale of the destination. ZERO TEXT. Style reinforcement: seamless transitions, cinematic camera movement, rich color grading, consistent golden aesthetic, high-end commercial quality, NO text, NO grid, NO numbers, photorealistic details.

FORMAT: 30-second horizontal 16:9 realistic smartphone video.

Create an authentic, imperfect everyday gym phone recording, as if a friend casually left a phone recording on a nearby bench. Use a standard smartphone camera with mild autofocus hunting, subtle exposure shifts, natural motion blur, compression artifacts, and slightly uneven handheld framing. No polished commercial look.

00–05s — ARRIVAL

The character walks into a nearly empty gym after finishing a difficult set. They place a water bottle and towel beside a bench, sit down heavily, and lean forward with both elbows on their knees. Their breathing is noticeably heavy.

Camera remains several feet away at a slightly low angle, as if casually recording from a phone placed on a gym bench.

05–10s — RECOVERY

They slowly unscrew the water bottle, take two small drinks, then pause with the bottle still in their hand. Their chest continues rising and falling from exertion.

They look down at their hands for a moment, flex their fingers, then wipe sweat from their forehead with the towel.

10–15s — THE NEXT SET

A gym timer or workout screen is visible in the background but remains completely out of focus and unreadable.

The character notices the timer, looks at it, gives a small tired smile, and shakes their head as if realizing they have less rest time than expected.

They stand up slowly and roll their shoulders.

15–20s — PUSHING THROUGH

They walk toward a cable machine and adjust the weight themselves.

Close natural phone framing as they step into position. They briefly close their eyes, take one deep breath, then begin a controlled exercise set.

Show realistic physical effort: tightening muscles, sweat collecting around the forehead and neck, slight trembling near the end of each repetition, natural breathing rather than exaggerated acting.

20–25s — FINAL REP

The final repetitions become visibly difficult.

They pause halfway through one repetition, breathe hard, regain control, and complete the movement with genuine effort.

After finishing, they slowly release the handle, bend forward slightly, and place their hands on their thighs while catching their breath.

25–30s — QUIET ENDING

They grab the towel, wipe their face and neck, then look directly toward the phone for a brief moment.

With a tired but satisfied expression, they quietly say in a natural low voice:

“Okay… that was worth it.”

They pick up the water bottle and walk out of frame.

End naturally while the camera continues recording for a moment before the clip stops.

AUDIO

Natural gym ambience only: distant weights being placed down, cable machine sounds, rubber flooring footsteps, ventilation hum, subtle clothing movement, water bottle clicks, realistic breathing, and occasional muffled gym sounds.

Dialogue should sound spontaneous and slightly breathless, not scripted or theatrical.

VISUAL REALISM

Authentic smartphone footage, ordinary gym lighting, realistic skin texture, visible pores, natural sweat, slightly flushed face, damp hair around the forehead, realistic muscle movement, imperfect exposure, mild phone-camera sharpening, compression noise, subtle autofocus changes, believable shadows and reflections.

STRICTLY AVOID: cinematic color grading, beauty filters, artificial skin smoothing, dramatic slow motion, music, subtitles, captions, logos, readable text, fake gym equipment, exaggerated muscles, perfect lighting, fisheye distortion, excessive camera shake, unrealistic sweat, duplicated limbs, warped hands, unnatural facial expressions, scene cuts, time jumps, or skipping the described actions.

A cookie split apart at center frame explodes into flying halves as thick chocolate filling stretches between them in a taut glossy strand, camera whip-zooming out on impact with crumb debris blasting past the lens [00:00–00:01]; cut to the two halves flying apart and shattering into smaller pieces that scatter and tumble through a deep purple gradient void streaked with warm motion-blur light trails [00:01–00:02]; cut to a whole cookie rocketing toward camera trailing molten chocolate that whips and chases behind it like a ribbon [00:02–00:03]; cut to two cookie halves colliding head-on at center frame, chocolate filling smashing and fusing between them in a thick glossy bridge, crumbs flung outward on impact [00:03–00:04]; cut to a torn cookie snapping apart again in extreme close-up, filling stretching into thin threads before snapping free in slow motion [00:04–00:05]; hard cut to a whole cookie held suspended and slowly rotating inside a warm-lit vortex, crumbs and light streaks spiraling around it [00:05–00:06]; cut to a thick rope of chocolate drizzling downward in slow motion toward a bed of chocolate crumbs, a single droplet falling beside it [00:06–00:07]; cut to the chocolate strand landing and splashing across the crumb surface, sending a crown-shaped chocolate splash upward with fine droplets suspended at peak [00:07–00:08]; cut to the packaging orbiting into frame beside a whole cookie and a cracked half, both circling slowly inside a swirling motion-blur ring on a dark surface [00:08–00:09]; cut to a push-in on the packaging tilted beside a cookie half revealing the glossy filling, warm rim light catching the foil edges [00:09–00:10]; cut to the packaging tumbling into frame with cookies and loose crumbs scattering around it in an arc, settling at a dynamic

Create a cinematic luxury diamond advertisement with a dark premium aesthetic. A black jewelry box slowly opens to reveal a flawless diamond. The camera pushes in for an extreme close-up as a gloved hand lifts the diamond. As it rises, electric-blue energy and realistic lightning begin forming around it. The diamond floats in the air while powerful lightning strikes in the background, with glowing particles, volumetric lighting, realistic reflections and physically accurate diamond refraction. Smooth cinematic camera movement, dramatic lighting, photorealistic CGI, premium commercial quality, realistic physics, highly detailed, consistent diamond throughout the entire shot.

Ultra-realistic found-footage paranormal home video aesthetic. Static bedroom surveillance camera mounted high in the corner, slight fisheye distortion, infrared night vision, compressed digital texture, low-light noise, subtle timestamp feel, realistic darkness, quiet room tone, no modern cinematic polish.
Authentic paranormal home-video realism, believable sleep behavior, subtle supernatural motion, clean dialogue, stable continuity, unnerving pacing, realistic night-vision texture, viral horror payoff, no gore, no graphic harm.

Two sleeping parents in bed. One young child, small silhouette, pale pajamas, quiet, expression unreadable, calm but unsettling. No injury, no gore, only eerie paranormal tension.
Ordinary parents’ bedroom at night: double bed, hallway door slightly open, closet, dresser, baby monitor, weak moonlight bleeding through curtains.

0-4s: Locked-off wide surveillance angle - The parents sleep motionless. The room is silent except for a faint fan hum. The bedroom door slowly creaks wider on its own.

4-8s: The child appears silently in the doorway, perfectly still, staring into the room. One parent shifts in sleep but does not wake. A subtle distortion flickers across the frame.

8-12s: The mother wakes slightly and whispers: “Sweetie… what are you doing awake?” The child answers softly, without emotion: “He told me not to wake you.”

12-16s: A visible depression slowly forms on the empty side of the mattress as if someone unseen just sat down. The father jolts awake. The closet door eases open by itself. The child remains frozen in the doorway.

16-20s: The mother turns toward the child, terrified, and asks: “Who told you that?” The child tilts their head and says quietly: “The man behind you.” At that exact moment the camera glitches hard for one second, the parents spin around, and when the image stabilizes the doorway is empty.

Subject: Person from Image1. Face and hairstyle must match Image1 exactly; do not change identity. Ignore its outfit, background, pose, and text. Outfit: oversized casual sleepwear, messy morning look. 9:16 vertical.

Old iPhone everyday-video aesthetic throughout: static phone propped on bathroom sink, standard 1x lens, no distortion, heavy noise/compression, slight mirror steam, warm/off-white overhead lighting. Natural skin, pores, flyaways, under-eye tiredness. No beauty filter, grading, cinematic/CG look, fisheye, vignette, or legible text.

0–4s: Groggy, walks in yawning, glances at phone/mirror, rubs eyes.
4–8s: Brushes messy hair and mutters, “okay... five more minutes wasn't enough.”
8–12s: Steps on bathroom scale, looks down, gives a subtle eye-roll/sigh/shrug, steps off.
12–16s: Opens small closet, holds up two shirts one after another, indecisive.
16–19s: Chooses the first, tosses the other aside, looks at camera and says softly, “…this one. good enough for today,” with a tired smile; freeze final frame.

Bathroom clutter: toothpaste/skincare bottles, but all labels illegible. Sound only: bathroom ambience, hairbrush, scale beep/click, fabric rustle, close muffled sleepy voice with slight bathroom reverb. Keep all cuts and actions; no skipped scenes or on-screen text.